Summer Scars

Before i watched this i wondered how this film would turn out considering the subject matter but i have to say it was very watchable. It did have a few funny moments and i very quickly warmed to some of the characters. The kids in this film were very believable and enjoyable to watch. Kevin Howarth was very convincing as Peter, the drifter who gets the kids confidence and very quickly becomes someone they really will wish they had never met. Peters actions do make you feel uncomfortable in places but the whole film keeps you gripped wondering what will happen next. This was brilliantly shot and thoroughly enjoyable, another great film by Julian Richards.

I could've also written "Down and dirty" as a headline, but I chose the nice try one. It is actually a really nice movie. It has dark drama and psychological subtext to it. Some very disturbing scenes and feels very "real".

The actors enhance your impression of the rawness and the realness of the movie. Whethere you think that is a good thing or not, is entirely up to you. Which will also be leaning your likeness for or against the movie. That some sociological problems are brought up to, is another good point for the movie. Entertainment this ain't, especially because it's not afraid to pull punches ... Which is also it's downfall at any given moment. Still worth a look!

Watched this film first time last night, Typical teenagers, innocent but naughty, they then get caught up with a drifter they come across whilst enjoying themselves in the woods, shows you how easily things can change for the worse when someone like this, manipulative lying bullying etc can do, their day changes for ever after the drifter invites himself to their company.

Sometimes films like this are either badly acted or they are grim & depressing but this was neither.

Not sure where it was filmed but somewhere in South Wales Great little Welsh actors !! Hope they go far.

Well done. 10/10.

Anyone who recalls misspent summers of youth will understand well how a single day can echo down the years. Like the similarly resonant stories of Rob Reiner's Stand by Me, or much of Shane Meadows's work, Summer Scars captures fragile youth at a turning point, with cracks opening up to the darker adult world.

Six friends bunk off school to spend the day in the woods. Armed with a few cans of beer and some very inadequate barbecue skills, they're free to do just what 14-year-olds do best: show off, swear, fight and spend the day just hanging out together. The first reel of Julian Richards's low budget drama is spent solely in the company of these six. Like most real kids they're certainly no angels, and might qualify as 'hoodies' in a cruder film.

Riding a stolen moped around the bumpy woodland paths, two of the gang collide with a lone adult, Peter (Howarth). They fear the worst, and leg it from the scene, but Peter is unharmed and soon emerges to join the group. Attention turns to this unknown quantity, and the focus of the group shifts. Peter seems to be 'down with the kids'. He's sympathetic, and is soon leading the gang into new scrapes.

But Peter can't be pinned down – one minute he's offering life lessons to his young charges, the next he seems more sinister, playing divide and conquer, and easily exploiting tensions by turning friends against one another. As the afternoon wears on, events take worrying turns, and it appears Peter's agenda may be closing in on the gang.

This low-budget indie thriller makes all the right moves with an engagingly 'real' cast of youngsters. Never patronising and edgy throughout, it's a heartfelt picture of fragile adolescent faiths.

This new feature from Julian Richards the director of THE LAST HORROR MOVIE boasts another 'volcanic' performance by Kevin Howarth. It would spoil the fun of SUMMER SCARS to reveal what exactly happens, but this morality tale, which takes place entirely in a forest, is an unsettling film about abuse, mental, emotional and physical.

This is a film that has resonance with a youth crime phenomenon in Britain. As knife crime dominates London and teen suicide dominates Wales, the best screen villains are now not serial killers or zombies but contemporary British youth (although In SUMMER SCARS the teens are more anti-hero than villain).

The irony, of course, is that SUMMER SCARS works precisely because of this social context, and not despite it. It is beautifully shot and intensely acted, and it's queasy approach to youth culture gives it a fascinating attraction.

We've had troubled youth movies in the past, everything from BULLY to MEAN CREEK, but this bold marriage of topicality and slick genre formatting is startling and defiantly un-Hollywood.