AVALIAÇÃO DA IMDb
6,4/10
59 mil
SUA AVALIAÇÃO
Kirsty Cotton, após ter escapado das garras de Pinhead e dos demoníacos Cenobitas, encontra-se em um hospital psiquiátrico. Mas seus tormentos estão longe de acabar.Kirsty Cotton, após ter escapado das garras de Pinhead e dos demoníacos Cenobitas, encontra-se em um hospital psiquiátrico. Mas seus tormentos estão longe de acabar.Kirsty Cotton, após ter escapado das garras de Pinhead e dos demoníacos Cenobitas, encontra-se em um hospital psiquiátrico. Mas seus tormentos estão longe de acabar.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
Angus MacInnes
- Ronson
- (as Angus McInnes)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I enjoyed the original "Hellraiser" movie and have been watching all the movies in the franchise as they have been released. Though I have to say that with each passing new movie that the franchise spawned, the quality of the storyline and ideas just grew weaker and weaker. However, the 1988 "Hellbound: Hellraiser II" is almost as good as the original movie.
The storyline in "Hellbound: Hellraiser II", as written by Peter Atkins, picks up after the events of the 1987 "Hellraiser" movie, and it is a good continuation of the storyline. There is a good continuity between the 1987 movie and this 1988 sequel, and that works very well in favor of the movie.
It was nice to see cast members from the original movie, such as Ashley Laurence, Clare Higgins and Sean Chapman return to reprise their characters from the first movie. Just as it was great to see the Cenobites return to the screen as well; that being Doug Bradley, Simon Bamford, Barbie Wilde and Nicholas Vince. I am not sure if all of those playing the Cenobites were from the first movie, though.
Visually then "Hellbound: Hellraiser II" is good. Sure, the movie is showing signs of being 34 years old already, but the effects are still adequate today and keep the movie as being watchable.
I enjoyed "Hellbound: Hellraiser II" and have seen it about five times or so, since it was originally released.
My rating of "Hellbound: Hellraiser II", from director Tony Randel, lands on a six out of ten stars.
The storyline in "Hellbound: Hellraiser II", as written by Peter Atkins, picks up after the events of the 1987 "Hellraiser" movie, and it is a good continuation of the storyline. There is a good continuity between the 1987 movie and this 1988 sequel, and that works very well in favor of the movie.
It was nice to see cast members from the original movie, such as Ashley Laurence, Clare Higgins and Sean Chapman return to reprise their characters from the first movie. Just as it was great to see the Cenobites return to the screen as well; that being Doug Bradley, Simon Bamford, Barbie Wilde and Nicholas Vince. I am not sure if all of those playing the Cenobites were from the first movie, though.
Visually then "Hellbound: Hellraiser II" is good. Sure, the movie is showing signs of being 34 years old already, but the effects are still adequate today and keep the movie as being watchable.
I enjoyed "Hellbound: Hellraiser II" and have seen it about five times or so, since it was originally released.
My rating of "Hellbound: Hellraiser II", from director Tony Randel, lands on a six out of ten stars.
Hellraiser was always going to be a hard act to follow (especially with Clive Barker handing over so much control to others). This first sequel starts promisingly enough though, beginning on the same night as the original ended. It features the return of Ashley Laurence's heroine Kirsty and the resurrection of wicked stepmom (no, really) Julia (Clare Higgins). However about two thirds into the movie any attempt at story progression, character development or coherency goes out the window and instead the film throws up albeit interesting imagery and ideas seemingly at random. That's not to say that Hellbound : Hellraiser 2 is a totally bad movie, it just seems like such a wasted opportunity. If the next sequel would have followed on more directly (instead of going stateside and bringing in different characters) maybe the ideas about Hell and Leviathan could have been explored and developed more fully. However without this safety blanket, much of Hellbound seems confused and half baked. Kenneth Cranham lends weight to the role of sinister Dr Channard but as soon as he's made into a cenobite the film goes into high camp and I wonder what happened to the sombre tone of the original. Clare Higgins seems t be enjoying playing her return as Julia like a Hollywood bitch on drugs and it's interesting to find out something about the origin of the cenobites albeit briefly(and at least Pinhead's human origin is something that does get explored further in Hellraiser III). If you like the first film, it's probably worth checking this one out and you may want t view it more than once to catch everything in it but just don't expect another Hellraiser like the original.
This is just as good as the first one. The movie went in a fast pace. In a way I liked that. The scenes of hell were really neat looking. One of the best I've seen yet. I'm not going to say who, but a new Cenobites is in the movie, but he's not in there too long. You find out a little more about Pinhead in this one, but if you really want to know his history watch the third one. Anyway I liked this one. It is different than the first one.
I recommend this movie to anyone who liked the first one and likes a really good horror movie.
I recommend this movie to anyone who liked the first one and likes a really good horror movie.
Maybe it wasn't the best time for me to watch this, as I had a boil near my elbow and an expanding infection around it. That probably enhanced this movie's ability to make you feel queasy and light-headed.
