Taketori monogatari

I went into this because I wanted to watch the penultimate movie where the movie goddess Ayako Wakao acted, and while I don't have complaints about her performance I have SERIOUS problems with all the rest. Most of all, the absolute boredom that permeates this whole movie from start to finish. Yeah, the setting and costumes are accurate, but that doesn't excuse the previously mentioned boredom of all. There are also a lot of logical inconsistencies and character incongruencies allaround (the princess wishing to her beloved to be safe by sending him to a mission with a million percent of possibility - didn't someone tell her the odds?! - to die stealing the crown in that regards) that don't help at all. The final close encounters of the third kind rip-off moment seems also thrown completely at random with no discernible reason other than trying to salvage something not salvageable with a cheap shock twist. And good job on the atrocious special effects, they would make blush crap like Manborg for envy. An absolute inanity of a movie that I don't recommend to anyone to get through. Avoid with no remorse whatsoever.

Leave it to Toho to make a live-action adaptation of The Tale of Princess Kaguya starring the legendary Toshiro Mifune, which involves heavy usage of special effects and an alien origin for the titular Princess. It's a madcap concoction with a superficially silly story that honestly shouldn't have worked as well as it did.

A married couple of poor farmers has lost their only child, who recently passed away. The woman, Tayoshime, cries out loud to heaven. The father Taketori-no-Miyatsuko, goes into the forests and sees a strange kind of electric storm. He finds, in the centre of the burnt land, a strange blue cocoon. It opens up and a small child, with piercing blue eyes and an uncanny resemblance to their dead daughter, appears. Soon good fortune begins to favour them but good fortune brings jealousy from others...

A very out there adaptation of its basis, Princess from the Moon is an extremely heartfelt movie despite it being rather silly in places but the tone is consistently held which doesn't detract from the experience. It's simple in the best way possible, that it continues to uphold its glittery, fairytale and dream-like nature until the very end. Kudos to director Kon Ichikawa here despite the grey colour palette that populates the film, for the most part, it's his use of colour that truly pops but I could have done without the George Lucas-inspired screen wipes.

The final work of Special Effects Director Teruyoshi Nakano and honestly, he earned his Academy Award here, even if I find baby Kaya very uncanny valley. It's with the film's Close Encounters-styled spaceship that shows up in the final 20 minutes where Nakano's effects really impress. A gorgeous mix of the designs from Close Encounters and Spielberg's other alien movie, ET, it arrives to a glorious fanfare and looks utterly spellbinding.

The score by Kensaku Tanikawa is one of the weirder elements for me, it simply doesn't fit very well in many situations and is very sappy in its spirit. Although I will say the final piece that plays as Kaya's ship leaves Earth is truly beautiful and of course, I have to shout out the credits theme "Stay With Me" done by Chicago frontman Peter Cetera.

There's a very reserved and understated performance by Toshiro Mifune here, a drastic turn from his talkative nature we've come to see in other films. Yasuko Sawaguchi is the titular princess and delivers a lovely performance; Megumi Odaka's performance as the blind girl Akeno is most certainly an audition for her later role as Miki Saegusa in the later Heisei Godzilla entries. The rest of the cast all perform their roles well. It's just a very well-acted film all things considered.

Overall, while Princess from the Moon might be an oversimplified version of the original tale, it doesn't skimp on its storytelling and title; worth it for Toshiro Mifune all things considered.

This beautifully realized tale of poor man and his wife -- played by Toshiro Mifune and Ayako Wakao -- who have lost their daughter. The following evening a baby appears with a crystal ball, the image of the dead child. Within days, they find a fortune in good and the child has grown into Yasuko Kawaguchi, the most beautiful girl in Japan. Three noblemen come to court her, and she sets them three impossible tasks.

It's derived from a story by Lady Murasaki, who invented the formal novel. It is beautifully shot and performed, although it was clearly made in the 1980s -- the immense spaceship at the end looks like the alien spacecraft from CLOSE ENCOUNTERS OF THE THIRD KIND. The entire movie offers an unworldly tone that suits its fantastic nature perfectly.

Although Lady Murasaki is often credited with inventing the novel, in fact there had been Chinese novels for a couple of centuries. It was, however, a lower-class phenomenon; epic poetry was the medium for longer, more involved tales, and would remain so for centuries.

I've unintentionally watched two films from Kon Ichikawa today - Princess from the Moon and An Actor's Revenge. I can't quite say I loved either, but both were interesting (I'd agree with the general consensus regarding the latter being better and more of a classic).

Princess from the Moon had me intrigued because I'd heard it contained at least traces of kaiju, and because it tells the same basic story that 2013's The Tale of the Princess Kaguya did... maybe not as well, or not in a way that has the same impact.

Still, I think Princess from the Moon is decent. It's pretty well-presented, and seeing two well-regarded and prolific actors in lead roles - Toshiro Mifune and Ayako Wakao - definitely added something. It didn't feel essential or like a must-watch, but it was a neat fairytale-type of film with a bit of a sci-fi spin, and that's probably not something most people see every day.

If you are all a fan of great Japanese films and culture, see this one.

Based of a famous classic fairy tale, it has top of the line production values.

Beautiful visually and a great cast, it is a hidden gem with a classic, mystical, Japanese feel.

I don't know how I failed to see this sooner, it was on TCM.