AVALIAÇÃO DA IMDb
4,1/10
1,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDisgraced SIC agent Bill Dexter teams up with bumbling doormen Franco and Ciccio to stop Dr. Goldfoot from using his bikini-clad robot girls to blow up high-ranking NATO generals.Disgraced SIC agent Bill Dexter teams up with bumbling doormen Franco and Ciccio to stop Dr. Goldfoot from using his bikini-clad robot girls to blow up high-ranking NATO generals.Disgraced SIC agent Bill Dexter teams up with bumbling doormen Franco and Ciccio to stop Dr. Goldfoot from using his bikini-clad robot girls to blow up high-ranking NATO generals.
- Direção
- Roteiristas
- Artistas
Francesco Mulè
- Colonel Doug Benson
- (as Francesco Mulé)
Ennio Antonelli
- Goldfoot Henchman
- (não creditado)
Frankie Avalon
- Craig Gamble
- (cenas de arquivo)
- (não creditado)
Silvana Bacci
- Robot
- (não creditado)
Mario Bava
- Angel with Harp
- (não creditado)
Giulio Bottoni
- Hotel Guest
- (não creditado)
Augusto Brenna
- Officer
- (não creditado)
Rossana Canghiari
- Robot
- (não creditado)
Angelo Casadei
- Military Policeman
- (não creditado)
Tony Casale
- Computer Technician
- (não creditado)
Franz Colangeli
- General
- (não creditado)
Antonietta Fiorito
- Robot
- (não creditado)
Gianfranco Funari
- US Army Official
- (não creditado)
Avaliações em destaque
This is the second Dr. Goldfoot movie. What can I say about this film? It is a second rate sequel. Instead of Frankie Avalon, they got Fabian. The film was shot in Italy with a couple of goofy Italian comics. This one was played more for laughs. (Not that they got them.) Vincent Price is the ONLY reason to see this film. He has alot of gleeful fun as the evil doctor.
The final chase scene takes place in an Italian amusement park and is reminicent of an H.R. Puffinstuff episode. Lots of running around and unneccesary amusement park rides.
Fans of Austin Powers and/or Vincent Price will want to see this. Everyone else might be warned to see better films.
The final chase scene takes place in an Italian amusement park and is reminicent of an H.R. Puffinstuff episode. Lots of running around and unneccesary amusement park rides.
Fans of Austin Powers and/or Vincent Price will want to see this. Everyone else might be warned to see better films.
My wife will be happy to tell you that I watch a lot of bad movies, but usually in the genre of "so bad that they're good." The first movie in this series fell into that category, but this sequel moved the "bad" needle way past the "camp" point to the point of no return.
The plot is paper-thin, the dubbing is awful, the sets, rear projections, models, and special effects are grade-school level, and most of the actors are unbearable. The "funny" Italian duo (who I guess were big Italian stars...the short one reminds me vaguely of Larry Storch) never even APPROACH funny, especially with their dubbed voices. (Why do bad movies like this always use voice actors who use cartoon voices rather than normal speech?) You know the movie is in trouble when the director calls for sped-up action (a la Benny Hill).
Vincent Price, who would do anything for money, floats above the cesspool to some degree, especially when he's hamming it up straight to the camera. The other saving feature is Les Baxter's generic 60s score, with whiffs of the Tijuana Brass. If you survive to the end, you'll hear one of the worst closing themes since "The Green Slime."
The plot is paper-thin, the dubbing is awful, the sets, rear projections, models, and special effects are grade-school level, and most of the actors are unbearable. The "funny" Italian duo (who I guess were big Italian stars...the short one reminds me vaguely of Larry Storch) never even APPROACH funny, especially with their dubbed voices. (Why do bad movies like this always use voice actors who use cartoon voices rather than normal speech?) You know the movie is in trouble when the director calls for sped-up action (a la Benny Hill).
Vincent Price, who would do anything for money, floats above the cesspool to some degree, especially when he's hamming it up straight to the camera. The other saving feature is Les Baxter's generic 60s score, with whiffs of the Tijuana Brass. If you survive to the end, you'll hear one of the worst closing themes since "The Green Slime."
One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Mario Bava; Produced by Fulvio Lucisano and Louis Heyward for American-International Pictures. Screenplay by Heyward and Robert Kaufman; Photography by Antonio Rinaldi; Edited by Ronald Sinclair; Music by Les Baxter; Assistant Director: Lamberto Bava. Starring: Vincent Price, Fabian, Franco Franchia, Ciccio Ingrassia, Laura Antonelli and Francesco Mule.
