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SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA film about the career of the notorious punk rock band, the Sex Pistols.A film about the career of the notorious punk rock band, the Sex Pistols.A film about the career of the notorious punk rock band, the Sex Pistols.
- Prêmios
- 3 vitórias e 1 indicação no total
John Lydon
- Self
- (as Johnny Rotten)
Sid Vicious
- Self
- (cenas de arquivo)
David Bowie
- Self
- (cenas de arquivo)
Alice Cooper
- Self
- (cenas de arquivo)
Stewart Copeland
- Self
- (cenas de arquivo)
Ronnie Corbett
- Self
- (cenas de arquivo)
Bryan Ferry
- Self
- (cenas de arquivo)
Stephen Fisher
- Self (Sex Pistols' lawyer)
- (cenas de arquivo)
Alice Fox
- Woman in crowd
- (narração)
Bill Grundy
- Self
- (cenas de arquivo)
Benny Hill
- Self
- (cenas de arquivo)
Billy Idol
- Self
- (cenas de arquivo)
David Johansen
- Self
- (cenas de arquivo)
Avaliação em destaque
This film is a documentary about one of the most influential (certainly one of the most controversial) bands in music history: The Sex Pistols.
During their brief career, the Sex Pistols defined the genre of music called Punk Rock. The film details the situation in Britain at the end of the 1970s, where widespread dissatisfaction and alienation, combined with a very dull music scene, helped fuel the anger and craziness of Punk, which, according to John Lydon (aka Johnny Rotten), gave a voice to people who previously didn't have a voice.
The film is a collection of present day interviews with the surviving members of the band (given in silhouette, for some reason), archive footage from concerts and TV appearances, vintage movie clips (notably Laurence Olivier as Richard the Third) and surreal animation.
The film mostly sidelines the Pistols' notoriously self-aggrandising manager Malcolm McLaran to concentrate on the band members themselves. The movie gives a good insight into an often quite disturbing world and a scene that was truly anarchic and exciting, whether you were a fan or not. There are also moments of genuine sadness, for example when Lydon talks about his friend, the late Sid Vicious.
This is recommended to anyone interested in popular music, or anyone who wants to see what real Punk was all about.
During their brief career, the Sex Pistols defined the genre of music called Punk Rock. The film details the situation in Britain at the end of the 1970s, where widespread dissatisfaction and alienation, combined with a very dull music scene, helped fuel the anger and craziness of Punk, which, according to John Lydon (aka Johnny Rotten), gave a voice to people who previously didn't have a voice.
The film is a collection of present day interviews with the surviving members of the band (given in silhouette, for some reason), archive footage from concerts and TV appearances, vintage movie clips (notably Laurence Olivier as Richard the Third) and surreal animation.
The film mostly sidelines the Pistols' notoriously self-aggrandising manager Malcolm McLaran to concentrate on the band members themselves. The movie gives a good insight into an often quite disturbing world and a scene that was truly anarchic and exciting, whether you were a fan or not. There are also moments of genuine sadness, for example when Lydon talks about his friend, the late Sid Vicious.
This is recommended to anyone interested in popular music, or anyone who wants to see what real Punk was all about.
- RobertF87
- 7 de abr. de 2004
- Link permanente
Enredo
Você sabia?
- Citações
John Lydon: [remembering Sid Vicious] All's I can tell you is I could take on England, but I couldn't take on one heroin addict.
- ConexõesFeatured in Siskel & Ebert & the Movies: The Beach/Snow Day/Holy Smoke (2000)
- Trilhas sonorasGod Save The Queen
(Symphony)
Written by Paul Cook (as Cook) / Steve Jones (as Jones) / Glen Matlock (as Matlock) / John Lydon (as Lydon)
Courtesy of Sex Pistols Residuals for North America
Courtesy of Virgin Records Ltd. for the rest of the World
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Filth and the Fury
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 612.192
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.305
- 2 de abr. de 2000
- Faturamento bruto mundial
- US$ 612.433
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By what name was O Lixo e a Fúria (2000) officially released in Canada in English?
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