Thérèse: The Story of Saint Thérèse of Lisieux

I saw this movie 4 times when it played in Nashville, and I cried each time. The love of a father for his daughters, and the love of a future Saint for her Beloved is portrayed in an effective and moving film that captures the essence of the Catholic faith.

Leonardo Defilippis is the director, principle writer, and male lead actor. He is both charming and inspiring in his role as the father of Therese.

St. Therese is played by Lindsay Younce, who infuses her character with beauty, wit, and intensity. This is one actress to watch in the years to come.

If you are a Catholic, you will be blessed and your heart will be touched by seeing Therese. And, even if you aren't a Catholic you can find much to love about this enchanting film and the life and faith of the widely-loved Saint who inspired it.

When I first started watching this movie I was a little disappointed at the extremely pious tone. I had read "Story of a Soul" years ago and loved the book but had not studied much about St. Therese in several years. The more I watched it, however, it really moved me in profound way so that at the end I was weeping uncontrollably. I showed it to my husband and children (daughters 6 and 9) and they loved it. I have now seen it several times and I see something new in each viewing. It is a movie that has a very very spiritual message, and if you're not in tune with spiritual messages at this stage in your life, you will not be touched. (A Catholic upbringing will certainly help the film resonate with the viewer.)If you are open to having a movie bring you closer to Jesus, this film will do it.

Watch this movie if you are already interested in the life of St. Therese of Lisieux and are curious to see a representation of it on film. There is no pretense of cinematic excellence here. The movie is not entertainment in the true sense. It's almost like a page of the famous compendium "Lives of the Saints" come to life on screen.

Moreover, the story of St. Therese may already be a bit distant to 21st century viewers, though she is a modern saint. St. Therese represents turn of the 20th century piety and devotion that probably seems quite strange to many of us today. The story would probably be most strange to non-catholics, still a bit foreign to less pietistic catholics, but probably closer to home to catholics who practice devotions such as to the Sacred Heart or the Child Jesus.

I had always associated St. Therese with a sort of saccharine sweet piety, but watching this film showed a different side and made me admire her deep humility, a virtue that is truly strange to us now.

When I signed up to promote this film I had ambitions of great things, but God showed me the hope of the little way.

I agree with critical comments about the film being film-schoolish. Many folks on the Luke Films team have a theater--not film background. However, Lindsay Younce was EXCELLENT in her simple beauty. In fact the simplicity and ameteur nature of the film reflects the simple child-like love of its namesake.

I love this movie. Thank you to Leo and Lindsay and St. Luke's!

The story of this little film is the story of the Little Way. For the past 5 years people all over the country/world have DONATED their time and money and sweat to finance, produce and market this wonderful story.

Here in Dallas three secular movies where moved to add 3 extra auditoriums to show Therese and more than two auditoriums were filled all through opening weekend.

The Passion had fame and wealth (God bless Mel for this gift) behind it, but Therese proves that a little film about the Little Way, can spread LOVE very far through the efforts of so many people.

The relative success of Therese shows us what Christian people (and dedicated folks in general) can achieve together in faith, prayer and hard work.

It's hard to be objective about this film. As cinema, it's "amateur night at the movies," but as a practicing Roman Catholic, it's easy to overlook the gaps, shortcomings and fumblings in light of its subject. Having said that, I found the film to be very strange; there are certainly two ways you can take it: one, you can be moved by the demonstrations of faith and piety which prompts a whole family of 4 middle class young women of country gentry stock to become religious. The message therefrom is one of overriding faith. The family is close knit, visits the nunnery regularly, dresses and eats well but their lives are centered around the church. The mother dies and one by one, the girls go into religious vocations. Therese, the youngest, goes into her vocation post-puberty. She keeps a diary and it is this which becomes the great testament of her faith after her death. As the other reviewer noted, the more faithful among us will find it moving. The other viewpoint sees a family in late 19th century France who live in comfortable circumstances and who practice their religion intensely. Their little crises with health and emotions are not really beyond those most of endure during our lives, and indeed, one can wonder what is all the fuss about. The miraculous event of Therese is the repentance of a murder in the shadow of the guillotine. This episode is realized vicariously as Therese never saw the man, nor he her. Her entry into the world of the cloister is met with hostility by some of her religious sisters who resent her comfortable background. Again, this is perfectly normal and not unexpected.

Her death and suffering from TB is likewise undramatic and one can be left with the cynical impression that anyone can become a saint if you get sick and write about it. On the positive side, the film is pleasing to the eye, with set shots of the countryside and girls in wonderful 19th century dresses. The cloister shots are likewise idyllic and one wonders what the real world was like. The audience clapped loudly at the end and I had the impression there were few Protestants in the audience. No matter. If you want a simple film to bolster your faith in Holy Mother Church, this is it.