Tratamento de Choque

A very strange little gangster film, even stranger when you consider that it's written by Charlie Higson, best known as a British author and comedian who once starred in THE FAST SHOW. It's a story of murder and revenge with plenty of surreal elements, which is unsurprising given the presence of horror director Stuart Gordon. It's also a very low budget movie, but one that's fairly entertaining despite its shortcomings.

Chris McKenna works hard as the everyday Joe who finds himself caught up in events spiralling out of his control when he's introduced to slimy gangster Ray (played by the well-cast Daniel Baldwin). Driven to murder, he then ends up at the mercy of some slightly bumbling gangsters; one of the most interesting things about the film is the cast, which includes George Wendt and Vernon Wells (COMMANDO) as the bad guys. There's also time for a little romance with the lovely Kari Wuhrer until things take a turn for the very dark.

We end up with a traditional revenge plot, but along the way there are fresh touches of inspiration and surprise, including a very gruelling torture sequence which shows you don't have to be graphic to be deeply unpleasant. Come the end credits, I was left feeling that the total is less than the sum of its parts, but fans of bizarre B-movie outings might find something to savour here.

I caught this movie one night as I was surfing and stopped just long enough to catch this charismatic star in a really underrated little sleeper. The first half of this movie gave me an uneasy feeling; the same feeling I had when I watched "Last House on the Left" for the first time. Watching the lead character beaten mercilessly with a "driver" in a shed until his face is disfigured, generated an enormous amount of pity. I found myself in the awkward position of caring for a hit man who ends up killing several people.

That speaks volumes for the charisma and artistry of the actor playing Sean. This is definitely a cut above the average late nite fare; the script takes some amateur turns, but the cast keeps it from becoming camp.

Apart from some moments of shoddy photography, an ending that for me fell emotionally flat and Daniel Baldwin annoyingly chewing the scenery to pieces, I found myself quite liking King of the Ants. Not all the photography is bad, on the most part it does look good and the same goes with the rest of the production values. The dialogue at least engages thought, while the story is cleverly written with suspense, thrills and a truly shocking murder scene, not predictable and held my attention all the way through. The characters are the sorts that are extremely flawed but in the end you identify with them, the lead character especially. The direction is taut, while I was surprised at how good the acting was. Chris McKenna is likable in the lead role but it's George Wendt's funny and frightening performance that makes the strongest impression. Overall, while not perfect King of the Ants was really quite good. 7/10 Bethany Cox

Stuart Gordon, considered a master of the horror genre thanks to classics like Re-Animator and Dagon, decides to do a different move in this strange trip to human morals.

"King of the Ants" is about a regular guy, Sean Crawley(newcomer Chris McKenna), a man without any aspiration who just live in his apartment doing the necessary job to live to the next day. In one of his jobs he meets Duke(Gearge Wendt), who introduces Sean to his boss, Ray Matthews(played by Daniel Baldwin). Ray hires Sean as a spy, and orders him to follow Eric Gatlin(Roy Livingstone), an accountant who has been investigating Ray's company. Problems start when Ray, while drunk, orders Sean to kill Eric. And he does it. Things go wrong when Ray decides to make Sean disappear destroying his mind with violent punishment and humiliation.

From the point where Sean kills Eric, we go in the same boat with him, as he goes through a downward spiral of human degradation, traveling from guilt, to confusion and finally to his rebirth, in a state where humanity, morals and values are not important anymore. Chris McKenna acting is very important because he manages to be likable even when he is part of gruesome acts, both as victim and/or criminal. He has that look of innocence that hides a dark side and he manages to carry the film.

The support cast also includes Kari Wuhrer, as Eric's widow who also becomes a central part of Sean's trip to hell. She gives a fine performance, although it's obvious that Sean is the main character. He is the most developed of all and McKenna's performance is up to the challenge.

The film has very disturbing images of violence, and while it may not be as graphic as "Kill Bill" for example, the strength of the violence is in the lack of humanity that the character manifest. He is more than an ant in this world. He is the king.

Stuart Gordon has managed to create a film that, while maybe it's not one of his best efforts; it's very well done, has a VERY interesting story to tell, and manages to capture the attention every second of it.

8/10

From some of the recent reviews of this film, I expected gore like none I'd ever seen before. Frankly, I thought they were a little off base. The "torture" consists of the same act each day, and while it isn't something I'd particularly like to experience myself, it could have been much worse. I found the torture scenes in "Marathon Man" and "Braveheart," to name just two, to be much more disturbing.

One thing I really didn't like about this movie was that none of the major characters is particularly likable. The tortured fella probably deserves what he gets, and the revenge he exacts isn't particularly just considering one of his victims treated him rather well when he was a captive.

All in all, I wasn't bored watching this movie, but I wouldn't recommend it. The story isn't particularly compelling, the romance isn't believable, and the gore factor isn't even that high.