Depois de desenvolver um vício na substância que usa para matar insetos, um exterminador acidentalmente mata sua esposa e se envolve em um plano secreto do governo orquestrado por insetos gi... Ler tudoDepois de desenvolver um vício na substância que usa para matar insetos, um exterminador acidentalmente mata sua esposa e se envolve em um plano secreto do governo orquestrado por insetos gigantes em uma cidade portuária no norte da África.Depois de desenvolver um vício na substância que usa para matar insetos, um exterminador acidentalmente mata sua esposa e se envolve em um plano secreto do governo orquestrado por insetos gigantes em uma cidade portuária no norte da África.
- Prêmios
- 13 vitórias e 17 indicações no total
Joseph Scoren
- Kiki
- (as Joseph Scorsiani)
Louis Ferreira
- Exterminator #3
- (as Justin Louis)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliação em destaque
New York 1953. Bill Lee is a bug exterminator who follows his wife down the road of using the bug powder as a hallucinatory drug. When he is picked up by the police for suspected drug use he is left in the cell with a large bug that tells him that he is on a mission and must watch his wife. When he accidentally kills his wife he flees to Interzone to prepare his report, increasingly losing his grip on what is real and what is not.
I have seen this movie several times and am always taken in by it. In terms of narrative it is not the strongest film you'll ever see. In all honesty the plot is pretty thin and the film is best seen as a journey into destruction with Lee's drug addled writer slowly but surely losing grip on reality with every passing moment. The journey is reasonably interesting, even if it doesn't have enough pace to really be fascinating. What does hold the attention is the imagination of the film and it's ability to put onscreen a decent representation of Lee's hallucinations.
The effects are very good but it is their use that is better. While it does have a certain amount of gore, the creatures and hallucinations are actual characters (creepy characters at that) that are used well within the story, rather than just being effects or gore. The cast can't all say that and some of them are distinctly average at times. Weller is as good as ever in a dead eyed performance that gives way to madness and fear at times. Davis is every bit as good, delivering two roles and be riveting in both. Holm is OK and it's not his fault that I couldn't get Bilbo out of my mind! Sands and Schneider don't have enough to do but are interesting faces.
Cronenberg is the perfect choice for director, but it is good that he holds back from the full on gore or body horror, call it what you will. He uses a measured camera to film the hallucinations rather than using swinging `crazy' angles to portray mental state - that is a lazy technique. Here Cronenberg (and Weller's blank face) calmly and methodically fall into despair and it is good to watch.
Overall, this is not a perfect film - it is slow and the narrative doesn't totally grip, however it manages to make a good fist out of filming a descent into a hallucinatory nightmare. Worth seeing it once, but I can't imagine that the word `enjoyable' would really ever apply to this film.
I have seen this movie several times and am always taken in by it. In terms of narrative it is not the strongest film you'll ever see. In all honesty the plot is pretty thin and the film is best seen as a journey into destruction with Lee's drug addled writer slowly but surely losing grip on reality with every passing moment. The journey is reasonably interesting, even if it doesn't have enough pace to really be fascinating. What does hold the attention is the imagination of the film and it's ability to put onscreen a decent representation of Lee's hallucinations.
The effects are very good but it is their use that is better. While it does have a certain amount of gore, the creatures and hallucinations are actual characters (creepy characters at that) that are used well within the story, rather than just being effects or gore. The cast can't all say that and some of them are distinctly average at times. Weller is as good as ever in a dead eyed performance that gives way to madness and fear at times. Davis is every bit as good, delivering two roles and be riveting in both. Holm is OK and it's not his fault that I couldn't get Bilbo out of my mind! Sands and Schneider don't have enough to do but are interesting faces.
Cronenberg is the perfect choice for director, but it is good that he holds back from the full on gore or body horror, call it what you will. He uses a measured camera to film the hallucinations rather than using swinging `crazy' angles to portray mental state - that is a lazy technique. Here Cronenberg (and Weller's blank face) calmly and methodically fall into despair and it is good to watch.
Overall, this is not a perfect film - it is slow and the narrative doesn't totally grip, however it manages to make a good fist out of filming a descent into a hallucinatory nightmare. Worth seeing it once, but I can't imagine that the word `enjoyable' would really ever apply to this film.
- bob the moo
- 3 de jan. de 2004
- Link permanente
Enredo
Você sabia?
- CuriosidadesPeter Weller turned down the lead role in RoboCop 3 (1993) to appear in this movie.
- Erros de gravaçãoThe glass shot off Judy Davis' head changes to a plastic glass. First instance as the glass is falling off her head after the shot and then at end of film it is a plastic glass Ms Davis balances on her head. It remains plastic until it falls to floor and changes back into glass.
- Trilhas sonorasVaya Con Dios
Composed by Larry Russell / Inez James / Buddy Pepper
Performed by Les Paul and Mary Ford
Courtesy of Capitol Records
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- How long is Naked Lunch?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- El almuerzo desnudo
- Locações de filme
- Toronto, Ontário, Canadá(Studio, only interiors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 16.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.641.357
- Fim de semana de estreia nos EUA e Canadá
- US$ 64.491
- 29 de dez. de 1991
- Faturamento bruto mundial
- US$ 2.641.357
- Tempo de duração1 hora 55 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Mistérios E Paixões (1991) officially released in India in Hindi?
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