Um trabalhador de uma clínica de aborto com uma herança especial é chamado a salvar a existência da humanidade, negada por dois anjos renegados que tentam explorar uma lagoa e reentrar no cé... Ler tudoUm trabalhador de uma clínica de aborto com uma herança especial é chamado a salvar a existência da humanidade, negada por dois anjos renegados que tentam explorar uma lagoa e reentrar no céu.Um trabalhador de uma clínica de aborto com uma herança especial é chamado a salvar a existência da humanidade, negada por dois anjos renegados que tentam explorar uma lagoa e reentrar no céu.
- Direção
- Roteirista
- Artistas
- Prêmios
- 8 indicações no total
Barret Hackney
- Stygian Triplet
- (as Barrett Hackney)
Brian O'Halloran
- Reporter
- (as Brian Christopher O'Halloran)
Marie Elena O'Brien
- Clinic Girl
- (cenas deletadas)
- (as MarieElena O'Brien)
Enredo
Você sabia?
- CuriosidadesWilliam Donohue of the Catholic League lambasted the film, and publicly protested against it for months, without actually seeing it. When his office called View Askew and requested a special screening so he could "speak about it intelligently," Kevin Smith responded "So what has he been doing the past six months?"
- Erros de gravação(at around 10 mins) When Bethany is at Mass, the priest says, following the homily, "Let us now rise for the recession of faith." The correct wording is "Let us rise for the profession of faith," which is then followed by the recital of the Apostles' Creed. This was most likely done to satirize and/or draw attention to the idea that people's faith had faltered at the time the film takes place (hence "recession").
- Cenas durante ou pós-créditosOpening text: Disclaimer: 1) a renunciation of any claim to or connection with; 2) disavowal; 3) a statement made to save one's own ass. Though it'll go without saying ten minutes or so into these proceedings, View Askew would like to state that this film is - from start to finish - a work of comedic fantasy, not to be taken seriously. To insist that any of what follows is incendiary or inflammatory is to miss our intention and pass undue judgment; and passing judgment is reserved for God and God alone (this goes for you film critics too...just kidding). So please - before you think about hurting someone over this trifle of a film, remember: even God has a sense of humor. Just look at the Platypus. Thank you and enjoy the show. P.S. We sincerely apologize to all Platypus enthusiasts out there who are offended by that thoughtless comment about the Platypi. We at View Askew respect the noble Platypus, and it is not our intention to slight these stupid creatures in any way. Thank you again and enjoy the show.
- Versões alternativasThe UK cinema version altered a line of dialogue to receive a 15 certificate. All video and DVD versions restore that line.
- ConexõesEdited into Dogma: Deleted Scenes (1999)
- Trilhas sonorasStill
Written and Performed by Alanis Morissette
Published by MCA Music, a division of Universal Studios, Inc./1974 Music (ASCAP)
Courtesy of Maverick Recording Company
Avaliação em destaque
"Dogma" isn't the kind of comedy that most people will find themselves holding onto their guts during. It's more the second-long "ha!" kind of comedy.
That simply means Kevin Smith's writing is clever enough to the point where you will be pleasantly shocked by some of the conversations and events of the film and think it all rather amusing and humorous. It's not hilarious, it's just clever and a bit funny.
The premise is rather interesting and surprisingly from a more fantasy-esquire genre than Smith traditionally dabbles with. Loki (Matt Damon) and Bartleby (Ben Affleck) are more or less fallen angels that have found a way back into heaven. They must be stopped or the world will come to a screeching halt, so a seemingly random protagonist named Bethany gets charged by God to stop them. Simple, but the slick, nonchalant approach to religion keeps the satire rampant.
The film does spend a lot of its time explaining itself, which isn't too bad considering Smith keeps the explanations to-the-point and allows the characters to stay interesting in the process. Chris Rock, who plays an apostle, and Alan Rickman, who plays God's messenger/ voice are two of these characters that are both good in the film and Smith has allowed to maintain their character's edge despite lines upon lines of explanation.
Getting from point A to point B and so on is not the film's strength. The physical events that take place are ultimately boring and unexciting. It's the moments along the way, the conversations and the philosophy that come about, that make it successful. Affleck's character raises a lot of interesting religious questions about humanity and his conversation with the protagonist on the train is rather insightful. In general, Smith has used Bethany as a way to keep the viewers skepticism of the plot active in the film. She keeps it from getting preposterous. In general, the whole cast is very talented and their characters well written, which keeps the film interesting.
It's not the funniest or most interesting comedy in terms of plot and the sequence of events, but "Dogma" is a smart concept that ultimately results in a sharp satire and some great thoughts that scrutinize religion in a way that never seems too out of line.
That simply means Kevin Smith's writing is clever enough to the point where you will be pleasantly shocked by some of the conversations and events of the film and think it all rather amusing and humorous. It's not hilarious, it's just clever and a bit funny.
The premise is rather interesting and surprisingly from a more fantasy-esquire genre than Smith traditionally dabbles with. Loki (Matt Damon) and Bartleby (Ben Affleck) are more or less fallen angels that have found a way back into heaven. They must be stopped or the world will come to a screeching halt, so a seemingly random protagonist named Bethany gets charged by God to stop them. Simple, but the slick, nonchalant approach to religion keeps the satire rampant.
The film does spend a lot of its time explaining itself, which isn't too bad considering Smith keeps the explanations to-the-point and allows the characters to stay interesting in the process. Chris Rock, who plays an apostle, and Alan Rickman, who plays God's messenger/ voice are two of these characters that are both good in the film and Smith has allowed to maintain their character's edge despite lines upon lines of explanation.
Getting from point A to point B and so on is not the film's strength. The physical events that take place are ultimately boring and unexciting. It's the moments along the way, the conversations and the philosophy that come about, that make it successful. Affleck's character raises a lot of interesting religious questions about humanity and his conversation with the protagonist on the train is rather insightful. In general, Smith has used Bethany as a way to keep the viewers skepticism of the plot active in the film. She keeps it from getting preposterous. In general, the whole cast is very talented and their characters well written, which keeps the film interesting.
It's not the funniest or most interesting comedy in terms of plot and the sequence of events, but "Dogma" is a smart concept that ultimately results in a sharp satire and some great thoughts that scrutinize religion in a way that never seems too out of line.
- Movie_Muse_Reviews
- 24 de fev. de 2008
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Bearclaw
- Locações de filme
- St. Peter and Paul Catholic Church - Larimer Avenue, Pittsburgh, Pennsylvania, EUA(church at the end of the movie)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 30.652.890
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.669.945
- 14 de nov. de 1999
- Faturamento bruto mundial
- US$ 31.430.896
- Tempo de duração2 horas 10 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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