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IMDbPro

A Hora da Vingança

Título original: Deadline - U.S.A.
  • 1952
  • Approved
  • 1 h 27 min
AVALIAÇÃO DA IMDb
7,2/10
4,6 mil
SUA AVALIAÇÃO
Humphrey Bogart in A Hora da Vingança (1952)
With his newspaper about to be sold, crusading editor Ed Hutcheson tries to complete an exposé on gangster Rienzi.
Reproduzir trailer2:46
1 vídeo
99+ fotos
Film NoirCrimeDrama

Com seu jornal prestes a ser vendido, o editor Ed Hutcheson tenta concluir uma denúncia sobre o gangster Rienzi.Com seu jornal prestes a ser vendido, o editor Ed Hutcheson tenta concluir uma denúncia sobre o gangster Rienzi.Com seu jornal prestes a ser vendido, o editor Ed Hutcheson tenta concluir uma denúncia sobre o gangster Rienzi.

  • Direção
    • Richard Brooks
  • Roteirista
    • Richard Brooks
  • Artistas
    • Humphrey Bogart
    • Ethel Barrymore
    • Kim Hunter
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    4,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Richard Brooks
    • Roteirista
      • Richard Brooks
    • Artistas
      • Humphrey Bogart
      • Ethel Barrymore
      • Kim Hunter
    • 48Avaliações de usuários
    • 40Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Vídeos1

    Trailer
    Trailer 2:46
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    Fotos859

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    Editar
    Humphrey Bogart
    Humphrey Bogart
    • Ed Hutcheson
    Ethel Barrymore
    Ethel Barrymore
    • Margaret Garrison
    Kim Hunter
    Kim Hunter
    • Nora Hutcheson
    Ed Begley
    Ed Begley
    • Frank Allen
    Warren Stevens
    Warren Stevens
    • George Burrows
    Paul Stewart
    Paul Stewart
    • Harry Thompson
    Martin Gabel
    Martin Gabel
    • Tomas Rienzi
    Joe De Santis
    Joe De Santis
    • Herman Schmidt
    • (as Joseph De Santis)
    Joyce Mackenzie
    Joyce Mackenzie
    • Katherine Garrison Geary
    Audrey Christie
    Audrey Christie
    • Mrs. Willebrandt
    Fay Baker
    Fay Baker
    • Alice Garrison Courtney
    Jim Backus
    Jim Backus
    • Jim Cleary
    Parley Baer
    Parley Baer
    • Headwaiter
    • (não creditado)
    Bill Baldwin
    Bill Baldwin
    • Man Asking for Ed Hutcheson
    • (não creditado)
    Willis Bouchey
    Willis Bouchey
    • Henry
    • (não creditado)
    Lovyss Bradley
    Lovyss Bradley
    • Woman
    • (não creditado)
    John Brooks
    • Reporter
    • (não creditado)
    Ralph Brooks
    • Newspaperman
    • (não creditado)
    • Direção
      • Richard Brooks
    • Roteirista
      • Richard Brooks
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários48

    7,24.6K
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    Avaliações em destaque

    bat-12

    One of Bogart's two most underrated films.

    This film was released (as I remember) the same year as The African Queen. I have always liked it more than the latter film. Richard Brooks's prior experience working on a newspaper gives it a genuine idea of what that kind of work is like. The performances of Bogart and Barrymore are very good. I think it's one of her very best. This movie deserves to be seen and appreciated more.
    7ksf-2

    what's killing the newspapers ?

    The film opens with a businessman being questioned in a courtoom, similar to the House Un-American Committee This newspaper may be sold, right in the middle of the biggest news story of the year. Stars Bogart as the editor, and Ethel Barrymore as Mrs. Garrison, the owner. and Jim Backus (Mr. Howell, from Gilligan's Island) is in here. Bogart tries to convince Mrs. Garrison to keep the paper going, but its an uphill battle. Not a lot of votes on imdb for this one, so TCM must not show it very often. Touching scene, where the reporters all hold a memorial for the paper in the bar.... even more prescient today, when there are very few papers left, and those few are an endangered species. Some similarites to Citizen Kane, where the respectable paper can't compete with the yellow, sensational papers for circulation. Written and directed by Richard Brooks, who was married to Jean Simmons. Pretty good stuff. I had never seen this one before. It really strikes a nerve today, with the interwebs really killing off newspapers.
    7Xstal

    The Bottom Line...

