Após a destruição das Doze Colônias de Kobol, uma frota de fugitivos dos últimos remanescentes da humanidade foge da perseguição dos Cylons e, ao mesmo tempo, procura seu verdadeiro lar: a T... Ler tudoApós a destruição das Doze Colônias de Kobol, uma frota de fugitivos dos últimos remanescentes da humanidade foge da perseguição dos Cylons e, ao mesmo tempo, procura seu verdadeiro lar: a Terra.Após a destruição das Doze Colônias de Kobol, uma frota de fugitivos dos últimos remanescentes da humanidade foge da perseguição dos Cylons e, ao mesmo tempo, procura seu verdadeiro lar: a Terra.
- Indicado para 3 Primetime Emmys
- 5 vitórias e 7 indicações no total
Resumo
Avaliações em destaque
I was never a big fan of the original Battlestar Galactica TV show, and I have only seen a few SciFi originals which did not embarrass me on behalf of the entire genre of science fiction (Farscape and both Dune Mini-series being the exceptions). SciFi hypes their productions heavily, and they are almost always disappointingly silly. So, I was not inclined to go into this with an open mind. If anything convinced me to give it a shot, it was the fact that E J Olmos was hired to play Adama and that Mary MacDonnell was on-board. To say the least, I was very pleasantly surprised by the production quality, intelligent script, and the cast. This is more than a reinvention of BSG, it is a vast improvement over the silly cowboy histrionics the first series devolved into.
The story begins just before an invasion of 12 planets colonized by humans. The invading force has infiltrated all of the defense networks by positioning key agents in positions where they can easily exploit vulnerabilities, and has basically disabled all planetary defenses, leaving everybody and everything vulnerable. There is no battle. The few vestiges left of the once thriving human population are those who were fortunate enough to have been in space at the time of the attack. From this dire premise, Battlestar Galactica proceeds.
All considered, this is a film about the human will to survive, redemption and the spirit of hope. Though dark, moody, and as fragmented as life often is, BSG is also driven, suspenseful, and very well written. The cast is as talented as it is visually striking - mixing weird beauty, youthful energy, and hard-edged agedness. None of the actors misstep, and each seems to know their character particularly well. This is an unusual quality for SciFi originals, and shows that the network invested in quality directing talent and worked with reasonable production deadlines (as opposed to rush-jobs).
I strongly recommend this film for serious science fiction fans.
The die-hard types -- the "fans" (and I am one, of BSG, BSG2003, Trek, B5, etc.) -- are never going to be more than a small fraction of the viewership of any television program. It must appeal to a broader audience, or it is DOOMED.
Ronald D. Moore -- in my opinion, one of the better writer-producers in sci-fi today -- took a concept that pleased just about nobody but the fans and reproduced it in a manner that made it interesting and watchable to a modern audience. And if you step outside of your "I want Lorne Greene, Richard Hatch, and Dirk Benedict" temper tantrums, you will find it interesting and watchable as well.
As for some of the main cast members -- like the Adamas pere et fils -- being stiff and inhuman...my friends, welcome to career military officer types. I would bet you're the same people who complained about Commander Jeffrey Sinclair in the first season of Babylon 5 as well. These are TRUE TO LIFE heroes, not the Saturday morning cartoon comic book heroes.
As for remolding Starbuck (does she drink a lot of coffee? ;-) and Boomer into women... well, I had my doubts at first, but I thought they did a magnificent job. As for the Cylons looking like humans now... well, only some of them do. And, to be perfectly honest, it makes a lot of sense for them to be able to blend in with their enemies. Anyone who has knowledge of terrorists in the Middle East knows that the reason they can get in to major civilian population centers and cause hideously evil damage and destruction is because THEY BLEND IN. Use some logic, people!
Much like when going to see a movie based on one of Tom Clancy's novels, I didn't go into this expecting to see the original. I went into it expecting to see something new and interesting with some similarities at the plot level. And I was not disappointed.
