10.5: Apocalypse

This movie is not even remotely scientifically accurate. I'm pretty sure the writers haven't even passed basic high school earth science nor ever watched a PBS documentary on earthquakes to have gotten pretty much everything wrong. There are also many, many moments that were beyond even basic common sense, and I was yelling at my TV. The acting was pretty decent, and the actors were gorgeous and/or stately. Some of the lines were pure cheese, however. However, it's far from being the worse disaster movie or mini-series that I've ever seen, and it was a decent enough way to send a few hours on a rainy day. Don't expect to learn anything about a) science, b) surviving a disaster, or c) health care, and take it for what it is: escapist fantasy.

Gets a couple of points for the laugh-at-it value.

It picks up a few minutes after the end of the first installment. A major earthquake has just annihilated part of southern California, clear out to Barstow, with millions of casualties. We see some guys in Vegas, only 150 miles from Barstow, who would have certainly felt such an immense quake; and witnessed news coverage of it. What are they doing? Preparing for a possible danger to Vegas? Mourning the victims of the disaster? No, they're playing poker. The father of the heroine in both movies is winning, so that must be why he's not concerned with his daughter's fate much.

That's only the beginning. We see President Bo Bridges, still looking like he's suffering stomach wall spasms (like in the first movie). The scientist girl goes to discover more seismic problems are coming. Then an inconsiderate quake interrupts her dad's poker game. This opens the obligatory Poseidon Adventure rip off sequence, complete with all the disaster movie trimmings: arguing, wrecked staircases, aftershocks at just the wrong moment, panicky person gets killed, one of the rescuers is related to one of the fleeing survivors, etc.

Then the scientists watch as a major fault cuts across the heartland. Good special effects here, but the story line remains ludicrous. What's right in the way of the fault? A nuke power plant, what else. And so it goes.

Outrageous, but fun.

This film makes a tremendous amateur blunder from from the very beginning: it assumes the audience has seen (what I understand to be) the first film. (I hadn't.) There is no build-up, no dramatic lead-in, no preparing the viewer for what is about to happen... no indication there even WAS a prior film. In the first 60 seconds this drops cataclysm right into our laps with no preparation, no explanation, no warning. BAM! Here's an earthquake. BAM! Here's a tidal wave! BAM! Here's a volcano blowing its top.

Same holds true for the characters. There are no references to the prior film, no flashbacks to explain the existing story, nothing to prepare the audience for characters that pop out of nowhere and we're just supposed to magically understand their backgrounds and issues and empathize with what's going on.

The result: I paused this turkey after 15 minutes of ridiculously bad directing, came to IMDB and read the reviews, then shut it off... glad that I didn't waste three hours on what I'd already figured to be a prime example of how not to make a movie. Thanks IMDB, for helping me not turn that loser 15 minutes into a total loser evening.

scientific credibility, you might think that the producers would have at least done a good job filming this.

Alas, no. The CGI are good for a TV film, which isn't saying much, but the ENTIRE film (virtually every scene) is filmed in that modern, irritating "zoom-o-matic" style of cinematography. In order to lend a sense of action or reality, the camera zooms in or out every few seconds. The whole film looks like Uncle Ernie trying his new 8 mm camera out at Christmas, 1978. I timed one shot of the President's daughter talking to a doctor. It was 8 seconds long and had 5 zooms in it.

A very, very dumb film made very, very poorly.

This is an escapist entertainment featuring a cast of good actors and some commendable production values - all rendered pointless by the director's incessant (and I do mean incessant) abuse of the zoom lens. Whose idea was that? The director? The director of photography? Who holds the blame? It became so nauseating that it effectively spoiled everybody else's hard work. The director is not a novice and yet he allows this same grievous mistake to sink this film as he did the previous 10.5 disaster TV movie. There seems to be a mistaken notion that manipulating the zoom lens equates with directorial style. Jess Franco would even be embarrassed.