I remember being fascinated by VHS covers as a kid at video stores. Horror especially got my attention. Hellbound seems to satisfy some of those morbid curiosities I'm sure we all carry to some degree. It doesn't have a rich or interesting story or characters, but it's imaginative in other ways.
There are all kinds of messed up images and concepts. It's weird that we watch horror movies in the first place. Why do we want to be scared, disgusted or horrified? I guess there has to be some sense of humour, morality or commentary on human nature for it to be properly enjoyable. But Hellbound seems to be more of a pure horror movie. I think that's why Ebert hated it and its predecessor. They're too depressing and pointless, even if the special effects are good and it establishes an effective mood.
It would be better if it explored the parallels between pleasure and pain more, which are only slightly alluded to. That seems to be a common theme in horror movies in general. It also could have showed us more about the origin and motivation of the Cenobites. And the doctor and girl's past could have been fleshed out more.
Apparently, it shares the record (with Titanic) for the most times two characters call out to each-other. I didn't notice so maybe that's a good thing. I was probably distracted by the disturbing and other-worldly visuals, wondering where it was going.
I think the original is probably better, but as horror sequels go, Hellbound is decent. I enjoyed the creative imagery. But it's not exactly upbeat or deep.
I remember being fascinated by VHS covers as a kid at video stores. Horror especially got my attention. Hellbound seems to satisfy some of those morbid curiosities I'm sure we all carry to some degree. It doesn't have a rich or interesting story or characters, but it's imaginative in other ways.
There are all kinds of messed up images and concepts. It's weird that we watch horror movies in the first place. Why do we want to be scared, disgusted or horrified? I guess there has to be some sense of humour, morality or commentary on human nature for it to be properly enjoyable. But Hellbound seems to be more of a pure horror movie. I think that's why Ebert hated it and its predecessor. They're too depressing and pointless, even if the special effects are good and it establishes an effective mood.
It would be better if it explored the parallels between pleasure and pain more, which are only slightly alluded to. That seems to be a common theme in horror movies in general. It also could have showed us more about the origin and motivation of the Cenobites. And the doctor and girl's past could have been fleshed out more.
Apparently, it shares the record (with Titanic) for the most times two characters call out to each-other. I didn't notice so maybe that's a good thing. I was probably distracted by the disturbing and other-worldly visuals, wondering where it was going.
I think the original is probably better, but as horror sequels go, Hellbound is decent. I enjoyed the creative imagery. But it's not exactly upbeat or deep.
Even if the story's weak, bringing back the surviving (or not surviving) cast members of the original, can make a sequel better. Everyone thinks crazy old Kirsty Cotton is making up stories of demons from hell (which happened to be her attic), but we all know better, don't we? She's now in a mental institution with a girl with a penchant for solving puzzles, under the guidance of a sadistic doctor with a penchant for a skinless Julia. Part of the story is just a re-hash of the first with different characters in similar situations. This time around we go to hell and find that it's like an Escher painting with a giant "Lament" diamond spinning in the sky. Not as good as the first film, but pretty close--a bit gorier and disturbing (but after "Hellraiser", I was expecting this) The acting is similar to the first film, but the special effects are a bit more elaborate this time around as the budget was bigger due to the success of it's predecessor.
Você sabia?
- CuriosidadesClive Barker had developed elaborate back-stories for the Cenobites in the first film, though their origins were never explored. In this film, he wanted to make sure that, at the very least, the audience understood that the Cenobites were once human, and that their own vices lead to their becoming demons. This element was meant to underline the story of Frank (Oliver Smith) and Julia (Clare Higgins) and their corruption by lust, with the latter intended to become the ultimate villain of the series, but Pinhead proved much more popular with audiences, and thus became the center point in further sequels.
- Erros de gravação(at around 1h 2 mins) When Kirsty is in the maze, she runs into a brick wall which is obviously fabric.
- Versões alternativasThe UK cinema release was identical to the U.S R-rated version which removed around 2 minutes of graphic violence including various scenes of blood spurts, more explicit footage of the creations of Pinhead and the Channard cenobite, and nearly a minute from the resurrection of Julia. The 1990 UK video version then lost a further 7 secs of BBFC cuts with edits made to shots of the bloody Julia embracing the madman on the mattress and a brief shot of a bound topless woman, though confusingly the 1999 video release was cut further with an extra minute of sound edits replacing some of the previous cuts. The full unrated version was passed uncut by the BBFC in 2004.
- ConexõesEdited from Hellraiser - Renascido do Inferno (1987)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Hellraiser II: Renascido do Inferno
- Locações de filme
- Pine Ridge House, Iver Heath, Buckinghamshire, Inglaterra, Reino Unido(Dr. Channard's house exteriors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 3.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 12.090.735
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.185.511
- 26 de dez. de 1988
- Faturamento bruto mundial
- US$ 12.090.735
- Tempo de duração1 hora 37 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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What was the official certification given to Hellraiser II: Renascido das Trevas (1988) in Japan?
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