A Mosca da Cabeça Branca

As a child in the theater I screamed and had bad dreams.... Then as a teenager I watched the "Fly" on TV and still Jumped back in fear at the sight of that horrible face! A few years later my friends and I watched it on TV again, but this time I turned down the sound at the scary scenes ( theorizing that the music was the cause of the fear) but even at low volume the haunting cries of "Help me...Help me" gave me the chills. A MUST SEE DF.

The Fly is a movie I have just been dying to see, I have heard a lot about this movie, mainly the infamous "Help me! Help me!" scene. But of course the number one reason being that this is the original to the remake with Jeff Goldblum which is an incredible movie in itself, but I was curious what the original would be about. Honestly I was thinking that it was going to be very cheesy, it's a 1950's horror movie that would probably be over the top, but honestly, from the very beginning you get gore, which was odd, but sickly enough I love it! I am also a huge Vincent Price fan, this is the man of the classic B horror movies and his voice and presence make these movies worth the watch. So I finally got to see this on netflix, I absolutely loved The Fly. Is this better than the remake? Honestly, the remake is more realistic on what would happen if this really did occur, but don't overlook the original, as cheesy as a fly in a giant trench coat can be, it's all good and this story is tons of fun and really scary.

A woman named Helene Delembre phones her brother-in-law, Francois Delambre to tell him that she has just murdered her husband. Francois calls in the police and she admits killing him but refuses to say why. Later, Francois tricks her into telling the story to him and Police Inspector Charas. A scientist, Andre Delambre, has invented a teleportation device. After a few failed attempts, he succeeds with living organisms, deciding to go for the ultimate risk and transport himself. The first time works, but, unknown to him, a fly enters the cabin with him and the two are hopelessly scrambled together. The scientist emerges as a half-man, half-fly, a human with a fly's head, leg and arm/claw. His wife finds out something is wrong as she now sees him with a cloth over his head and a hidden arm. He eventually tells his wife what has happened and she first sees his claw and screams, then later sees his fly head and screams more. His wife, son and maid try to find the "fly with a white head" and fail. The son had caught it just after the accident but had been made to let it go, before any of them knew what it was. Andre attempts to reverse the process to return himself to normal, but fails and when he realizes that his mind is being overtaken by that of the fly he asks his wife to end his suffering by killing him with a heavy machine press.

The Fly is a fantastic and thrilling movie. I know that the ending sequence of "Help me! Help me!" was cheesy and over the top to some, but to me it was just plain creepy, it really scared me. The whole atmosphere of the film just felt uncomfortable and disturbing. Granted, I know these were not top of the line make up effects with the fly, I do have to laugh juts a little bit with seeing a fly in a trench coat. But still it was effective and made for a great sci-fi story. I love these old movies for a specific reason, this was the time when film meant something to the cast and crew making it and The Fly was made to give people the chills. It's just rare now-a-days, if this was made in today's world, it would be all gore and just stupid. So I do recommend that you see this film if you are looking for a good scare. Both this and the remake are terrific films and are a ton of fun to watch.

8/10

The Fly (1958)

You might be convinced to see a movie just because it has Vincent Price and Herbert Marshall in it--they come from different backgrounds, but both are serious actors with nuance and clearly chiseled personalities. And they definitely raise the movie up.

But it's the story that is the star here. A Ray Bradbury kind of science fiction, where a futuristic idea enters middle America, and where something goes terribly, bizarrely wrong. If you think about it it's disturbing, but the movie doesn't pause to let you think. One of its strengths is that it never flags. And the main character, the handsome father and scientist (who creates the invention of the century in his basement), is brilliant. He's suave, alternately relaxed and obsessed, reasonable and believable even when talking about the unbelievable.

The flaws are so obvious they you can skim over them--the fly effects at the end, their stupidity at catching and losing the fly, the notion of insanity, the television kind of family interactions--but it does make the movie more of an entertainment than some fine art classic. But hey, that's what it's supposed to be, and really enjoyable. Even in parts brilliant. Watch it!

In a Montreal machine shop, scientist Andre Delambre (Al Hedison) is found crush to death with his wife Helene (Patricia Owens) at the controls. She calls to confess to his brother Francois (Vincent Price). With the head crushed, Francois identifies the body with a long scar on his leg. Helene's confession seems suspicious and Andre's basement lab is trashed. Helene seems obsessed with flies and Francois pretends to have captured a white-headed fly. Helene recounts the story to him and Inspector Charas. Andre had succeeded in making a teleportation device.

This is much better than a simple 50's B-movie. The story is actually quite compelling. The acting is relatively good. Vincent Price is playing it straight. The production looks good. The directions are a little stiff which is the style of the day. It is still the story that is so great and the reveal is absolutely iconic.

After killing her husband Helene Delambre recounts the story of why she done it. Her husband was a scientist who was deeply into his work and through those long days and weeks he makes a big breakthrough in science by inventing a teleportation machine that can transmit matter from one spot to another. After some glitches he fine tunes the device and decides to test it by using himself as a guinea pig. While, in the process of this test, a housefly gets caught inside with him and when he emerges from the other capsule he shares its genetic structure and physical attributes.

"The Fly" is classic Sci-Fi / horror from the 50s and what a nice surprise this was! Unlike many of its kind in the 50s, this one didn't have a childish feel. The context may seem silly here, but its executed with enough skill and handled in a relax manner by director Kurt Neumann to set above the rest. Just don't be expecting a monster on the rampage tale. This one veers more towards a much more broaden and imaginative story with a certain eeriness contained in its psychological material rather than visuals. Even though it doesn't scare you witless, it still does provide a couple of memorable and ingenious shocks that are hard to put out of your mind. The film opens with the horrific outcome of Helene's husband Andre and then it goes into flashback mode where we learn the fate of Dr. Andre Delambre. What does make it surprisingly good is that we're treated with such passionately vivid characters and a interesting set-up that pulls you in by taking a more serious approach with a dabble of irony along the way. The talkative first hour slowly builds up to its taut last half-an-hour, where we get a smart and venomously bleak climax. Although, it could have done without that preachy conclusion. The rational script by James Clavell works by being incredibly dense with it thriving on some quick wit and sincerity. The story is more about a woman trying to save the man she loves as he slowly fights the genetic effects of the fly's DNA. He may seem hideous on the outside, but inside he is still more so human and he's trying his best to keep control of his dieing humanity. This is proved by how much he cares for his family's safety when he's willingly to take his own life for the best of everyone. It's practical story telling at its best.

The look of the film is top shape with it being shot in vibrant Technicolor and the key is that the deformity is kept hidden, but when it's revealed it actually stands up rather well. It's ugly, that's for sure, but still it looks rather competent. They're also an inventive touch when we see the creature for the first time with multiple frames being used to represent the reflection from human fly's eyes. In Cronenberg's version we see the grotesque transformation, but because of the times and effects we don't see it here, but more so the aftermath of the mishap. All of the devices and gadgets in Andre's lab are well presented and the mounted score adds in a forceful touch with nice crisp sound effects. The performances are more than great by the likes of Al Edison, Patricia Owens, and Herbert Marshall and even though Vincent Price had a supporting role, you'll be in awe of his effortlessly suave performance.

An excellent classic of its field that's more concern about telling a moving and fascinating story than just giving us pointless action and cheap thrills to spice up proceedings. The more you stick it out, the more compelling it does become.