Ridiculous comedown for Mario Bava, reduced to banal slapstick comedy, imitating the dregs of the Bond/Helm sexy espionage genre. Price craps out as the mad scientist and a pair of Italian low comics overdo their Abbott & Costello approach, while talented Laura Antonelli is decorative. Exploding robot girls as plot premise is even dumber than in "Bikini Machine" forerunner.
Ridiculous comedown for Mario Bava, reduced to banal slapstick comedy, imitating the dregs of the Bond/Helm sexy espionage genre. Price craps out as the mad scientist and a pair of Italian low comics overdo their Abbott & Costello approach, while talented Laura Antonelli is decorative. Exploding robot girls as plot premise is even dumber than in "Bikini Machine" forerunner.
A rather bizarre mix of surreal gags, verbal comedy (including some breaking of the fourth wall) and juvenile slapstick (prepare for lots and lots of fast motion), "Dr. Goldfoot And The Girl Bombs" suffers from often shoddy special effects, and Franco Franchi's mugging will not be to everybody's taste, to put it mildly, but it also has its strengths: Vincent Price is far and away the best thing in the film, clearly having a ball with atypical (for him) low comedy, but hitting some high spots as well, through his excellent delivery ("And then there were none!"). The women are beautiful in that still-unsurpassed 1960s way, and they are everywhere you look! The one with the largest role is a young Laura Antonelli, in one of her first films: not only does she have a steamy seduction scene (playing a robot version of her human character), but she also shows a knack for slapstick comedy. I'd say take a chance with this film, even if you don't like it, it's short enough (about 80 minutes) not to take up too much of your time. Funniest bit: the recreation of the classic "mirror sequence" from "Duck Soup". ** out of 4.
The first movie was not what I call a good movie, but it did have a certain campiness and fun to it. This sequel however is just a weird mess in almost every way. The only redeeming qualities were the beautiful girls and especially Vincent Price's more expanded and deliciously arch performance. In regard to Price, Dr Gooldfoot and the Girl Bombs is arguably his worst film(though Green Hell and Story of Mankind are just as poor as well) but he being Price looks as though he was at least he was enjoying himself, though I read somewhere that that wasn't the case. Nothing else however works. The production values look as though that each one came from different films altogether, and it looks cheap, further disadvantaged by some very haphazard editing. In regards to the score, I am going to take a guess and say that the film at some point was re-scored. If that was the case, it didn't work as the music doesn't fit the film at all. The script is poor, with the comedy very ill-judged and everything else has a very overly-corny tone. The story feels padded, and has nothing surprising or exciting. Mario Bava's direction indicates that he was completely out of his depth, because he directs as though he didn't have a clue of what he was doing. Apart from Price, the acting is terrible. Fabian is really bland and looks lost, but what truly sinks Dr Goldfoot and the Girl Bombs is the double act Ciccio and Franco, mugging and grimacing with no charm, genuine comic timing or grace whatsoever. The pratfalls they do here are also hopelessly contrived. All in all, a weird and disappointingly messy film that makes the heavily flawed but somewhat entertaining first film look like Citizen Kane. 2/10 Bethany Cox
Você sabia?
- CuriosidadesThis movie was originally intended to be a sequel to Goldginger (aka Dois Mafiosos contra Goldfinger (1965)), Italian comedians Franco Franchi and Ciccio Ingrassia's 007 Contra Goldfinger (1964) spoof. When American International Pictures came on board as a co-financier, it was decided to shoot one movie but make two identifiably different films; one each for the Italian and English speaking markets. The Italian film was to be a vehicle for the two Italian comedians and the English version a Dr. Goldfoot sequel, thus achieving two commercial goals of two different national investors. As such, this film was edited into two completely different movies.
- Erros de gravaçãoThe opening of this film describes the plot as another attempt by Dr. Goldfoot to conquer the world. But in the previous film, A Máquina de Fazer Bikini (1965), Dr. Goldfoot was using his bikini-clad robots only to romance rich men and bilk them out of their fortunes, not to conquer the world. It could be that the scam was ultimately intended to finance world domination.
- Citações
Bill Dexter: That's not Rosanna. That's a jigsaw puzzle.
- Trilhas sonorasBang Bang Kissene
Written by Ebe De Paulis, Franco Castellano and Giuseppe Moccia
Sung by Franco Franchi
Recorded on Ester Records
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- How long is Dr. Goldfoot and the Girl Bombs?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 22 minutos
- Mixagem de som
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