AVALIAÇÃO DA IMDb
6,4/10
52 mil
SUA AVALIAÇÃO
Um advogado defende um oficial em julgamento por ordenar que suas tropas atirassem em civis depois que eles invadiram uma embaixada dos EUA em um país do Oriente Médio.Um advogado defende um oficial em julgamento por ordenar que suas tropas atirassem em civis depois que eles invadiram uma embaixada dos EUA em um país do Oriente Médio.Um advogado defende um oficial em julgamento por ordenar que suas tropas atirassem em civis depois que eles invadiram uma embaixada dos EUA em um país do Oriente Médio.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 2 indicações no total
Jimmy Abounouom
- Jimi
- (as Ahmed Abounouom)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Years have past since Col Hodges and Col Childers were comrades in combat. Hodges is now retired while Childers is still on active service in the Middle East. When he is called in to help protect and evacuate the US Embassy in the middle of a riot, Childers orders his men to return fire despite not having any definite targets. With a crowd of 80 dead, many women and children, the authorities are forced to go after Childers to have someone to blame. Childers turns to his old friend to help defend him.
With a pair of real heavyweights in lead roles I was quite looking forward to this film. It is quite easy to get into the film as the opening 40 minutes are pretty exciting and shocking in equal measure it forces you to think where you stand on the action taken by Childers in both past and present. However as the film goes on the moral debate becomes simplified and it is clear where we are being steered, as opposed to being allowed to think things out for ourselves. The `debate' or thoughtful side is lost and we are left with the courtroom drama side of things.
I'm not a big fan of courtroom thrillers as they often rely on unlikely twists at the end and lots of shouting in place of substance. However I do enjoy the odd one if it hangs together and has energy. However, the courtroom scenes here never really get off the ground and surprisingly (given the emotive subject) really lack energy and twists. Even the conclusion of the film is a real damp squid, the verdict is simply delivered, so if you're expecting twists and turns and big revelations forget it. Inexplicably, the film puts up two or three captions over the final shot to tell us more information for some of these the film would have been much more exciting if it had worked these into the final 20 minutes of the film. To have them as flat words on a screen is pointless (especially since this isn't a true story!).
Jones and Jackson both do good work, as you'd expect for a pair of tough nuts such as they. Jackson has the better character (until the script weakens itself). Pearce is OK in support but the script doesn't give him too much to work with, his side of the case is easy of course, so the film stops him overpowering the court case at the same time as it simplifies it's stance. Support from faces such as Kingsley, Archer, Greenwood and Underwood is OK but in some cases are so brief to be cameos.
Overall this starts well, but it fairs to really involve once the moral debate side of the film is simplified and phased out. The question `what would you do' is rendered null and void with each flashback Jackson has. The courtroom scenes barely fizzle let alone ignite the screen and the film putters to a poor ending that is badly done. Worth seeing with good performances from the leads but still a pretty big disappointment.
With a pair of real heavyweights in lead roles I was quite looking forward to this film. It is quite easy to get into the film as the opening 40 minutes are pretty exciting and shocking in equal measure it forces you to think where you stand on the action taken by Childers in both past and present. However as the film goes on the moral debate becomes simplified and it is clear where we are being steered, as opposed to being allowed to think things out for ourselves. The `debate' or thoughtful side is lost and we are left with the courtroom drama side of things.
I'm not a big fan of courtroom thrillers as they often rely on unlikely twists at the end and lots of shouting in place of substance. However I do enjoy the odd one if it hangs together and has energy. However, the courtroom scenes here never really get off the ground and surprisingly (given the emotive subject) really lack energy and twists. Even the conclusion of the film is a real damp squid, the verdict is simply delivered, so if you're expecting twists and turns and big revelations forget it. Inexplicably, the film puts up two or three captions over the final shot to tell us more information for some of these the film would have been much more exciting if it had worked these into the final 20 minutes of the film. To have them as flat words on a screen is pointless (especially since this isn't a true story!).
Jones and Jackson both do good work, as you'd expect for a pair of tough nuts such as they. Jackson has the better character (until the script weakens itself). Pearce is OK in support but the script doesn't give him too much to work with, his side of the case is easy of course, so the film stops him overpowering the court case at the same time as it simplifies it's stance. Support from faces such as Kingsley, Archer, Greenwood and Underwood is OK but in some cases are so brief to be cameos.
Overall this starts well, but it fairs to really involve once the moral debate side of the film is simplified and phased out. The question `what would you do' is rendered null and void with each flashback Jackson has. The courtroom scenes barely fizzle let alone ignite the screen and the film putters to a poor ending that is badly done. Worth seeing with good performances from the leads but still a pretty big disappointment.
Should be viewed by anyone considering a career in the service.
Great performances by a coupl of our best actors. Sadly the topic is an all too familiar one of the government selling out the men and women who serve it.
This story gets the viewer involved with it right away never lets up, with good performances all around, although Tommy Lee Jones stands out a bit above the rest.
There are some outstanding action scenes in the first 30 minutes and if you have a 5.1surround system, it gets quite a workout. After that, the story settles down into a court battle.
