Na Holanda ocupada pelos nazistas durante a Segunda Guerra Mundial, um cantor judeu se infiltra na sede regional da Gestapo para a resistência holandesa.Na Holanda ocupada pelos nazistas durante a Segunda Guerra Mundial, um cantor judeu se infiltra na sede regional da Gestapo para a resistência holandesa.Na Holanda ocupada pelos nazistas durante a Segunda Guerra Mundial, um cantor judeu se infiltra na sede regional da Gestapo para a resistência holandesa.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 13 vitórias e 23 indicações no total
Avaliações em destaque
When I read all the comments about Zwartboek, it becomes clear to me that either you like the movie or you kind of hate it. What is that with good and bad that we want to make an exact line... This whole movie is about not knowing if you can do bad things (kill, betray or whatever) to achieve the good. Or the other way around off course. I must admit that the movie is (again) explicit, but aren't all the Dutch movies? What strikes me most is that some people expect to get a movie in which everything is clear. I think this is a movie which should set us to thinking: what would I do if I were in the same situation. Paul Verhoeven made clear with this movie that in the end, lots of people act for their own prosperity. It's just what you make people around you believe... I think in lots of countries people acted like this, none of the countries however dared to make a movie out of it. To me this movie is again (as Soldaat van Oranje and for instance De Tweeling)a beautiful one about WWII without getting boring. A smart story with two faces. Although some of the actors don't really fit into a masterpiece like this, I give it a great compliment. Get over the explicit name calling (ever seen Pulp Fiction??) and appreciate the scenery and nice camera-work, the great plot change and you'll have a great time and may even reconsider your own ideas about the resistance!
A really interesting mix of American movie - driven by a strong narrative, complete with car chases and tense thriller moments - and European film - multilingual, with strong sense of historical moment and complex characterisation. The lead performance by Carice van Houten is compelling and charismatic. Overall the film does not amount to a big emotional experience - the centre of the emotion, however, is subtle and focused on the scenes of Ellis (the Jewish heroine, undercover among the Nazis) and Muntze (the German officer) in bed together. A complex and believable love develops between them which is the heart of the film. Great to see Verhoeven back in Europe on a project of passion, bringing back some American know-how to a fairly large scale film, albeit for a pretty modest budget (c$20M I believe).
It took me about an hour after having seen the film to find any enthusiasm to write this review. The film Black Book, or Zwartboek in Dutch, is very impressive, with an excellent feeling for the complexity of inter-human relationships.
The story is about a Jewish girl that finds herself in a powerless situation in a war that tends to bring out the worst in all, 'good' or 'bad'. So much for what we know without seeing the film for ourselves. The film starts out rather typical, informing us with what we already new about the war: people where poor, hungry and trying to survive. However, the second part of the film shows a less well known part of Dutch resistance history: that the war brings out the worst in everybody. Without losing sight of the importance of the resistance against the foreign repression, Paul Verhoeven confuses his audience by visualizing how ones own well-being seems to go at the cost of the well-being of another. No black and white, no bad or good, but only the individual choice, that is tormented by the will to survive and a feeling for morality.
The film is daring for showing the dark side of the Dutch national history. However, the most valuable of the film is that it captivates its audience and sensitizes its audience for the misery of the historical event of World War II, but also the contemporary difficulties that affects human beings rather than countries. A must see, even though it makes you feel miserable.
The story is about a Jewish girl that finds herself in a powerless situation in a war that tends to bring out the worst in all, 'good' or 'bad'. So much for what we know without seeing the film for ourselves. The film starts out rather typical, informing us with what we already new about the war: people where poor, hungry and trying to survive. However, the second part of the film shows a less well known part of Dutch resistance history: that the war brings out the worst in everybody. Without losing sight of the importance of the resistance against the foreign repression, Paul Verhoeven confuses his audience by visualizing how ones own well-being seems to go at the cost of the well-being of another. No black and white, no bad or good, but only the individual choice, that is tormented by the will to survive and a feeling for morality.
The film is daring for showing the dark side of the Dutch national history. However, the most valuable of the film is that it captivates its audience and sensitizes its audience for the misery of the historical event of World War II, but also the contemporary difficulties that affects human beings rather than countries. A must see, even though it makes you feel miserable.
Saw it at Toronto Int. Film Festival with Paul Verhoeven and Carice van Houten on stage. This movie has Verhoeven's trademark stamp all over it. It's evident this film was a more personal project for him. Non stop action and good acting, especially from the lead actress, Carice van Houten. I've seen other films (American and French) about Resistance fighters during WWII, but non of them gripped me by the throat like this one. I admit Verhoeven is at times a bit heavy-handed, especially the sound effects of German machine guns, but the story never sags. It's a "By the seat of your pants" type of movie. After you leave the theater, the impact of the story stays with you for days. Go and see it when it comes to your local cinema in North America. I highly recommend it.
I must admit that I don't like to watch dutch movies that much. Most of the time the acting is pretty bad and if they use some kind of cgi in the movies its one from the 1980's.
This movie really surprised me. Quite good acting from most of the actors. And the general view of the Alliance is good and the Germans are bad isn't presented. The movie shows both sides, the good the bad (and the ugly) behaviors of the people during the war.
Although he didn't have a very big budget to make this movie (between 16-20 million dollars) which is nothing for Hollywood matters, he'd made quite a good movie from it.
If you want to watch a movie about WWII that isn't like most of the movies made about this war, go and watch this one. You wont be bored for the next 2,5 hours.
This movie really surprised me. Quite good acting from most of the actors. And the general view of the Alliance is good and the Germans are bad isn't presented. The movie shows both sides, the good the bad (and the ugly) behaviors of the people during the war.
Although he didn't have a very big budget to make this movie (between 16-20 million dollars) which is nothing for Hollywood matters, he'd made quite a good movie from it.
If you want to watch a movie about WWII that isn't like most of the movies made about this war, go and watch this one. You wont be bored for the next 2,5 hours.
Você sabia?
- CuriosidadesMost actors speak more than one language in the film. Carice van Houten speaks four languages fluently in the course of the film: Hebrew in the scenes in Israel, German with Nazi soldiers, English with Canadian army personnel and Dutch for the majority of the film.
- Erros de gravaçãoInsulin, even injected directly into the blood stream, would not act as fast as shown to lower blood sugar.
- Citações
Rachel Stein aka Ellis de Vries: I never knew this would happen. To fear the liberation...
- ConexõesEdited into Zwartboek: The Special (2006)
- Trilhas sonorasIch bin die fesche Lola
Music by Friedrich Hollaender (as Friedrich Hollaender)
Lyrics by Robert Liebmann
Performed by Carice van Houten
(c) 1930 by Ufaton-verlagsgesellschaft mbH (BMG Music Publishing Germany), Munich
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- La lista negra
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 21.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.398.532
- Fim de semana de estreia nos EUA e Canadá
- US$ 112.521
- 8 de abr. de 2007
- Faturamento bruto mundial
- US$ 26.768.563
- Tempo de duração2 horas 25 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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