    Being the editor of a newspaper is intense, when the world outside your window don't make sense, where gangsters rule the roost, the owners easily seduced, an ex-wife who will not give you recompense. So we follow you around and watch you play, it's fair to say, that these are not ordinary days, always going toe to toe, they could be friends, they could be foes, but you ensure everyone, hears what you say. The performances are fine and competent, the emotion and the passion sufficient, not really sure the story's deep, there's not a lot of underneath, but it's 90 minutes that can be well spent.
    8bkoganbing

    Racing to beat life's deadline

    Deadline - U.S.A. has Humphrey Bogart as the editor of a big city newspaper that is in the process of being sold to a Rupert Murdoch like chain that publishes scandal sheets. His paper is in the process at the same time of doing an expose of notorious racketeer Martin Gabel.

    And if that ain't enough for Bogey his wife Kim Hunter is splitting from him. It's the usual story, she can't stand having him married to her and the paper as well.

    Growing up in New York in the Fifties we had several newspapers, each vying for a smaller readership. I remember we had the Times, News, Post, Herald Tribune, World-Telegram&Sun, Journal-American, and the Daily Mirror. Some of those you can see are the products of consolidation, there were more in the past. After a printer's strike in the sixties most of them went out of business.

    The papers were competing for a shrinking share of readership. In the previous generation, radio competed with the print media and I grew up with that new phenomenon of television. Today we are seeing the effects of the Internet as the individual's primary source for news.

    The gangster part of the plot gets started with the discovery of the body of a Virginia Hill like moll, the former mistress of Martin Gabel. While some of the scandal sheets cover the sensational aspects of the murder of a glamor girl, Bogey's paper does some serious investigative reporting and uncovers a lot of evidence. Their work also has consequences including the maiming of young reporter Warren Stevens.

    In the meantime the heirs of the newspaper's original founder are looking to sell the paper. Opposing it is their mother, Ethel Barrymore and she has a fine part and is obviously the model for the widow publisher played by Nancy Marchand in Lou Grant. She has one classic scene with Humphrey Bogart where they commiserate over their mutual problems.

    Deadline - U.S.A. is a realistic look at the life of a big city paper in days gone by. It's a gritty piece of nostalgia, as timely in its day as The Front Page was in the Twenties. Cast members like Paul Stewart, Jim Backus, and Ed Begley look and feel right at home at their jobs.

    The film is recommended particularly for younger viewers who are glued to their computers and television to see how a newspaper functioned back in the day.
    8wisewebwoman

    Humphrey as a newspaper editor...

    This wonderful 1952 film - it must have been approaching Humphrey's last performance - wins on all levels.

    It triumphs as an historical curiosity into how newspapers were published 50 years ago, down to the presses and the layouts and assignments, and also for its truly remarkable supporting cast, many of them, some famous, like Ethel Barrymore, Jim Backus and Ed Begley and some part of the Hollywood backdrops in score of movies.

    Kim Hunter excels also as the Bogart ex. Martin Gabel eerily predicts the Tony Soprano performance of today as an underworld Kingpin shown with his perfect domestic arrangement.

    The scene of the "wake" for the death of the newspaper is wonderful, and also some wonderful camera pans on continuous action in many scenes.

    The script is well done and keeps the action moving along, some funny throwaway lines too, particularly in the car scene with the mobster and in his ex-wife's bedroom.

    Also it is subtle and understated and not rampant with the 2X4's of some of today's instant-soup scripts. Do not miss this one, Bogie and Kim fans!!

    8 out of 10.

    Enredo

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    Você sabia?

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    • Curiosidades
      Originally titled 'The Newspaper Story', location shooting took place both in the newsroom and the printing plant of The New York Daily News, with real pressmen playing themselves. This was augmented by an 'almost letter-perfect' reproduction of a newsroom on a Hollywood soundstage.
    • Erros de gravação
      As Rienzi's car drives off after picking up Hutcheson, a large studio light is reflected against the side window of the car.
    • Citações

      [last lines]

      Ed Hutcheson: That's the press, baby. The press! And there's nothing you can do about it. Nothing!

    • Conexões
      Featured in Jogo de Paixões (1970)
    • Trilhas sonoras
      John Brown's Body
      (uncredited)

      Traditional tune, lyrics attributed to various writers

      Sung, with modified lyrics, by the staff in the bar and heard as a theme at other times.

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    Perguntas frequentes16

    • How long is Deadline - U.S.A.?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 10 de maio de 1952 (Canadá)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Streaming on " DIGISIM Abandon Time Capsule Theater" YouTube Channel
      • Streaming on "Chris T" YouTube Channel
    • Idiomas
      • Inglês
      • Latim
    • Também conhecido como
      • La hora de la venganza
    • Locações de filme
      • New York Daily News Building - 42nd Street, Manhattan, Nova Iorque, Nova Iorque, EUA
    • Empresa de produção
      • Twentieth Century Fox
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 5.228
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 27 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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