Os Saqueadores

I had to watch this twice before I could make up my mind about it. The first viewing - 21st century dialog and disco music laid over reasonably authentic looking old world visuals - comes as such a surprise, it forces you to abandon everything that you were expecting. Once you have gotten into the open frame of mind that the movie asks for, it's a riot: action by the bucketload and alternately funny and oddly moving as Plunkett and Macleane's partnership changes from a wary 'marriage of convenience' to true friendship. The acting is excellent all round, and Liv Tyler's luscious Rebecca is fun and interesting in herself. One of my very few disappointments was that the last ten or fifteen minutes seemed to be rushed, giving me a slight feeling of, "Huh? Is it finished?" when the titles rolled. Overall, excellent. Probably gives a more filthy, revolting and accurate impression of the 18th century than any official period drama. 8/10

Jake Scott's bizarre late nineties historical folly was much derided and ignored at the time and despite some elements of it dating quite fiercely it maintains a characterful tenacity that I really took to. The biggest draw is the cast, Lee Miller and Carlyle are a great double act and brimming with post-Trainspotting intensity. The magnificent Ken Stott in fantastically creepy form as the odious General Chance and even Liv Tyler's love interest gets a chunk of things to do. Alan Cumming's glorious Rochester is the absolute core of the film for me. There's a lot of grotty historical detail (mashed in with the Ibiza-tinged soundtrack) and a weirdly large amount of British comedians hiding in the background. A very young Noel Fielding, Matt Lucas and even Armstrong & Miller as strangely anachronistic dandies. There's a lot to like here, the very definition of a cult film.

** HERE BE SPOILERS **

Recap: Macleane (Miller) witnesses a robbery by Plunkett (Carlyle) that goes wrong. Plunkett's partner get shot (and killed) but not until after he has swallowed a great ruby. Plunkett and Macleane then meet at the cemetery when both try to get hold of the ruby. Unfortunately they are caught as grave robbers and sent to jail, but not until Plunkett has swallowed the ruby. The ruby is their key to freedom, and once they're free, they form a partnership in robbery. Macleane is to pose as a gentleman and find out who is worth robbing, and then simply they rob him (and rob them in style). But Macleane falls in love with the niece/daughter (?) of their first victim, lady Rebecca Gibson (Tyler). And a Mr Chance (Stott) is out to catch them, and his methods are not very nice...

Comments: A good action flavoured by comedy and adventure. Carlyle and Miller form a good team, with a lot of friction and friendship. And then there is the relationship between Macleane and Rebecca Gibson. The scene with the ball is very good, especially the (anachronistic) use of the music. In addition to these interesting characters Cumming play the best of them all, Lord Rochester. Both the character and the acting are stellar and among the best in the movie. In total, the movie works very well, a nice balance between story and special effects, action and comedy. Very entertaining.

8/10

When I sat down in the cinema to see this I was expecting to see a sort of stylish tongue-in-cheek action film, which had been implied by the trailers. However, it very quickly became apparent that this film was trying to be more.

Normally, I don't approve of films that try to entertain in as many ways possible. For instance, this film tries to mix action with comedy, romance, lightheartedness and gritty seriousness all at once. Most of the time this sort of approach doesn't work in films (just look at Batman Forever) but I was was pleasantly surprised to see that in this case, they pulled it off.

The end result is a highly entertaining film that should appeal to most mature cinemagoers. (However, the weak of stomach should really be warned of one or two scenes.) Robert Carlyle and Jonny Lee Miller pull of a brilliant double act and Ken Stott does a excellent villain. This mixed in with superb costumes and a few decent action scenes makes for a very enjoyable watch.

However, the big let-down here for me is that in having 'The Gentleman Highwayman' there was a real opportunity for some good dialogue but the script was definitely lacking in punchiness and there were few belly laughs. Okay, so the lines weren't terrible but to me it does highlight a problem with recent British films; ignoring a few notable exceptions the screenplays being written today are still relatively mediocre when compared to some of Hollywood's efforts.

Far from being historically naive, Plunkett and Macleane is a very cheeky comedy which uses modern touches to bring humour and vibrance to the story. In one hilarious scene modern music is used to turn a ball into a kind of rave. This picture probably conveys more of the spirit of England at that time than any of the tightly corseted period dramas that we see on our small screens. In those days London would no doubt have been (not much different than today) a hive of grime, guts, violence and sex. The best thing to do is to sit back and enjoy the energy,comedy and damn fine performances in this great little britflick. It's not exactly accurate but then this is not what was intended. Give it a go!