Dollhouse

Okay, I'll admit, when I watched the first episode of this show I was a little let down. As a long time Whedon-fan I'd had high hopes for his TV return. The pilot didn't exactly have me clapping my hands and doing cartwheels. The next few episodes held my interest, but it was mid-way through the season (when Fox stopped interfering) that the trademark Whedon-brilliance really appeared.

The show was no longer just about Echo, but started to give more screen time to the other characters, who are all as perfectly flawed and human as they can be. We started to get a stronger sense of the underlying arc, the moral ambiguities that the Dollhouse presents became more apparent and I found myself counting the hours till I could watch the next episode.

This is a show that will make you think and question. If you want mindless fluff, go elsewhere (90210, anyone?). If you want real, intelligent television (with a whole lot of fun mixed in), then Dollhouse is it.

Why do intelligent TV shows get cancelled all the time?

When this show moved away from single episode arcs, revolving about the assignments, and turned to handling complex themes like - how does one deal with the ethical questions around this kind of human trafficking (-> self-deception, mostly) - what makes a personality - how does an Active cope when confronted with the fact that apparently s/he gave up his/her personality willingly - what makes one give up his personality and allow oneself to be dealt with like a "thing"

Dollhouse became a truly fascinating show. Yet entertaining, captivating. Which of course led to it being cancelled. Oh, sigh.

It took a few weeks, I don't have the time to binge watch, but I finished watching the 2 seasons. I have the same question, why in blazes was this canceled.

An innovative show that will generally keep your eyes glued to the TV. Excellent scripts & direction. Eliza shines as Echo.

Not a lot of episodes but highly recommended.

This show is amazing. And dark. Very, very dark. This has clearly made many people uncomfortable. However, Helo, sorry, Paul, essentially spells out the message in the pilot: when seemingly helpful technology is created someone finds a way to use it for evil.

I don't believe the show makes any apologies for the people at the Dollhouse. I believe it shows the ways those people rationalize what they are doing so they can sleep at night.

This show is a great vessel for exploring the nature of the soul and personality. What makes people who they are. Despite being wiped and implanted over and over, Echo retains some of her Caroline-ness. This show is not ultimately about "the world's oldest profession," but about what makes humans human. If you can't get past the creepy paying for people, and, yes, the singer episode, then this is really not your show.

And, speaking as a woman, I really don't find it all that offensive. I'm actually not all that certain why I should. The dolls are of both sexes and I see a strong female lead, may Whedon continue to put them on television.

I highly recommend this show. Get past the first few episodes (which Fox tinkered with) and see the brilliance beyond.

Any Joss Whedon fan knows that he creates a full world. Beginning to end and at first he gives you the smallest glimpse. So the first season you don't really grasp his concept, but as it goes along you get pulled into that world.

The psychological background and action sequences keep getting better. I've fallen in love with the characters. The story line makes me gasp with amazement. The concept grows and just boggles my mind.

The first season was the slow start, thus far the second season is amazing. Now that I've watch season one and most of season two I find myself totally immersed in the show. I look forward to it being on for an hour every week... and when the episode is over I'm in TV shock.

And then I want more!!!