Em 1965, um DJ pouco ortodoxo e irreverente chamado Adrian Cronauer começa a mudar as coisas quando ele é designado para a estação de rádio das Forças Armadas dos Estados Unidos no Vietnã.Em 1965, um DJ pouco ortodoxo e irreverente chamado Adrian Cronauer começa a mudar as coisas quando ele é designado para a estação de rádio das Forças Armadas dos Estados Unidos no Vietnã.Em 1965, um DJ pouco ortodoxo e irreverente chamado Adrian Cronauer começa a mudar as coisas quando ele é designado para a estação de rádio das Forças Armadas dos Estados Unidos no Vietnã.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 7 vitórias e 4 indicações no total
- Tuan
- (as Tung Thanh Tran)
- Censor #1
- (as Dan R. Stanton)
- Censor #2
- (as Don E. Stanton)
- MP #2
- (as J.J.)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
By Blake French:
Robin Williams is about as good as they come at doing stand up comedy, and in "Good Morning, Vietnam" director Berry Levinson gives him everything he needs to make the film go above and beyond the average satire. From his outgoing sense of humor, to his aggressive personality, and dozens of vocal effects, he portrays his character with interactive zest. Who can resist the awakening voice of Williams on the radio yelling "Good Morning Vietnam." This is a film that conquers the test of time.
"Good Morning, Vietnam" tells the story of a lively disc jockey who gets a job on Armed Forced Radio during the Vietnam War. Robin Williams is the fast-talking Adrian Cronauer, and who better to play the part than he. Although this character is one-dimensional (we are never informed on his background, marital status, where he comes from, what he did before we meet), as the movie continues he gradually begins to change into a deeper, more meaningful person.
The story moves along smoothly; the narrative through-line is consistent as each scene relates to the next. Although little momentum or suspense can be noticed, the film does have several underlining themes, often viewed upon in a Stanley Kubrick style: sarcastic and uncompromising. We see how much a little humor and jazz can greatly enlighten the hard-core atmosphere of the military during Vietnam, and how it can thoroughly confuse the bleeding heart officials.
The film hangs by the skin of its teeth for active conflict tension. Beyond people objecting to the actions of Williams' character, there is just not a lot of tension within the story, and at some points my interest wandered. "Good Morning, Vietnam" is merely a portrait of Robin Williams releasing his perennial comedy, and unfortunately that does happen to get old quite quickly; the majority of an audience can only watch the humor for so long until it becomes old and somewhat stale.
"Good Morning, Vietnam" is definitely not a flawless film, but we do empathize for the main character, the scenes effectively capture the attitude and mood during the war, and the dialogue and writing feel accurate and involving. Barry Levinson has directed a marvelous comedy, one that is not all about making us laugh, but also makes us think.
A lighthearted but deadly serious anti-war film, actually. This is of course a Robin Williams movie so that it is his schtick, brilliant and inspired, that makes it soar. The best of it, including the famous riff when he first gets on the air as the new Saigon DJ, is hilarious and breathtaking. There is a plot, sort of, as he goes through a rise and fall at the military radio station, but it's more about his shining moments behind the microphone than anything else.
The "else" in this movie is, however, most of the movie. That is, Williams has a serious role as an offbeat renegade in a chaotic world surrounded by a range of sensible and very insensible officers and colleagues. At the most extreme, when we see a Vietnamese village firebombed while Louis Armstrong sings "It's a Wonderful World," the sentiment is so cloying it makes you cry, and you're not sure why because you know it's just over the top manipulation. Likewise when Williams is caught in a traffic jam with other military vehicles and he warms up the soldiers by humanizing everyone and making them feel like they really should be back home. Which they should be, as we know in retrospect.
So the movie has another side that's kind of sentimental and simplistic, whatever its good pacifist intentions. Williams is a decent actor—I'm not one of those who thinks he's brilliant outside of his funny roles—and so it holds up pretty well. But the plot line keeps the movie from really finding pathos, or comedy, or warmth, or tragedy of a dramatic kind, in the scenes outside the radio station. And I think that's what it intended.
For those who don't know, it's worth adding that the main character, Adrian Cronauer, was a real person, and still is—he's a staunch Republican (Williams was not, to be sure) and an innovator in radio in Vietnam. He also co-wrote the screenplay, I assume working on the scenes that he would know best rather than the larger saccharine plot aspects. A great story, and the real Cronauer deserves credit for inspiring it, and helping it along. He was, along with most of us, "Godsmacked" when he heard the news of Williams's death.
Both the real life Adrian Cronauer and Joel McCrea's fictional John L. Sullivan have to come to the same realization, that what they do matters a great deal. In Sullivan's Travels it's to the movie going public in general, in the case of Cronauer it's to the GIs in Vietnam stuck in a war where no one could ever know who the enemy was. A few laughs from a comic genius was necessary to get them through the day in their very cockeyed world.
