O Jovem Messias

Be informed! The Young Messiah's high production quality probably makes its content more disturbing, because many people will see it and form a concept of Jesus from it. Like The Da Vinci Code, the film—based on a novel by Anne Rice (Interview With the Vampire)—is loosely based on Gnostic texts widely deemed heretical. (In those texts, the boy Jesus strikes a playmate dead and then resurrects him, makes clay birds alive, etc.) The story's main premise is that young Jesus has no clue he's the Son of God. As in the Harry Potter saga, the young hero gradually discovers his supernatural powers and struggles to control them and to discover his destiny. Yet it's being billed as a "Christian-themed" Easter film and even being supported by some big ministry groups. Mary and Joseph try to protect Jesus from the backlash from his accidental miracles. In a totally fictional suspense subplot, Herod discovers Jesus' name, age, home, and family and sends a Roman soldier to track and kill him. Don't be bamboozled—read the Bible for yourself.

A lot of people are rating this low because it's not biblically accurate. I am a Christian, but I usually HATE Christian movies; they are usually so cheesy and poorly made. But this movie pleasantly surprised me. Here's the thing: In the bible, we are given VERY little detail about Jesus' childhood. This movie is an exploration on a short time in Jesus' childhood and what it might have looked like. It's an interesting take on what it MIGHT have been like, but probably wasn't and that's fine. Just go into this movie knowing that the creators took a lot of artistic liberties. And I think those artistic liberties worked very well. It was moving and exciting and at times, very funny. The acting was great and the script was better than any Christian movie I've ever seen. It's an impactful movie that is loosely based on historical figures, but mostly an imagined tale rooted in the Savior of the World's innocent youth.

In the Young Messiah movie, some of the star actors are Sean Bean, David Bradley and Sara Lazzaro. The Young Messiah is a drama and takes place in Egypt. This film is also featured on Netflix, Youtube, Amazon Prime and many others as well. Considering that the film took place in egypt, everything looked realistic and was captivating to the eye. During the movie, all the actors performed very well and it was clear that they understood their role.

Overall, the Young Messiah is about Jesus' childhood, starting at 7 years old, and he's exploring the different curiosities he has about himself. However, many people in the city know about the young the messiah and the miracles he can perform. But still have yet to know who he is. He's valued and also wanted by people for the gifts he has, yet as a young boy. He's still unsure on why his parents are so protective of him. There's also a pharaoh that sends his men to look for Jesus.

During the film Satan is present but no one else can see him, other than Jesus. He also appears as a human. In the bible it does not mention that Jesus sees a demon in human form. In Matthew 2:13, it states that joseph was told to flee with Mary and jesus to egypt. This is because pharaoh herod wil search and destroy him. This is very accurate to the Young Messiah. Jesus proclaimed Satan not to touch him, and Satan was astonished by the authority that Jesus had. Matthew 4:6 also plays a factor in the temptations that Satan was trying to give to Jesus. As a result in the book of Luke, the film does not relate to each other. Overall, the film does provide a good perspective for the way Jesus was as a child. Yet there are still a lot of details that are missing within the movie.

Take a breathtaking journey into a year in the life of "The Young Messiah". What was Jesus like as a kid? How do you explain what He went through to become who He is and was? Miracles are in this movie - A question-asking young boy who truly didn't know the power He would later use to save the souls of the Earth. Jesus is played by a beautiful young boy who is very good in his role. With his parents (Mary and Joseph), they flee the town they are in. On their journey, young Jesus begins to learn and do things He doesn't quite understand at first - Jesus as a child is so amazing because even with my being a Christian, it didn't make me look at Jesus any different than I do now (with respect and love) - Forgiveness was yet to be known - but Jesus was more than a forgiver, even as a child - Watch what happens and go see the movie - It's worth a watch.

Out of all the reviews I have written thus far, this one may arguably be the toughest. Not because Young Messiah is a particularly good movie; it's not. I struggle because while it might be easy to lampoon a movie for being amateurish, inept, casually racist, remarkably insincere, thematically dubious and egregiously pandering; this movie's greatest sin however is it's a bore. Clocking in at a sluggish one hour and fifty one minutes, I constantly was asking myself if this film might have been improved if they replaced all the supporting characters with mannequins. Perhaps if Graham Chapman's ghost popped up and sung "Always Look on the Bright Side of Life" there'd be signs of actual, you know, life.

The film starts with the young Jesus (Greaves-Neal) living in Alexandria with his parents Joseph (Walsh), Mary (Lazzaro) and their extended family. After drawn-out moments of pensive staring and one half-hearted occasion of necromancy, the family decides to trek back to Judiah since the infamous King Herod is dead. Then the family walks, and walks, and walks until finally they don't. They stop in Nazareth, then Jerusalem slowly realizing that their movements are being monitored by Severus (Bean), a Roman centurion tasked with finding a certain seven-year-old with a knack for miracles.

The main source of attempted tension comes from Severus and Herod Jr. (Bailey) trying to find the mythic child of Bethlehem. The film takes great pains in making Herod as traditionally evil as possible complete with effeminate, overly dramatic mannerisms, a testy anger and an almost stunning lack of awareness. Sean Bean fairs a little better as Severus by simply phoning it in as the bad guy with a complicated past. Yet even his jaded, near expressionless presence can't make the film exciting. The moments of "chase" are largely missed connections with supporting characters pointing north and saying "he went that a- way." Meanwhile Severus prattles on about Roman steel. We all know the story of Jesus, or at least we know enough to assume he's not captured by Romans at seven-years-old so why is this dull chase the centerpiece of this dribble? At no point in time will a reasonable viewer think Jesus is in any real harm so why the cloak and daggers BS?

The secondary source of tension comes from Joseph's unwillingness to speak to Jesus about his origins because of...reasons. What those reasons are, we're never made privy to. Half-realized conversations happen with such regularity that one would be hard-pressed to find anyone's reasons for doing anything in this movie. Jesus on the other hand seems to take things in stride, performing miracles, showing off in front of rabbis and otherwise being the embodiment of Christ in miniature form. That's great and all, but he's not exactly an interesting character. Instead he's every "the one," "the special," the superhero Metropolis needs," we've seen thousands of times before. I understand Jesus's tale is the granddaddy of all heroes journeys but this film approaches the source material with such a pitiful lack of imagination that Jesus doesn't feel like a messiah but an X-Man.

With a subject so revered by countless believers, I'm surprised just how painfully conventional Young Messiah is. The film is adapted from "Christ the Lord: Out of Egypt" written by Anne Rice who injects religious iconography into all her books with such regularity, that I'm surprised she's not a nun by now. Brought to moribund life by director Cyrus Nowrasteh, the cinematography and editing is film-school, senior thesis level atypical. There are some moments approaching the ethereal in the vein of music video expressionism, but then we're brought right back into the heavy- handed pandering that's become a hallmark of these kinds of movies.

The best thing that can be said about Young Messiah is at least it panders without fear-mongering or demonizing other groups. Movies like God's Not Dead (2014) and Left Behind (2014) preach with such bluster, that the only thing stopping them from being malignantly harmful is their amateurishness. I long for the day when we expect more from these kinds of movies other than them being benignly boring. It is possible, if you're willing to sit through rarefied gems like The Tree of Life (2011) or Au Hasard Balthazar (1966) or The Passion of Joan of Arc (1928). Otherwise you may just have to get your spiritual fulfillment watching your nephew's nativity play.