Slings and Arrows

I can not praise this show enough. It portrays every character and situation with a cutting accuracy, which may seem ludicrous at first glance, but is actually not exaggerated in the slightest. A director who just doesn't care about the details, an actress who's the star of the show... and knows it. A holier-than-thou leading actress who's missing one thing- talent, a lonely understudy and a movie star trying to prove himself; what else can you ask for?

Paul Gross's performance is stunning, and for those of us who saw his 'Hamlet' (which he actually acted in at the alternate reality setting of the show- the Stratford Festival) laughter abounds. People who watch Slings and Arrows will laugh. Actors or Theatre Goers who watch Slings and Arrows will be rolling on the floor within seconds.

Two thumbs up and a standing ovation- Paul Gross, I applaud you to the very echo.

You can tell that this TV show came out of a country other the the US because it's so well acted, very funny and just plain brilliant. It's unashamedly aimed at adults with IQ's over 10. I've been a huge fan of Stephen Ouimettes for years so I expected nothing but the best from him, but what a pleasant surprise to find this show chock a block with actors who actually can act. I watched the first two seasons straight through the night purring like a cat with a saucer of cream. It's great fun seeing how the theatre works behind the scenes - at last a show with a unique theme, original ideas and clever writing. I hope this one lasts and lasts.

I'm amazed to see no comments about Slings and Arrows. It was simply the best thing I've seen on television in the past few years. Every now and then something comes along that changes the way you look at television. Maybe it's The Prisoner, or Twin Peaks. This year for me it was Slings and Arrows. Easily the best thing to come out of Canada since Atom Egoyan and The Kids In The Hall, it's so well written, acted, and edited, that it blows shows like The Sopranos, Six Feet Under, and Carnivale out of the water. That's asking a lot, considering there are very few well written television shows anymore. It's not just well written, it's hillarious from start to finish. It's great to see Rachel McAdams getting a good role for once as well. Perhaps destined to play the dumb blonde highschool teen, she shines in this role - obviously she's meant for better things. The same could be said about every other member of the cast. This series is simply perfect, from start to finish - dying to see how this gets received abroad or when it'll see a DVD release.

Go to Amazon.com right now and register your vote for "Slings & Arrows" on DVD! This series has been amazing to watch (it's starting a repeat run on Sundance Channel this Sunday night, Sept.17th) and has reminded me how much I loved Shakespeare long ago. Paul Gross is a wonder to watch and even if you aren't "into" the Bard, you will want to see his performance. All of the performances are top notch and the writing is very real. You can recognize these characters as people you know. The script doesn't allow for easy answers to the questions raised, but gives the characters complexities that I have not seen in a mini-series before. It is smart, well observed and funny as hell! Amazon is looking for "votes" to gage interest in production of a DVD of the first series. I urge you to go there now! You will definitely want to watch this show over and over again.

"Slings and Arrows" is a Canadian comedy in the vein of those great six or eight episode miniseries that British TV does so well. Take all the good bits of a thirteen or twenty-two episode season and condense them into six or eight hours, perfect for a couple of DVDs.

Maverick theatre director Geoffrey Tennant learns that his alienated mentor has died, and he returns to his stomping grounds, the moribund New Burbage Shakespeare Festival. There he reluctantly takes over directing the latest in a line of bloated, limp productions of Shakespeare plays that nobody watches.

The corporate sponsors want to turn the festival into a venue for musicals, his Hamlet's previous experience is action movies, his Ophelia thinks being insane is the same as being stoned, his Gertrude is his ex-lover who hates him, and he has no money for sets or costumes. As if that wasn't enough, there's a chameleon prowling around the theatre and Geoffrey's mentor his haunting him.

The plot is loosely based on Hamlet, of course: a man returns home and finds it overrun with corruption, hypocrisy and indifference, setting off an existential crisis. This time the crisis is about the point of doing live theatre, when both the actors and the audience are going through the motions. As Geoffrey's rival observes, "More people listen to the radio than go to the theatre, and nobody listens to the radio." The biggest problem is that Jeffrey's production isn't the revelation it's supposed to be. The non-sets, the lack of special effects and anachronistic costumes, doing it the way the Bard did it at the Globe, isn't terribly original. When the action star does Hamlet's soliloquy, it's just a handsome guy saying the words.

At any rate, the backstage rivalries, romances and reconciliations are what we're really here to see. Even the secondary players get to shine in fine parts: a corporate bitch bent on turning the festival into ShakespeareLand, an egomaniacal theatre director with a fake injury, a passive-aggressive theatre journalist, a pizza delivery guy/motorcycle racer who courts Jeffrey's ex, a wise backstage manager, a Greek chorus of two old theatre queens, a pair of owlish undertakers, and more.

It's both funny and compelling, and I look forward to the rumored second season.