Do Outro Lado da Lei

I decided to comment due to finding the previous comment exceedingly misleading. EL BONAERENSE is not a comedy and there's nothing "Jarmusch-like" about it. The protagonist is not a "small time hood" but a locksmith ordered by his boss to help a client open a safe. Presenting him as a "hood" would go against the major message of the film: how institutional corruption can poison and seduce an average guy, in this case a vulnerable man from the interior who moves to Buenos Aires, hence the title. The narrative structure is chronological and easy to follow (there's nothing "offbeat" about it). The scenes are rather brief with quick editing, rather than the long takes and laconic pace characteristic of Mr. Jarmusch. Where I disagree with the otherwise excellent comments from the Argentinian viewer is that I think EL BONAERENSE is an indictment of big-city police culture more than a character study. The film is more sociological than psychological, in my interpretation.