Its politics are typical Hollywood: the government is corrupt with the main villain the National Security Adviser who burns a video tape that would clear a U.S. Marine colonel from being framed for murder. That colonel also is a black man which makes the story even more politically correct. Samuel J. Jackson plays that role, a Col. "Terrry Childers." Jones plays his attorney, "Col. Hayes Hodges." The two veteran actors play off each other very well.
It gets even more dramatic when two other witnesses lie and make justice look almost impossible to attain in the case. But, dramatics aside, it's a good story and certainly an entertaining one. Once again, William Friedkin has directed a good movie.
There are some outstanding action scenes in the first 30 minutes and if you have a 5.1surround system, it gets quite a workout. After that, the story settles down into a court battle.
Its politics are typical Hollywood: the government is corrupt with the main villain the National Security Adviser who burns a video tape that would clear a U.S. Marine colonel from being framed for murder. That colonel also is a black man which makes the story even more politically correct. Samuel J. Jackson plays that role, a Col. "Terrry Childers." Jones plays his attorney, "Col. Hayes Hodges." The two veteran actors play off each other very well.
It gets even more dramatic when two other witnesses lie and make justice look almost impossible to attain in the case. But, dramatics aside, it's a good story and certainly an entertaining one. Once again, William Friedkin has directed a good movie.
Headed by two unnerving performances, this film takes us on a journey through the gray area that is our military morality today. We live in a society insulated from realistic depictions of war. We get censored CNN and FOX news. We rarely get anything insightful, so it is a pleasure to have HOLLYWOOD offer up one of the most moving anti-military films in the past ten years. While the courtroom drama is by all means standard, the most unique attention is paid to the changing perception of TLJ's character. In his journy to defend, he comes to an all too real understanding of a culture whose leaders have no problem sending our boys to die, yet they themselves are either ignorant of the reality, or to politically motivated to be moved by it. In conclusion, this is an alienating film because it presents an alien culture that lives by its own moral code. That alien culture isn't middle eastern... it is our own military.
One more point; Watching this film post 911 gives it an all too creepy reality.
One more point; Watching this film post 911 gives it an all too creepy reality.
Last week, as I considered ordering this DVD, I checked the IMDB rating and saw a "fair" 6.5. Since I like Tommy Lee Jones and Samuel L. Jackson, I placed the order. Like most roller coasters, I found it to be a good ride and Jones and Jackson did very credible jobs. The flaws in the movie have been correctly pointed out by numerous other reviewers. I was somewhat surprised that some of the most critical reviews were by US viewers. I fully understand how non-US citizens would be irritated by the stereotypes. I found it to be a very exciting movie from my particular perspective (US citizen, military family, male over 45). The scenes of combat when the marines are ordered to the US embassy in Yemen to safeguard our state department personnel were VERY well done, even to the point of gripping. The court scenes and conflicts of evidence or lack of evidence were interesting to me and I also understood, but did not agree with, the aims of the State Department. I don't think some of the reviewers are aware of what a person might do in such an extremely stressful situation as that of Colonel Childers (Jackson). It was fascinating to me to see what he did do and how he and others looked back on it. I would have given Rules of Engagement a 9 or 10, but for the flaws. It's a good movie though and well worth renting. It's an 8.
Você sabia?
- CuriosidadesWhen Hodges (Tommy Lee Jones) returns to the bombed-out embassy, there is a picture of then Vice President Al Gore on the charred wall. Gore and Jones were roommates at Harvard.
- Erros de gravaçãoNational Security Adviser Bill Sokal is worried about political pressure from other countries about the internationally publicized "slaughter of innocent civilians in Yemen", so he hides the one piece of evidence that would exonerate Col. Childers: a video tape of the crowd initiating contact with the Marines. Sokal does this as a means of "throwing Childers under the bus". The problem with that is that not only would that tape reveal that Col. Childers was innocent and performed his duty admirably, but it would remove all political pressure from the US - thus removing the reason why Sokal hid the tape in the first place. Couple that with the evidence presented in the courts-martial that proved Col. Childers innocent, and it would have been painfully obvious that Col. Childers performed his duties honorably and, therefore, would have been returned to active duty. In short, Sokal helped propagate the very problem he was trying to solve: political pressure against the US, that would cause embassies to be removed around the world.
- Citações
Colonel Hayes Hodges: You ever had a pissed-off Marine on your ass?
National Security Advisor William Sokal: Is that a threat?
Colonel Hayes Hodges: Oh, yes, sir.
- Versões alternativasSome international prints, made for DVD/TV broadcast, have removed the Paramount logo and fade straight into the Seven Arts Pictures logo. The opening titles also now read "Seven Arts Pictures Present in association with Paramount Pictures". This is due to the fact that Seven Arts owned the international rights and wanted prime credit.
- Trilhas sonorasOn the Threshold of Liberty
by Mark Isham
Contains a sample performed by Mark Isham
Courtesy of The Windham Hill Group
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Bajo Fuego
- Locações de filme
- Marrocos(Embassy)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 61.335.230
- Fim de semana de estreia nos EUA e Canadá
- US$ 15.011.181
- 9 de abr. de 2000
- Faturamento bruto mundial
- US$ 71.732.303
- Tempo de duração2 horas 8 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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