Uma mãe solteira dá a seu filho o boneco mais desejado para o seu aniversário, mas eles descobrirão que ele é possuído pela alma de um assassino em série.Uma mãe solteira dá a seu filho o boneco mais desejado para o seu aniversário, mas eles descobrirão que ele é possuído pela alma de um assassino em série.Uma mãe solteira dá a seu filho o boneco mais desejado para o seu aniversário, mas eles descobrirão que ele é possuído pela alma de um assassino em série.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 4 indicações no total
- Charles Lee Ray
- (narração)
- …
- Dr. Death
- (as Raymond Oliver)
- Male TV Newscaster
- (as Robert Kane)
- Female TV Newscaster
- (as Leila Hee Olsen)
Avaliações em destaque
To me, two themes in the script's subtext stand out. First, key to many ace horror flicks, such as The Thing (1951), and Invasion of the Body Snatchers (1956), is not just the horror of the menace but the frustration in getting dis-believers to finally come around to confront the para-normal menace. Here, understandably, no one believes stories about an infernal kid's doll that's somehow alive. This, fortunately, adds to audience sense of engagement with Mom and little Andy as they're forced to grapple with the horror of the para-normal that no one else believes can be real.
Second is the poignant portrayal of Mother Love as that natural bond confronting the infernal doll in its death dealings. Ironically, it's the distance between mother and son at the outset that drives young Andy into the arms of what seems a friendly doll that will then be his needed companion. Thus Mom in particular must learn a lesson about family ties that the doll ironically provides. Happily, the growing bond between them is developed in a non-sappy way that's unusual for most any kind of movie. And that is largely thanks to actors Hicks and Vincent, respectively. In fact, I'd be inclined to award them special Oscars for their moving performances, as though the snooty Oscars ever took note of little horror flicks.
Anyway, these are two notable aspects of the screenplay neither of which has directly to do with the scary effects, but do merit mention. All in all, except for the anti-climaxes, the movie's superior of its kind, so catch up with it if you can.
Charles Lee Ray (Brad Dourif) is a serial killer who is finally killed by Mike Norris (Chris Sarandon). However, he performs a chant right before he dies. Karen Barclay (Catherine Hicks) is a single mother who works in a jewelry department in a department store. She lives in an apartment with her six-year-old son Andy (Alex Vincent), who is like any normal six-year-old. He loves the television show `Good Guys', and they have lots of toys and dolls that you can buy. When his birthday comes around, he doesn't get a $100 Good Guy, but Karen buys one from a peddler off the street for $30. However, that doll, whose name is Chucky, is actually filled with the spirit of Ray, who tries to kill everyone.
At times this can be pretty effective, even scary, even when they add to it with predictable, cheap scares. When Maggie (Dinah Manoff, who overacts throughout the entire movie) is slowly walking through the kitchen with no music, with the phone in plain sight, do you think it's going to ring? Thankfully, there aren't too many of them. The entire plot is pretty clever, not just a `Craven' or `De Palma' theme. Also, the puppetry of Chucky was pretty good, for it being 15 years ago. The cinematography was good, with many first person shots, which were effective.
Dourif, who played a gentle man in One Flew Over the Cuckoo's Nest, was very good, especially in the beginning, when we actually saw him. Why he isn't a big name now is beyond me. Hicks was good for what she was required to be: panicky and caring to Andy. Sarandon didn't do anything for me, as the obligatory police officer. Vincent talked like stereotypical movie children did, enunciating every syllable.
The music really helped, with it booming to prove its point of being a horror movie. It could have had some humor, like other horror movies do, to help it out some. Since it's less than 90 minutes and a horror films, they didn't worry about anything like plot holes or continuity errors. A few I noticed: how DID he go into Chucky, besides the chant, why would the Chucky doll be burned up, the dates continuously change. That scene with voodoo was very cool. That's about all I can say, so I won't say any more.
My rating: 7/10
Rated R for language and violent situations.
The film taps into all those things you remember as a child like those colorful commercials that would promote the cereal you were eating. And those big dolls like 'My Buddy', that even as a kid I knew were creepy.
Script, acting, music, mood, atmosphere, direction, scares, everything works and that's why I give it the high rating it deserves.
Brad Dourif was the perfect choice for the voice of the Chucky doll. It's sinister and angry and darkly sarcastic. He is what I consider to be one of the all time great underrated actors.
The film is bleak. There's nothing happy about it although the good guy doll commercials insist it's playtime.
After this film, the only sequel I highly recommend is Child's Play 2, which I love just about as much as this one. Part 3 wasn't bad. Bride of Chucky was an interesting new direction to go in, but the feeling of the first couple of films is long gone by then, and Seed of Chucky was about the same.
8/10
Você sabia?
- CuriosidadesDespite their long-running collaborative effort to bring Chucky to life, voice actor Brad Dourif and special effects wizard Kevin Yagher never met in person until they were both guests at a horror convention in May 2018.
- Erros de gravaçãoNear the end of the movie, Chucky stabs the cop, Mike Norris, in the leg, and he falls and remains in the bedroom. Shortly after this, Chucky is shot several times by Karen, and his body parts are severed. This occurs in the living room and hallway. Mike Norris, still on the floor in the bedroom tells the backup cop who then arrives that Chuckie was shot and that his body is in pieces all over the place and to not touch any of them. It is impossible for Norris to know or to have seen any of this, as he was in the other room the entire time.
- Citações
Karen Barclay: [she grabs Chucky] Talk to me.
[pause]
Karen Barclay: Come on, talk!
[pause]
Karen Barclay: I said, "talk to me", damn it!
[Chucky gives no answer]
Karen Barclay: All right! I'll make you talk!
[Karen grabs Chucky, lights up her fireplace and holds Chucky near the fire]
Karen Barclay: I SAID TALK TO ME, DAMN IT, OR ELSE I'M GONNA THROW YOU IN THE FIRE!
[Chucky comes alive]
Chucky: [screams] YOU STUPID BITCH, YOU FILTHY SLUT! I'LL TEACH YOU TO FUCK WITH ME!
[Chucky attacks Karen]
- Cenas durante ou pós-créditosAt the end of the closing credits, the film's title logo is shown above the United Artists logo.
- Versões alternativasWhen aired on TBS Superstation; after Chucky is shot, his dying scream and impact on a wall are cut out and instead cuts to where we see him struggling on the floor
- ConexõesEdited into A Maldição de Chucky (2013)
- Trilhas sonorasCHUCKY'S ANIMATED THEME
Written & Produced by Mike Piccirillo
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Juego de niños
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 9.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 33.244.684
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.583.963
- 13 de nov. de 1988
- Faturamento bruto mundial
- US$ 44.196.684
- Tempo de duração1 hora 27 minutos
- Mixagem de som
- Proporção
- 1.85 : 1