Adrian Cronauer was a real life person, but if he didn't bear a resemblance to Robin Williams, he should have. One of the great comic masters of any era in entertainment, Robin Williams is given full range for his zany sense of humor to work its magic with Cronauer. He's ably abetted and assisted by the other staff members of Armed Forces Radio Forest Whitaker and Robert Wuhl. Bruno Kirby is great as the clueless lieutenant in charge and so is J.T. Walsh who represents the limits of the military mind as the sergeant major out to get Williams by hook or very dirty crook.
Williams himself doesn't understand the complexities of the Vietnam situation. That fact is brought home to him graphically when he's betrayed by his own innate decency.
Next to Williams my favorite in the cast is Noble Willingham who plays the general who has overall charge of Armed Forces Radio there. He's a tough, but compassionate military man, the exact opposite of J.T. Walsh whom he has to reign in.
Good Morning Vietnam is a frank portrayal of a war experience told with humor and irony through the eyes of Robin Williams.
Preston Sturges would have absolutely adored this film.
Você sabia?
- CuriosidadesRobin Williams ad-libbed all of Adrian Cronauer's broadcasts.
- Erros de gravaçãoJeeps used in the Vietnam war did not have ignition keys.
- Citações
Adrian Cronauer: Good morning, Vietnam! Hey, this is not a test. This is rock and roll. Time to rock it from the delta to the DMZ! Is that me, or does that sound like an Elvis Presley movie? Viva Da Nang. Oh, viva, Da Nang. Da Nang me, Da Nang me. Why don't they get a rope and hang me? Hey, is it a little too early for being that loud? Hey, too late. It's 0600 What's the "0" stand for? Oh, my God, it's early. Speaking of early, how about that Cro-Magnon, Marty Dreiwitz? Thank you, Marty, for "silky-smooth sound." Make me sound like Peggy Lee. Freddy and the Dreamers! Wrong speed. We've got it on the wrong speed. For those of you recovering from a hangover, that's gonna sound just right. Let's put her right back down. Let's try it a little faster, see if that picks it up a little bit. Those pilots are going, "I really like the music. I really like the music. I really like the music." Oh, it's still a bad song. Hey, wait a minute. Let's try something. Let's play this backwards and see if it gets any better. Freddy is a devil. Freddy is a devil. Picture a man going on a journey beyond sight and sound. He's left Crete. He's entered the demilitarized zone. All right. Hey, what is this "demilitarized zone"? What do they mean, "police action"? Sounds like a couple of cops in Brooklyn going, "You know, she looks pretty to me." Hey, whatever it is, I like it because it gets you on your toes better than a strong cup of cappuccino. What is a demilitarized zone? Sounds like something out of The Wizard of Oz, Oh, no, don't go in there. Oh-we-oh Ho Chi'Minh Oh, look, you've landed in Saigon. You're among the little people now. We represent the ARVN Army The ARVN Army Oh, no! Follow the Ho Chi Minh Trail. Follow the Ho Chi Minh Trail. "Oh, I'll get you, my pretty!" Oh, my God. It's the wicked witch of the north. It's Hanoi Hanna! "Now, little GI, you and your little 'tune-ooh' too!" "Oh, Adrian. Adrian. What are you doing, Adrian?" Oh, Hanna, you slut. You've been down on everything but the Titanic. Stop it right now. Hey, uh, hi. Can you help me? What's your name? "My name's Roosevelt E. Roosevelt." Roosevelt, what town are you stationed in?. "I'm stationed in Poontang." Well, thank you, Roosevelt. What's the weather like out there? "It's hot. Damn hot! Real hot! Hottest things is my shorts. I could cook things in it. A little crotch pot cooking." Well, can you tell me what it feels like. "Fool, it's hot! I told you again! Were you born on the sun? It's damn hot! I saw - It's so damn hot, I saw little guys, their orange robes burst into flames. It's that hot! Do you know what I'm talking about." What do you think it's going to be like tonight? "It's gonna be hot and wet! That's nice if you're with a lady, but it ain't no good if you're in the jungle." Thank you, Roosevelt. Here's a song coming your way right now. "Nowhere To Run To" by Martha and the Vandellas. Yes! Hey, you know what I mean! Too much?
- Versões alternativasThe Spanish-language dub of the film, during a scene involving Adrian's first meeting with Lt. Hawk, replaces the mentions of the names of such artists as Lawrence Welk, Jim Nabors, and Perry Como with those of Trini Lopez, Xavier Cugat, and Paul Anka.
- Trilhas sonorasAround The World
Written by Harold Adamson (as Adamsson) and Victor Young (as Young)
Performed by Lawrence Welk
Courtesy of The Welk Record Group
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Buenos días, Vietnam
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 13.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 123.922.370
- Fim de semana de estreia nos EUA e Canadá
- US$ 194.308
- 27 de dez. de 1987
- Faturamento bruto mundial
- US$ 123.923.306
- Tempo de duração2 horas 1 minuto
- Cor
- Proporção
- 1.85 : 1
Contribua para esta página
