Uma mulher que foge da máfia é relutantemente aceita em uma pequena cidade no Colorado. Em troca, ela concorda em trabalhar para eles. Quando uma pesquisa visita a cidade, descobre que seu s... Ler tudoUma mulher que foge da máfia é relutantemente aceita em uma pequena cidade no Colorado. Em troca, ela concorda em trabalhar para eles. Quando uma pesquisa visita a cidade, descobre que seu suporte tem um preço. No entanto, seu segredo perigoso nunca está longe.Uma mulher que foge da máfia é relutantemente aceita em uma pequena cidade no Colorado. Em troca, ela concorda em trabalhar para eles. Quando uma pesquisa visita a cidade, descobre que seu suporte tem um preço. No entanto, seu segredo perigoso nunca está longe.
- Prêmios
- 21 vitórias e 33 indicações no total
‘Snow White’ Stars Test Their Wits
Enredo
Você sabia?
- CuriosidadesPaul Bettany didn't want to play Tom Edison, because they were shooting it in Sweden. Then his friend Stellan Skarsgård told him that Lars von Trier's shoots were so funny, that "you'll miss something extraordinary if you turn the part down." After shooting half the movie, Bettany asked Skarsgård when the fun would start, to which Skarsgård replied: "I lied. I did it because he is amazing to work with, and you wouldn't be able to see that before you were actually here yourself. I wanted to give you a chance, and you wouldn't have shown up if I had been frank with you."
- Erros de gravaçãoJack refers to the steeple casting a shadow which touches the O of the store's open sign at exactly 5 PM each day. This would actually only occur on a few days each year, as the lengths and positions of shadows are constantly changing through the seasons.
- Cenas durante ou pós-créditosClosing credits play over photographs depicting crime and poverty in the United States.
- Versões alternativasTo fit the needs of some local distributors, in Italy among others, assistant director Anders Refn cut a version of Dogville which is about 45 minutes shorter than the original. The version was accepted and approved by director Lars von Trier.
- ConexõesFeatured in Trier, Kidman og Cannes (2003)
- Trilhas sonorasYoung Americans
Written and Performed by David Bowie
Courtesy of RZO Music, Inc.
Published by Chrysalis Music Limited / EMI Music Publishing Limited / RZO Music Limited
[Played over end credits]
Avaliação em destaque
Dogville is long, and if you don't have the patience for a slow ramp-up of tension, it'll turn you right off. There are a couple story devices Von Trier uses that really bugged me, and I almost shut it off once. I'm glad I stuck with him, though, because he really took it somewhere and I came away really enjoying the experience..
Critics who hated Dogville talk about it's hamhanded anti-American slant (Lars von Trier refuses ever to set foot in that country). I knew nothing about this film or Von Trier before seeing it and I have to say I entirely missed the anti-America thing until the backcredits. Don't get me wrong, there are several scenes that make commentary about rampant nationalism, prejudice towards immigrants and small town xenophobia, but those comments could be made about the zealous in ANY region of ANY nation at ANY time.
If we are to criticize 21-st Century America, and there are plenty of reasons to criticize it, we must also criticize other peoples and governments who are screwing up royally. I think if Dogville has a point to make to America, its not that it is uniquely problematic, but that it is as problematic as any other nation. Where on this planet can you NOT find a group of people who think:
THE WORLD WOULD BE A BETTER PLACE IF EVERYONE WAS JUST LIKE US.
That statement is the kernel of failure for every major conqueror and every major religion in history and it portends the long, inevitable swirl down the toilet and the people who want you toppled have only to sit back and watch you do it to yourself.
America is a great nation, with a lot of culture, history and art to be proud of, and maybe that's why modern artists feel the need to make pieces like Dogville. To remind America that, as great as it is, it's still a nation of crying, barfing, excreting, whining, greedy, worried, scared mouths to feed, just like the rest of us -- no better or worse.
That's all I think Dogville does as an anti-American piece. If Von Trier meant to just poo on America, he missed his mark and ended up making a point about all of us. Regardless, he among many others wants America to change it's mind about itself, and it doesn't matter if he hates it or loves it. Much more interesting to me is the blatantly obvious point Dogville makes -- to what point do you forgive the transgressions upon you by others who may be less fortunate but are nonetheless doing wrong? It sure made me take a look at my own pacifism.
Nicole Kidman was brilliant, as was Paul Bettany and the simpler townsfolk who will play so skillfully with your emotions. It seems I've been flooded with Kidman movies regularly for a couple weeks now and this is my favourite of her performances.
Good film, Dogville.
Critics who hated Dogville talk about it's hamhanded anti-American slant (Lars von Trier refuses ever to set foot in that country). I knew nothing about this film or Von Trier before seeing it and I have to say I entirely missed the anti-America thing until the backcredits. Don't get me wrong, there are several scenes that make commentary about rampant nationalism, prejudice towards immigrants and small town xenophobia, but those comments could be made about the zealous in ANY region of ANY nation at ANY time.
If we are to criticize 21-st Century America, and there are plenty of reasons to criticize it, we must also criticize other peoples and governments who are screwing up royally. I think if Dogville has a point to make to America, its not that it is uniquely problematic, but that it is as problematic as any other nation. Where on this planet can you NOT find a group of people who think:
THE WORLD WOULD BE A BETTER PLACE IF EVERYONE WAS JUST LIKE US.
That statement is the kernel of failure for every major conqueror and every major religion in history and it portends the long, inevitable swirl down the toilet and the people who want you toppled have only to sit back and watch you do it to yourself.
America is a great nation, with a lot of culture, history and art to be proud of, and maybe that's why modern artists feel the need to make pieces like Dogville. To remind America that, as great as it is, it's still a nation of crying, barfing, excreting, whining, greedy, worried, scared mouths to feed, just like the rest of us -- no better or worse.
That's all I think Dogville does as an anti-American piece. If Von Trier meant to just poo on America, he missed his mark and ended up making a point about all of us. Regardless, he among many others wants America to change it's mind about itself, and it doesn't matter if he hates it or loves it. Much more interesting to me is the blatantly obvious point Dogville makes -- to what point do you forgive the transgressions upon you by others who may be less fortunate but are nonetheless doing wrong? It sure made me take a look at my own pacifism.
Nicole Kidman was brilliant, as was Paul Bettany and the simpler townsfolk who will play so skillfully with your emotions. It seems I've been flooded with Kidman movies regularly for a couple weeks now and this is my favourite of her performances.
Good film, Dogville.
- joeh-7
- 23 de out. de 2004
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Dogville: Uma Cidade não Muito Longe
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.535.286
- Fim de semana de estreia nos EUA e Canadá
- US$ 88.855
- 28 de mar. de 2004
- Faturamento bruto mundial
- US$ 16.690.617
- Tempo de duração2 horas 51 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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