Olimpíadas e Mocidade Olímpica - Parte 2: Festa da Beleza
Título original: Olympia 2. Teil - Fest der Schönheit
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Segunda parte do documentário inovador que registra as Olimpíadas de 1936 em Berlim, mas concebido como propaganda do regime nazista.Segunda parte do documentário inovador que registra as Olimpíadas de 1936 em Berlim, mas concebido como propaganda do regime nazista.Segunda parte do documentário inovador que registra as Olimpíadas de 1936 em Berlim, mas concebido como propaganda do regime nazista.
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For the most part, this is just a continuation of the first part of "Olympia"--a documentary about the 1936 Berlin Olympics made by the notorious Leni Reifenstahl. Unlike her slobbering lover letter to Hitler in "Triumph of the Will", the "Olympia" films are NOT filled with German propaganda but are incredibly artistic films. They are filled with some of the best camera-work you'll ever see--and put more modern Olympic documentaries to shame in this regard. The films are gorgeous.
The film begins with a lot of nudity--just like "Part One". This time, it's full of naked men doing all sorts of outdoorsy things--swimming, lounging, running and hanging out in the sauna. While it was not intended, there sure seemed to be a strong homo-erotic quality about it. But I assume the real purpose was to show an idealized view of modern Germans--like they are descendants of the original Greek athletes. Regardless, it's a lot of naked blond men cavorting about...artistically.
Like "Part One", following this very artsy beginning, the rest of the film is a straight documentary showing the various Summer Olympic events. In all cases, the camera-work was brilliant. But the ones that REALLY struck me were the yachting scenes. How Riefenstahl and her crew did these shots is a mystery. I THINK they tagged along in boats and shot some of the scenes with a telephoto lens. Others, I suspect, were re-created for the film to give it added close-up realism. Regardless, the camera shots were amazing.
Unfortunately, however, like "Part One", the film got VERY dull because just showing event after event got tedious--especially since the viewers have no idea who any of these folks are and the events occurred 73 years ago. Of course it looked great and was supremely composed...but still kind of dull. My feeling is that if you are a film snob, cinemaniac or appreciate art films, watch this and the first installment. Others might just find it a tough viewing.
By the way--get a load of the gymnastic events. First, the participants were only men. Second, they all performed outdoors! Interesting how times have changed!
The film begins with a lot of nudity--just like "Part One". This time, it's full of naked men doing all sorts of outdoorsy things--swimming, lounging, running and hanging out in the sauna. While it was not intended, there sure seemed to be a strong homo-erotic quality about it. But I assume the real purpose was to show an idealized view of modern Germans--like they are descendants of the original Greek athletes. Regardless, it's a lot of naked blond men cavorting about...artistically.
Like "Part One", following this very artsy beginning, the rest of the film is a straight documentary showing the various Summer Olympic events. In all cases, the camera-work was brilliant. But the ones that REALLY struck me were the yachting scenes. How Riefenstahl and her crew did these shots is a mystery. I THINK they tagged along in boats and shot some of the scenes with a telephoto lens. Others, I suspect, were re-created for the film to give it added close-up realism. Regardless, the camera shots were amazing.
Unfortunately, however, like "Part One", the film got VERY dull because just showing event after event got tedious--especially since the viewers have no idea who any of these folks are and the events occurred 73 years ago. Of course it looked great and was supremely composed...but still kind of dull. My feeling is that if you are a film snob, cinemaniac or appreciate art films, watch this and the first installment. Others might just find it a tough viewing.
By the way--get a load of the gymnastic events. First, the participants were only men. Second, they all performed outdoors! Interesting how times have changed!
- planktonrules
- 30 de nov. de 2011
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Você sabia?
- CuriosidadesLeni Riefenstahl's visit to the United States in 1938 was mainly aimed at finding a US distributor for the film. Faced with fierce protests from many American organizations, in particular the 'Anti-Nazi League', her plan never came to fruition. The first screening in the United States was organised in Chicago in November 1938 by Avery Brundage, president of the US Olympic Committee and an ardent Nazi sympathiser. The private reception was hosted by Mrs. Claire Dux Swift, ex-wife of the German film star Hans Albers. The second screening (also private) took place on 14th December 1938 at the California Club in presence of Olympic medalists and screen Tarzans Johnny Weissmuller and Glenn Morris (Riefenstahl's ex-lover), as well as Olympic diver Marjorie Gestring. For this screening, Riefenstahl submitted a copy where she had edited out almost all the scenes featuring Hitler.
- Erros de gravaçãoJust after Speer's 'Lichtdom' or Cathedral of Light is revealed, there is a procession of flags. The 7th flag, that of Portugal, is hung upside down on its pole. The same mistake is shown again a few seconds later as the wreaths are placed on the finials.
- Versões alternativasIt is well known that both parts of Olympia were made in three language versions - English, French, and German. Less well known is that each version is slightly different from one another. Additionally, at least with the English version, Riefenstahl frequently altered prints. The prints distributed on 16mm film in the 1960s did not have a boxing sequence, whereas current prints do (although the dialogue for the boxing sequence is in German). Even less well known is that upon its original release in the United States (1940), the Diving Sequence was about 1 minute longer than its current version (attentive soundtrack listeners can clearly hear the abrupt break in the music). This longer version of the Diving Sequence can be seen at the Anthology Film Archives (whose print comes from Raymond Rohauer) and the Museum of Modern Art, both in New York City.
- ConexõesEdited into Rammstein: Lichtspielhaus (2003)
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- How long is Olympia Part Two: Festival of Beauty?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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By what name was Olimpíadas e Mocidade Olímpica - Parte 2: Festa da Beleza (1938) officially released in India in English?
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