Onde Estavas Quando as Luzes Se Apagaram?

Although Where Were You When The Lights Went Out is based on a French sex farce I doubt the original play was anything like this film. Especially since there is no French equivalent for Doris Day, no such thing as a virgin, an all French version on their big screen.

I well remember the 1965 blackout on the East Coast, just settling down to dinner with my parents and everything electric went out. But we didn't have half the adventures this cast had.

Doris plays herself essentially, an actress with an All American virgin image locked into a long running play with neurotic director Terry-Thomas at the helm and married to Patrick O'Neal an architect. When the blackout strikes there's no evening performance and Doris returns home to find O'Neal with magazine writer Lola Albright who had been doing a feature interview with them before she left for the theater.

In the meantime a jealous Robert Morse being passed over for promotion by his boss Robert Emhardt's idiot son steals two million in cash, something he had been planning for a while. The blackout puts a real crimp into his getaway plan.

All the principle players manage to wind up at Doris and Pat's Connecticut home and the bedroom comedy begins.

It wasn't the Code that put a damper on this film, it was rather Doris Day and the studio's attempt to remain true to the virginal image that her public expected. This was one of those films toward the end of her career that her husband Marty Melcher put her in to recoup monies he had made bad investments with, her money.

Where Were You When The Lights Went Out has not worn well over the years. Doris was carrying a heavy load here.

Okay, 'Where Were You When the Lights Went Out?' is not as awful as the review summary implies but it is not a good representation of Doris Day's (nor the rest of the talented cast's) talents. Seriously the amount of talent here is enormous but sadly it is not used well.

Saw 'Where Were You When the Lights Went Out?' as somebody who loves Day and as part of my completest quest seeing the rest of her not yet seen. While there are a couple more to go, 'Where Were You When the Lights Went Out?' to me is definitely one of Day's worst films (apparently even Day herself thought so) in a career that did see some wonderful films and near-classics, 'Calamity Jane' and 'Pillow Talk' are my two favourites of hers. It is really a film only to be seen if like me you like Day and want to see all her films.

While she has given better performances Day is the best thing about the film, even though she spent most of its production in traction following a back injury (what the film is most notable for). There is the sense that she knew that the script was not good and that the film, writing and character she plays were beneath her (also think that she did this against her will, then again that's probably just me), but Day was always an effervescent and conscientious performer who always gave her all regardless of the quality of the material or the genre, and she does show charm and decent comic timing here.

The film is hardly cheap-looking, not lavish but there is a simple elegance. 'Where Were You When the Lights Went Out?' does boast a few very funny moments, though these moments are too far and between.

However, Hy Averback directs unimaginatively and, despite being talented performers, the supporting cast are not worthy of Day and struggle with very poorly written characters and an insipid script with a bad mix of overplaying and blandness. Patrick O'Neal is a vacuous and wooden leading man, sharing very little genuine chemistry with Day. Robert Morse goes through the motions and looks truly uninterested, on the other side of the spectrum Terry-Thomas tries to play it for laughs but this is one painfully hammy performance from him.

Despite a few moments, the script as said is insipid and borderline dumb. Nothing is hilarious here and hardly any of it is sophisticated or insightful. The story is horribly contrived and muddled and also suffers from a turgid pace and a staginess. The ending feels tacked on and doesn't feel right with the rest of the film.

Overall, a disappointment as a Doris Day vehicle and as an overall film. 4/10 Bethany Cox

The story of this movie seems to be a set up for Doris Day's last film ( she actually had one after it ). Doris plays Margaret Garrison a stage actress who constantly gets type cast as a virgin ( hmmmm any similarity to what happened to Doris in real life??). While giving an interview for playboy magazine Margaret spills the beans that she would like to have a baby.... Well her hubby does something naughty and Doris goes running for the home in the country. Doris Day's performance is engaging.. especially when she is medicated !! Although Doris was forced into this movie by her manager husband ( her husband had lost all of her money in bad investments ) it is a delightful 60's film. So set a Sunday afternoon aside and hope that the lights wont go out when you put in the video!!

Stagy adaptation of Claude Magnier's 1956 French play of the same name incorporates the New York City blackout of 1965 into a stagnant roundelay involving an actress, her husband, an agent plus a young embezzler. Dim comedy doesn't even utilize the central calamity for pointed jokes about life in the Big Apple, instead becoming a strained sitcom plunked down in suburbia. Doris Day never lets a bad script get the best of her; even under the most trying of circumstances, the star gives 100% and usually comes out unscathed. Spoofing her own goody-two-shoes image, Doris gets some laughs later in the picture when she's meant to be (comically) sedated; however, Day's male co-stars (Patrick O'Neal, Robert Morse and Terry-Thomas) are not well-suited to her, and neither is the shapeless hairdo she's sporting. For her part, Doris was quick to dismiss the film as "an alleged comedy", noting it was one of several pictures her husband-manager signed her to without her consent. *1/2 from ****

Doris Day and Patrick O'Neal are husband and wife in this permissive comedy based on a stage play with Terry-Thomas as a stinker, playing a Hungarian but apparently with received pronunciation.

A young man is passed over for promotion by the bosses stupid son so he hatches a plan to steal the companies dividends. When there is a black out in New York, he has difficulty escaping and ends up sleeping with Doris Day.

Its a jolly and pretty well made film and I'm don't really understand all the negative comments. Perhaps because it's a foreign script, or because it's not dripping in gee-schucks All-American schmaltz like the other Doris Day films ?

Product placements - Kodak, The New York Times and Pan- Am. The Kaiser Group (Checker) provided the vehicles, an S series Valiant breaking down.