Um homem vive o mesmo dia uma e outra vez.Um homem vive o mesmo dia uma e outra vez.Um homem vive o mesmo dia uma e outra vez.
- Ganhou 1 prêmio BAFTA
- 7 vitórias e 17 indicações no total
John M. Watson Sr.
- Bartender
- (as John Watson Sr.)
Iconic On-Screen Romances
Iconic On-Screen Romances
Take a look at some of the most swoon-worthy pairings in movies and on TV.
Enredo
Você sabia?
- CuriosidadesBill Murray was bitten by the groundhog twice during shooting. Murray received a course of rabies vaccines, as a result.
- Erros de gravaçãoSunrise in early February in Punxsutawney, Pennsylvania, is not until around 7:25 am, so at 6 am it would still be fully dark.
- Versões alternativasAMC and Sundance broadcasts in the US slow down the film's audio pitch and speed at 4%.
- ConexõesEdited into Pushing Daisies: Um Toque de Vida: Corpsicle (2007)
- Trilhas sonorasWeatherman
Written by George Fenton and Harold Ramis
Produced by George Fenton
Performed by Delbert McClinton
Courtesy of Curb Records
Avaliação em destaque
This movie is so charming. It starts out with Phil Connor, the Bill Murray character, doing his Bill Murray. Cynicism emanating from every pore. He is harsh, disinterested, angry, full of angst. Making jokes about everything. Everybody knows it. Everybody feels it. When the "gift" or "curse" comes to him to relive the same day over and over, he at first is confused, then flippant, then angry, then suicidal, and, finally, sees it as a chance to reclaim his humanity. This is done in a series of repetitious acts which ultimately lead to his willingness to sacrifice himself, live for the day, and try to show that he is worth saving. What this movie does, like "It's a Wonderful Life," is ask us what we would do, given the same circumstances. Would we fall into a retreat of depression? Would we become something that we always wanted to be? Would we keep living it the same way, hoping for he best? Murray's character wants the romance and the commitment that he was never willing to give. He toys with his own approach to the world, experimenting and doing things until he gets them right. He goes through a period of embracing the bad, lusting after Andy MacDowell, forcing himself on the other women in the town, disdaining the "characters" he meets. But like most "everymen," he eventually must become good because without that, it doesn't matter anymore.
He can only impress so much; he can only be angry so long. I find this movie so intriguing, not for what it says but for what it teaches. Some don't like the ending, but whatever the forces are that bring it about, it has to be. If we accept that premise, it's OK.
He can only impress so much; he can only be angry so long. I find this movie so intriguing, not for what it says but for what it teaches. Some don't like the ending, but whatever the forces are that bring it about, it has to be. If we accept that premise, it's OK.
- Hitchcoc
- 22 de out. de 2001
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Hechizo del tiempo
- Locações de filme
- 344 Fremont St, Woodstock, Illinois, EUA(Bed & Breakfast)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 14.600.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 71.107.962
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.517.672
- 14 de fev. de 1993
- Faturamento bruto mundial
- US$ 71.108.778
- Tempo de duração1 hora 41 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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