Melinda

one of the few black films overlooked by the same studios that were saved by these so called blackploitation films.bad genre title,the only thing exploited were the actors who were not paid the money they deserved.lot of action,and dramatic acting.the late great miss cash should have won an Oscar for performance for her dual role in this film. a great introduction for Jim Kelley who should have had a great action film career as the great chuck Norris.these films in the early 1970s were just plain great fun and escapism.studios be aware there are millions to be made on forgotten films such as black belt Jones, three the hard way,trouble man,Melinda,abbey,hit-man,Gordon's war,sparkle and others that should be remastered to DVD.just check out the profits to already released titles

such as the mack,super fly,foxy brown and Corly high.please surprise us fans of a bygone and special era.

great action career as the great chuck Norris

of all the blaxplotation films in the 70's, Melinda ranks on my list with Shaft, Superfly, Trouble Man, Cotton comes to Harlem, and such like. i had'nt seen it since 1974 maybe, and have been looking for it for more than 30 years. finally, i found it in San Francisco. the DVD was a good print although you knew it was as old as it is/was. Calvin Lockhart was brilliant as the narcissistic Frankie J Parker, and Rosiland Cash's role of Terry, displayed the strength and resolve of a strong Black woman of the time. violent and dark, with a hint of mystery and overloaded with the rage of revenge, Melinda was a thriller. as i watched again, for the first time, the lines all came back and i can remember how many of Lockhart's lines, i began using. incredible how influential movies can be to a 20year old African-American in the 70's.

The idea of Metro Goldwyn Mayer dipping its toe into the blaxploitation genre may at first sound strange, but actually MGM did this several times, most notably with the "Shaft" films. But while the "Shaft" films are well know to this day, "Melinda" has been all but forgotten today. It doesn't take long upon watching it to figure out why. The first third of the movie is incredibly slow and dull. The next two-thirds has a bit more speed and action, but too little and too late. Director Hugh A. Robertson was obviously hampered by a poor screenplay, but he was also obviously restricted with a limited amount of money, since the movie looks more like an effort for television than for the silver screen. But that's not to say that Robertson should be totally absolved of fault. There are some very poorly directed sequences, and his instructions to the movie's star Calvin Lockhart make the talented actor's character come across as selfish, obnoxious, and cruel. I have a feeling that even the target audience at the time found this a sub par effort, though I'll admit I have seen much worse 1970s blaxploitation films.

A smooth DJ falls for a woman he's just met. When he finds her dead a short time later, he discovers that she had been killed because of her ties to organized crime. The DJ decides to avenge her death, receiving the help of a woman (the late, great Rosalind Cash) whom he had scorned. This film doesn't exactly follow the bullets and blood formula of many other Blackploitation action films. It does a little better on characterization, especially of the DJ and his scorned gal pal. However, it doesn't get as deep as it promises to be.

That super-ego brilliant Mutha Frankie J. Parker played by Calvin Lockhart is a ghetto disc jockey who smooth talks and womanizes until he meets a sultry gal named Melinda played by Vonetta McGee. Things go smoothly until Melinda winds up dead in Frankie's apartment. The mob is behind the hit since Melinda had one of their audio tapes concealed in a cigarette box. Frankie cant take on the mob all by himself so he rounds up a few buddies and struggling businessman and karate instructor Charlie Atkins played by Jim Kelly and together form a small army and go into combat. Kelly, who is responsible for the violence and Lockhart take on thugs, steal their cars and drive up to the mob boss's mob to "clear things up" and "close the deal". In the end Frankie rekindles a lost love interest and Kelly and his crew go back to the real world and leave Frankie and his old time gal to reconcile and understand each other throughout the end of the film. Through this violent action film I saw a lot of the characters emotions, the fear,the struggle,the anger,the courage, and the love and romance. At the end I felt good inside. I could Identify with the characters who went through all that. To me this film has been overlooked and underrated. "Melinda" should be digitally remastered and recorded on DVD. I strongly recommend this film to anyone. Look past the color and the genre. This is your kind of Black Film.