AVALIAÇÃO DA IMDb
6,5/10
1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThree sailors come ashore and take the city by storm, but can they win the hearts of three women by song?Three sailors come ashore and take the city by storm, but can they win the hearts of three women by song?Three sailors come ashore and take the city by storm, but can they win the hearts of three women by song?
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
The Jubalaires
- Themselves
- (as Jubalaires)
Jerry Antes
- Dancer
- (não creditado)
Jimmy Brooks
- Dancer
- (não creditado)
Buddy Bryan
- Dancer
- (não creditado)
Avaliação em destaque
HIT THE DECK is a 1955 cinema scope mop up of MGM stars and talent whose contracts would have been soon to expire. A bit like a aircraft carrier version of DEEP IN MY HEART it hangs together a roster of singing and dancing talent but this time with ultimately fairly just-OK songs and energetic dance numbers. Still, even at its most bland it is still unable to be made in Hollywood today. The women are the most interesting talent on offer and whoever said Tony Martin had an audience apart from Mummas in delicatessens was truly misled. He is the most annoying part of this B grade musical with A grade MGM production values. Like he did with the Marx Bros films in the 30s. Kelly was making ITS ALWAYS FAIR WEATHER another 'sailors on leave' 1955 cinema scope MGM musical at the same time and that film with its Comden Green script and songs is light years ahead in sophistication and quality. Still HIT THE DECK has a two of very entertaining 'big' dance numbers, in particular the "finale" and the "Bayou" sizzler with its very erotic and blatant imagery and choreography. It is so out of place in this 'suburban' film as it is sooo good. The color is also very good for Eastman since MGM saw the error of their ways and stopped using horrible Ansco color which visually marred several big films in 53 and 54. This must have been as safe a bet in which MGM could expect to play out as many stars as possible in yet one more sailor musical. Russ Tamblyn and Debbie Reynolds are always cute in this era though.
- ptb-8
- 16 de mar. de 2005
- Link permanente
Enredo
Você sabia?
- CuriosidadesBased on his athletic dancing in films such as this one and O Pequeno Polegar (1958), most audiences assume that Russ Tamblyn was a trained dancer. In fact, the actor had no history of dance training. He was a skilled tumbler, and that was originally slated to be his singular contribution to Sete Noivas para Sete Irmãos (1954), but his natural movement ability was so accomplished that he was incorporated more and more into the dance sequences. This would ultimately culminate in his being cast as Riff in Amor, Sublime Amor (1961), one of the most dance-heavy musicals in Broadway history.
- Citações
Chief Boatswain's Mate William F. Clark: Ginger, baby, I worship the ground you walk on!
Ginger: Now he's talking real estate!
- Cenas durante ou pós-créditosAnd Introducing Kay Armen
- ConexõesFeatured in 1955 Motion Picture Theatre Celebration (1955)
- Trilhas sonorasOverture (Join the Navy)
(1927) (uncredited)
Music by Vincent Youmans
Lyrics by Leo Robin and Clifford Grey
Performed by the MGM Studio Orchestra and Chorus Conducted by George Stoll
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Hit the Deck?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- ¡Qué pícaras mujeres!
- Locações de filme
- San Francisco, Califórnia, EUA(backgrounds)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.300.000 (estimativa)
- Tempo de duração1 hora 52 minutos
- Mixagem de som
- 4-Track Stereo(original master sound track)
- Proporção
- 2.55 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Marujos e Sereias (1955) officially released in India in English?
Responda