Era Seu Destino

Frontier Gal has two exceptionally great features that make the film at least a "7" rather than a "4"- One is the least 20 minutes of the film- fast paced and lots of action (in contrast to the first 60 minutes which was primarily colorful scenes from an old west barroom), breathtaking scenery of the Sierra mountains in California and a great story ending and 2. Miss Beverly Simmons who was fantastic in her role of Mary Ann. From my research on IMDb.com Miss Simmons appeared in only about 4-5 movies, including Buck Privates Come Home. all before the age of fifteen and died too early at the age of 64. I believe her last film was a role in Weekend with Father (1951)for which she did not receive a credit. Miss Simmons was "Shirley Temple" like yet with her own unique charm and terrific acting. I give a 10 to Miss Simmons.

Very atypical western,verging on slapstick farce ,with the longest slaps and kisses scene ever filmed .

She's the boss:Yvonne De Carlo runs the saloon and she reigns over men till a stranger comes .So begins an offbeat story ,part western ,with plenty of chases,part musical (even the daughter pulls her little tune ) ,part comedy .There are lots of domestic quarrels on an eventful wedding night,and it seems that the husband has the upper hand every time.An husband who has also got a straight bland fiancée who's got a "true" job (she's a teacher;says auntie:there are two jobs for a woman : one is respectable ,my niece's ,and one is scandalous ,yours!) These two ladies want the man to divorce Lorena .To make the matter worse,Lorena has also a suitor,a really jealous guy.

The movie is so-so but Miss De Carlo was a beauty and had plenty of go.

Originally meant to be a vehicle for Maria Montez who didn't like the script - allegedly the spanking scene at the end - so the part went to Yvonne de Carlo, who thought that the spanking was 'cute'. The movie is fairly predictable in its taming-of-the-shrew type of rumbustious humour with plenty of fights and a prolonged spanking of our feisty heroine's pert bottom at the end, after which, of course, all is well. Well according to Western if not #MeToo. Cute performance by the child actress who manages not to be too annoying.

I saw and forgot about countless western movies in my early years, but this is one western I recall vividly. (I picture it in Technicolor.) First, I remember fiery Yvonne De Carlo and cowboy Rod Cameron who came riding up to the establishment she owned. It was like the irresistible object encountering the immovable force. Their love-hate romance was unusual for any era, and would be almost unthinkable in today's films, but it worked for this out-of-the-mainstream movie. I've forgotten some of the details, but what impressed me most was their little girl and how she brought about the exciting conclusion of the movie and a strangely satisfying resolution to their love affair. This is one I'd like to see again, but it never turned up on TV and seems to have faded into oblivion. A pity. It was fun.

Bad Man Rod Cameron is shotgun-married to saloon singer Yvonne De Carlo. After one night of honeymooning, he's arrested. When he returns from six years in prison, he discovers he has a five-year-old daughter.

Despite the usually sure comedy hand of director Charles Lamont, this movie annoyed me from the beginning, and my mood grew sourer as it progressed. Was it Cameron's one-note, offhanded performance? Miss De Carlo's I-love-you-don't-touch-me performance? The way plot points, like a daughter or a fiancee appears just as it is needed? Beverly Simmons' squeaky-voiced, I'm-a-cute-little-girl act? All those and more. At least Fuzzy Knight gets to show the reason he was known as an entertainer by playing the piano.

It's not enough. This was originally planned as a vehicle for Jon Hall and Maria Montez. Reportedly, Miss Montez, on seeing the script, refused the part. When the geniuses assigned the role to Miss De Carlo, they figured they didn't need Hall, and in the usual inspired manner, assigned Cameron as the leading man from SALOME WHEN SHE DANCED. Miss De Carlo doesn't dance, but she does sing, voice courtesy of Doreen Tryden.