Peter Klaven, um homem de poucos amigos, tem problemas para encontrar um padrinho para seu casamento. Mas quando seu vínculo com seu novo melhor amigo coloca uma tensão em seu relacionamento... Ler tudoPeter Klaven, um homem de poucos amigos, tem problemas para encontrar um padrinho para seu casamento. Mas quando seu vínculo com seu novo melhor amigo coloca uma tensão em seu relacionamento, será que o trio pode viver feliz para sempre?Peter Klaven, um homem de poucos amigos, tem problemas para encontrar um padrinho para seu casamento. Mas quando seu vínculo com seu novo melhor amigo coloca uma tensão em seu relacionamento, será que o trio pode viver feliz para sempre?
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- 1 vitória e 8 indicações no total
A straight man far more comfortable in the company of women than of men, Kevin emerges as the ultimate metrosexual figure: fastidious in demeanor, sensitive to the needs of others, and courteous to a fault (he even admits to liking "The Devil Wears Prada" in a moment of unguarded weakness). He doesn't really know how to roughhouse it with the boys, and any efforts he makes in that direction inevitably lead to failure. Until our man Sydney steps into the breach to give him a few badly needed pointers, that is.
Smoothly directed by John Hamburg, "I Love You, Man" is a relaxed, breezy and sharply written male-bonding comedy that - miracle of miracles - doesn't play down to its audience (it may be crude at times, but it's rarely childish). The Hamburg/Larry Levin screenplay does a clever job poking fun at the double entendres inherent in any modern-day bromance, though one wishes certain characters - Kevin's family members, in particular - had been allotted a little more in the way of screen time. That being said, the performances are all first-rate, with Rudd and Segel playing to their respective strengths - Rudd's of the tongue-tied, self-effacing Mr. Nice Guy who needs lessons in "manning up," and Segel's of the refreshingly blunt but socially indelicate Man/Child who clearly needs to do some growing up.
There's additional excellent work from J.K. Simmons, Jamie Pressly, Sarah Burns and Rob Huebel, among others.
It's also a bit of a casting coup to get both Jane Curtin from the first generation of SNL players and Andy Samberg from the current one together in the same film. Finally, some unlikely cameo appearances by Lou Ferrigno and the band Rush, all appearing as themselves, add to the spirit of fun that permeates the film.
- Buddy-51
- 27 de fev. de 2010
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- CuriosidadesThe billboard with Peter in bed was extracted from Paul Rudd's 2006 Rolling Stone photo shoot.
- Erros de gravaçãoWhen Peter confronts Sydney about the billboards, the audio has Peter saying "Eight thousand dollars?" but Peter clearly mouths "five" instead of "eight"
- Citações
Sydney Fife: You get home safe, Pistol.
Peter Klaven: You got it, Joben.
Sydney Fife: I'm sorry, what?
Peter Klaven: Er... nothing.
Sydney Fife: No, what did you say?
Peter Klaven: Nah, I don't know... You nicknamed me Pistol, and I just called you... "Joben"... It means nothing... I don't... I'm drunk... I'm gonna call a cab.
- Cenas durante ou pós-créditosScenes from the wedding reception play during the credits.
- Trilhas sonorasShut Up and Drive
Written by Gillian Gilbert, Peter Hook, Stephen Morris, Evan Rogers, Carl Sturken and Bernard Sumner
Performed by Rihanna
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Te amo, brother
- Locações de filme
- 1 Electra Court, Los Angeles, Califórnia, EUA(Lou Ferrigno's house)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 71.440.011
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.810.270
- 22 de mar. de 2009
- Faturamento bruto mundial
- US$ 91.980.359
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1