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Never A Dull Moment provided Hollywood icon Edward G. Robinson with the opportunity to do things. Add a Walt Disney movie to his list of screen credits and allow him to do a film about his passionate avocation, that of art collector.

Robinson combines it with the last of gangster roles, that of Leo Joseph Smooth, both gangster and art collector. Robinson is pretty much retired from the day to day business of running a criminal enterprise, kind of like Vito Corleone only he's pulling himself back in for one last go.

He has it mind to own a large mural that is being shipped to the United States for exhibit so he's going to steal it. With that in mind he hires a whole lot of his old gang back plus a couple of extra hands.

Which is where Dick Van Dyke comes in. For reasons I cannot fathom, Tony Bill mistakes actor Dick Van Dyke with hoodlum Jack Elam. To save his life Van Dyke goes along with the mistake for almost the entire run of the film as he's taken to Robinson's well guarded home. Van Dyke calls on all his acting skills to convince Robinson and his whole gang he's really a hoodlum.

Fortunately for him he meets up with Dorothy Provine who's an art teacher that Robinson hired to improve him culturally. The two of them have a whale of a time trying to get out before the caper comes off.

Never A Dull Moment has a few good laughs and also in Disney studio's tradition at that time, employs a nice range of film character actors who were finding less and less work as the studios were putting out less and less product for the big screen.

It does rest however on the weak premise that Dick Van Dyke could possibly be mistaken for Jack Elam. In that it's weak indeed.

Having grown up in the sixties, and having an older brother willing to take me to see the latest Disney movie, I'm surprised I never saw this one. Though it's from the late sixties, and the plot by today's standards is overdone and predicable, it's still a fun one to watch. Edward G. Robinson plays a tough mob boss, and has a gang of familiar character actors making up his mob: Mickey Shaughnessy, Henry Silva, Slim Pickens, to name a couple,who are out to steal a famous painting in order to create the heist so history will remember Robinson's character, Joe Smooth. Along comes Dick Van Dyke, mistaken for the ultimate killer, Ace Williams. A "B" actor, Van Dyke's character Jack manages to pull off the role. Throw in a captive art teacher, a sequence with Jack Elam as the real Ace Williams, and a hilarious chase in an art museum, and you've got an entertaining 99 minute film. Rated G, it's a family show, but watch it to enjoy Dick Van Dyke. He lends his talents admirably and shows why he remains one our funniest actors that came to grace both TV and the film industry. Classic Disney and Dick Van Dyke--you can't go wrong with that combo.

Great movie.... genuinely funny throughout....cool story and great cast Hoping this comes out on Blu-ray at some point. Nothing offensive, just great fun.

Although the movie is saved by Dick Van Dyke and Edward G. Robinson, it is not nearly as entertaining as "A Thrill a Minute With Jack Albany" (original book title). The movie brought on smiles whereas the book had me laughing out loud. If you haven't seen the movie or read the book, watch the movie first. The hilarity will quadruple from the screen to the page. {Best that way instead of the reverse) If you plan on enjoying only one, then take the book over the film. An excellent job of converting what was written to the cinema. Dick Van Dyke was Jack Albany. No one else could come to mind when picturing the character. But I'm a sucker for most of Van Dyke's stuff. He's best playing some form of Rob Petrie, from Bye Bye Birdie to Some Kind of Nut.

I came across this one while organizing videos my family had taped-I was about to take it out when this started playing. I figured I'd watch a few minutes, see what it was all about, and finish labeling the tapes. Long story short, the project was set aside for another day, and "Never a Dull Moment" became a family favorite! This is a Disney movie from the '60's, and as such represents some of Disney's best, before the days of formulaic family movies. It's not really aimed at children; the story is dialogue-driven, and the lead character's predicament is presented through dramatic irony. Younger viewers may not get it. That all makes it sound heavy, but it's actually incredibly funny. Three major aspects of comedy: physical/slapstick, situational, and verbal. All three are present and woven together in a way that certainly held my attention. I can't speak for everyone, but the title rings true for me, over and over!

The acting is solid all around. Dick Van Dyke steals the show as Jack Albany, an actor mistaken for renowned hit man Ace Williams (played by Jack Elam). Van Dyke is at his comedic best. Presumptious Florian (Tony Bill), having never seen Ace, makes the mistake, forcing Jack into a situation where his survival depends on his acting. On some level this movie pokes fun at the typical mob story. You have the boss, the tough guy, the inept guy, the pro pickpocket, the driver, the dumb broad, and the kid. The actors play their stereotyped parts well, highlights being Tony Bill and Joanna Moore. This may be the best role Tony Bill ever played-his other roles just seem flat in comparison to this punk, who changes from a creepy armed henchman to a whining, flinching doormat depending on how much trouble he's in. Bill has, however, become a successful producer/director. Edward G. Robinson seems to relish playing Joe Smooth, a powerful, art-loving mob boss who may be losing it a bit mentally. Dorothy Provine is good, also, as Smooth's art teacher, but my biggest beef with the movie is the part of the script where she explains her connection to the boss. It works, but it could have been better.

Overall I recommend this movie. It's no cinematic triumph, but it is good, clean fun, and it is very funny! Most parents are probably aware, but for those that aren't, the ratings system has changed since the '60's. This one was G in that time period, when smoking was commonplace and violence in the movies wasn't the issue that it is in the 21st century. Not that one era is better than another (I honestly can't fathom why Ice Age and Over the Hedge are PG movies), but this one has some PG material by today's standards. An engaging story with lots of laughs!