Since ENTERPRISE seems to be killing the Trek franchise -- and I admit, I enjoy ENTERPRISE a lot of the time, but a lot of people don't, and I can see why -- I am in high hopes a series based on BSG2003 can revitalize hope for on-going TV science fiction. I don't see why it shouldn't as long as people stop thinking they're going to get Lorne Greene. They're getting Edward James Olmos, one of the most brilliant actors in Hollywood, coming BACK to TV after a successful movie career... and how often does THAT happen?!?
This incarnation does deviate from the standard format of BattleStar Galactica -- and indeed, from every single episode of every series produced in the 80s by Glen A Larson. The first scene has one of the leading roles played by a woman, the source of about half the griping. Apparently, women aren't supposed to be tough, nor fully-dressed, in space.
Also, no one's perfect. It's hard to faithfully jump in and worship the 2-3 main characters, like we're used to doing as children. Back then, the main characters flashed their CHiPs smiles, fired their blasters from the hip and got all the girls, even if they were blue. The main characters saved the day, reliably and on time, each and every week. By comparison, the characters in this series are barely keeping themselves together and obviously suffering from their environment, let alone trotting out the whitened smiles for the final chuckle at the 44th minute freeze-frame. The characters in this series, faithful to the style of modern scifi series like FireFly, are as realistic, as flawed and ultimately as believable as it gets, warts and all. The stories are generally well-written, well-acted and consistently cruel to the characters we want so dearly to like.
Be forewarned: This new BattleStar Galactica requires thought and some attention to detail. It's not metal chewing gum, and it doesn't suck up to the audience nor offer the safe and predictably mindless entertainment we're used to seeing in a space opera. But if you can stand occasionally hating your heroes, and if saccharine leaves a taste in your mouth, then you may just become a fan.
The characters were wonderous, especially I found Colonel Tigh to be a terrific re-imagining of the previous incarnation. Commander Adama and Captain Adama had an almost painful on screen chemistry. Oh, and Mary McDonnel? Inspired choice.
The thing that I truly love, however, is that there is very little noise. No massive explosions. No screaming and shouting. Everything is detached, everything is calm, in a slightly sick way. Only one word can truly sum up this miniseries and what follows.
*quiet*.
In three hours, we are introduced to a world, and a cast of characters, that are unrivaled in depth and seriousness. The story is compelling beyond belief. We are really there. We really care.
Topical, directed with talent and passion, and acted by people who deeply care about what they are creating, Battlestar Galactica sets the standard by which any filmed drama must be measured.
Nothing else will satisfy again. May BSG reign for years to come.
Você sabia?
- CuriosidadesCommander Adama's final speech to his crew (including his repeated use of the phrase "So say we all!" to rally them to action) was largely improvised by Edward James Olmos.
- Erros de gravaçãoDuring the first FTL jump the countdown of 10 seconds lasts around 25-26 seconds.
- Citações
Laura Roslin: There's no Earth. You made it all up. President Adar and I once talked about the legends surrounding Earth. He knew nothing about a secret location regarding Earth, and if the President knew nothing about it, what are the chances that you do?
Adama: You're right. There's no Earth. It's all a legend.
Laura Roslin: Then why?
Adama: Because it's not enough to just live. You have to have something to live for. Let it be Earth.
Laura Roslin: They'll never forgive you.
Adama: Maybe. But in the meantime I've given all of us a fighting chance to survive. And isn't that what you said was the most important thing, the survival of the human race?
- Cenas durante ou pós-créditosThe stop-motion/cut-out animation R&D TV logo has Ronald D. Moore and David Eick taking turns to kill each other every week, with one partner making a proposal in gibberish and the other attacking him using items from a gorilla to a lance.
- ConexõesFeatured in Atop the Fourth Wall: Countdown: Part 2 (2009)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Galactica - Astronave de Combate
- Locações de filme
- Horseshoe Bay, West Vancouver, Columbia Britânica, Canadá(Baltar's home)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 30 minutos
- Cor
- Mixagem de som
- Proporção
- 16:9 HD