AVALIAÇÃO DA IMDb
6,7/10
216
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA successful theatrical director is driven to failure by the machinations of his vengeful wife. Eventually, he lands in a mental hospital where both his wife and his new love, a young actres... Ler tudoA successful theatrical director is driven to failure by the machinations of his vengeful wife. Eventually, he lands in a mental hospital where both his wife and his new love, a young actress named Charlotte, are waiting to see him.A successful theatrical director is driven to failure by the machinations of his vengeful wife. Eventually, he lands in a mental hospital where both his wife and his new love, a young actress named Charlotte, are waiting to see him.
Billy M. Greene
- Schloss
- (as Billy Greene)
Edward Platt
- Harry Downs
- (as Edward C. Platt)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I saw this film in its original release in Hollywood and have never forgotten June Allyson's shrew of a wife and how she kept putting the psychological knife in her poor, emotionally wasted husband, played by Jose Ferrer. I was too young to know why a wife would do this but the effect has never left me. This film deserves a beautifully restored DVD presentation. June Allyson deserved an Oscar nomination and perhaps the award given the fact that she made a 180 turn against her long established type. Ms. Allyson would only make three more Hollywood films and then escape into television with her own series and then guest host and star in her husband, Dick Powell's, weekly anthology series. She proved her dramatic mettle over and over on television and lived out a serene, much respected retirement in California's wine country near Clint Eastwood's place. Those in Ojai, according to what one resident told me, would see Ms. Allyson in town and about and always gave her the respect of admired distance, yet with warmth. I loved June Allyson, still a handsome beauty to the end.
First film directed by highly talented actor Jose ferrer ,who would direct his own version of the Dreyfus affair,long before Roman Polanski .
His portrayal of a failed playwright is thoroughly convincing : confined to a mental hospital after nearly taking his own live, he remembers his past ,his wife who dominated him , who treated him like a grown up kid , urging him to give up on his writer's job for a place in her father's business.Ill at ease with the other inmates , he sometimes wonders if it's not a wrongful confinement .June Allyson,cast against type, is not bad as a selfish wife who finally realizes she may need a shrink too .An over possessive woman ,she fears her husband may leave her for an actress ,Charlotte: in fact she does not see this thespian is a way for the writer to assert himself as a man.It's perhaps too bad that the ending should have been sweetened ;but do not miss Ferrer's excellent performance.
His portrayal of a failed playwright is thoroughly convincing : confined to a mental hospital after nearly taking his own live, he remembers his past ,his wife who dominated him , who treated him like a grown up kid , urging him to give up on his writer's job for a place in her father's business.Ill at ease with the other inmates , he sometimes wonders if it's not a wrongful confinement .June Allyson,cast against type, is not bad as a selfish wife who finally realizes she may need a shrink too .An over possessive woman ,she fears her husband may leave her for an actress ,Charlotte: in fact she does not see this thespian is a way for the writer to assert himself as a man.It's perhaps too bad that the ending should have been sweetened ;but do not miss Ferrer's excellent performance.
Before the ending to "The Shrike", I loved the film. José Ferrer, as usual, turned in a great performance and the story was very unusual and kept my interest. It's so sad, then, that the original and more downbeat ending was replaced with a ridiculous upbeat ending.
The story begins with a Broadway director, Jim Downs (Ferrer), is brought into the psychiatric emergency room. He'd just attempted suicide and they plan on keeping him for some time. Why he did it isn't exactly clear at the beginning of the film but over time you learn that his manipulative wife has a part in this. The problem now is that he cannot get out of the place without her help...and she doesn't exactly seem eager to let him out unless it's on her terms.
According to IMDB, June Allyson wanted to play a grittier role, but the studio execs got nervous when preview audiences couldn't accept the actress in a role where she isn't sweet. So, although the story is supposed to be about a harpy of a woman, inexplicably, the film walks back on this at the end...and ending that just doesn't ring true and undoes so much good in the movie.
The story begins with a Broadway director, Jim Downs (Ferrer), is brought into the psychiatric emergency room. He'd just attempted suicide and they plan on keeping him for some time. Why he did it isn't exactly clear at the beginning of the film but over time you learn that his manipulative wife has a part in this. The problem now is that he cannot get out of the place without her help...and she doesn't exactly seem eager to let him out unless it's on her terms.
According to IMDB, June Allyson wanted to play a grittier role, but the studio execs got nervous when preview audiences couldn't accept the actress in a role where she isn't sweet. So, although the story is supposed to be about a harpy of a woman, inexplicably, the film walks back on this at the end...and ending that just doesn't ring true and undoes so much good in the movie.
A decent film ruined by a totally unbelievable ending. The final 2 minute scene went against everything I'd been viewing for the previous 90 minutes. I allow a wide berth in films, especially older ones, for unrealistic situations, characters, coincidences.....but I'm not sure if I've even seen anything like this. Judge for yourself.
June Allyson steps way out of type for this bravura acting effort. It is a psychological study of a playwright (Jose Ferrer) slowly sinking into depression and attempting suicide unsuccessfully. Allyson plays his loving but demanding wife. It is very clinical and grimly realistic. Allyson is magnificent and 100% believable as the domineering wife who comes close to loving her man to death. Ferrer is very good as the brooding playwright who comes apart at the seams under the pressure he buys into. Edward Platt is very good as Ferrer's brother. Only Joy Page is a tad unbelievable as Ferrer's ultra-sympathetic would-be paramour. Altogether, I rate it 9/10.
Você sabia?
- CuriosidadesAllyson badly wanted to play a dramatic, villainous role and, according to her, "begged them to let me (play Ann Downs)." However, preview audiences said "'June Allyson would never, ever put her husband in an insane asylum and leave him there. She'd at least get him out.' We had to reshoot the end of the film [where] I went back to the insane asylum . . . So I could be good. So the public never accepted me as anything but the wife and the girl next door."
- Cenas durante ou pós-créditosThe opening credits are typewritten on a roll of paper, which a hand cuts at intervals with a pair of scissors.
- ConexõesReferenced in What's My Line?: José Ferrer (1955)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Shrike
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 28 minutos
- Cor
- Proporção
- 2.00 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Almas em Desespero (1955) officially released in India in English?
Responda