AVALIAÇÃO DA IMDb
6,0/10
7 mil
SUA AVALIAÇÃO
Raúl e Valeria querem ter um filho há muito tempo. Quando a gravidez é confirmada, a gestante é assombrada por uma presença estranha e horrível. Essa presença coloca em risco a vida do casal... Ler tudoRaúl e Valeria querem ter um filho há muito tempo. Quando a gravidez é confirmada, a gestante é assombrada por uma presença estranha e horrível. Essa presença coloca em risco a vida do casal e de seu futuro bebê.Raúl e Valeria querem ter um filho há muito tempo. Quando a gravidez é confirmada, a gestante é assombrada por uma presença estranha e horrível. Essa presença coloca em risco a vida do casal e de seu futuro bebê.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 13 vitórias e 31 indicações no total
Carlos Orozco Plascencia
- Victor
- (as Carlos Orozco)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Huesera, the directorial debut of Mexican filmmaker Michelle Garza Cervera, presents itself as a film exploring the desire to be a mother and the consequences of having a child, all within a horror premise. However, the result is a movie that, although ambitious, leaves much to be desired.
One of the standout elements is undoubtedly Natalia Solián's performance. Her acting effectively conveys the nerves, fears, and trauma of being a first-time mother. Solián grabs the viewer's attention by making every emotion and doubt of her character feel genuine. The issue, however, is that the script and narrative don't support her.
The biggest problem with Huesera lies in its pacing and storytelling. The film becomes boring and tedious at several points, especially when it delves into areas where horror should be at the forefront but isn't. The lack of a consistent atmosphere of fear causes the film to lose its focus. The horror elements are missing, which leads to the film losing the tone it initially promised.
The script, on the other hand, is another weak point. The story feels incomplete, with many narrative gaps. There are moments where it seems material was cut during post-production, leaving unanswered questions and unexplained events. This affects the coherence of the plot.
One of the standout elements is undoubtedly Natalia Solián's performance. Her acting effectively conveys the nerves, fears, and trauma of being a first-time mother. Solián grabs the viewer's attention by making every emotion and doubt of her character feel genuine. The issue, however, is that the script and narrative don't support her.
The biggest problem with Huesera lies in its pacing and storytelling. The film becomes boring and tedious at several points, especially when it delves into areas where horror should be at the forefront but isn't. The lack of a consistent atmosphere of fear causes the film to lose its focus. The horror elements are missing, which leads to the film losing the tone it initially promised.
The script, on the other hand, is another weak point. The story feels incomplete, with many narrative gaps. There are moments where it seems material was cut during post-production, leaving unanswered questions and unexplained events. This affects the coherence of the plot.
This movie is lost between trying to create, horror, and a female empowering movie about motherhood. Sadly, is none of them. Instead we get an annoying and irresponsible 30yo lady who at the beginning wants to be a mother, the. Regrets it because when she was young she drop a baby to whom nothing happened. She hallucinates strange hunting images in an attempt to stop her pregnancy(?). It's hard to care about her journey when all she does is avoid responsibility and constantly cries to make herself look like the victim. I laughed at the dumb dialogue and stupid decisions that everyone makes. This is lost film that doesn't know what it wants to be. Even if it attempts to be political, which is not, is just an immature person who doesn't what she wants.
Valeria just found out she is pregnant, and she and her husband Raul are ecstatic. We then notice her withdrawing a bit from Raul with her joy and enthusiasm dwindling. One night, she witnesses a woman jump from her apartment window, but all is not what it seems.
Soon after, Valeria starts sensing and seeing things. Is it her imagination? Is she hallucinating? Or is it something far more sinister? If you've watched 'Huesera: The Bone Woman', then the answer will be obvious, but I'm not doing spoilers here for those who haven't seen it yet!
The film offers so many creepy moments and disturbing images. This is not your average Hollywood-style possession movie and some viewers might be disappointed in that regard. The narration makes the viewer wonder and question what is real, and what is a figment of Valeria's imagination. It also doesn't explain everything as clearly as most mainstream movies do. Either way, it makes for a disturbing watch in the vein of 'Under the Shadow', while the ending (sort of) reminded me of 'The Witch'.
The film takes a bit of a dip around the end of the second act and into the third, but Natalia Solián's fantastic performance as Valeria kept me interested and wanting more. The ending is not what I expected, but then again, this is not your average horror movie and it is unpredictable.
Soon after, Valeria starts sensing and seeing things. Is it her imagination? Is she hallucinating? Or is it something far more sinister? If you've watched 'Huesera: The Bone Woman', then the answer will be obvious, but I'm not doing spoilers here for those who haven't seen it yet!
The film offers so many creepy moments and disturbing images. This is not your average Hollywood-style possession movie and some viewers might be disappointed in that regard. The narration makes the viewer wonder and question what is real, and what is a figment of Valeria's imagination. It also doesn't explain everything as clearly as most mainstream movies do. Either way, it makes for a disturbing watch in the vein of 'Under the Shadow', while the ending (sort of) reminded me of 'The Witch'.
The film takes a bit of a dip around the end of the second act and into the third, but Natalia Solián's fantastic performance as Valeria kept me interested and wanting more. The ending is not what I expected, but then again, this is not your average horror movie and it is unpredictable.
Despite some cool horror scenes, Huesera is a boring, slow-paced drama that doesn't really go anywhere, nor does it leave any sort of message.
In the film there is the subplot of the main character and her gay relationship with her best friend, which is used as an excuse that she has a second identity, but this relationship never really comes to anything relevant, and neither does her relationship with her husband to be honest. It is simply the typical dose of mandatory forced inclusion these days.
Also many of the decisions and actions of the characters (especially some very important ones) are quite questionable, not to say stupid, and it is impossible not to cringe at the protagonist every time. Not to mention that the acting, especially of the main characters, is quite mediocre. It seems that in order not to include any caucasian characters (because there are no caucasians in Mexico, of course) they chose any actor they could find.
In itself a boring movie as a drama, and dull as a horror, Huesera fails twice as much.
In the film there is the subplot of the main character and her gay relationship with her best friend, which is used as an excuse that she has a second identity, but this relationship never really comes to anything relevant, and neither does her relationship with her husband to be honest. It is simply the typical dose of mandatory forced inclusion these days.
Also many of the decisions and actions of the characters (especially some very important ones) are quite questionable, not to say stupid, and it is impossible not to cringe at the protagonist every time. Not to mention that the acting, especially of the main characters, is quite mediocre. It seems that in order not to include any caucasian characters (because there are no caucasians in Mexico, of course) they chose any actor they could find.
In itself a boring movie as a drama, and dull as a horror, Huesera fails twice as much.
This should not be categorized as a horror movie. You can see from other reviews that people are upset at their expectations not being met. Although it does have some horror-like scares, it is a different experience altogether, more of a character study. However, the way that the story unfolds requires patience and an open mind. There are some allegorical elements that are not explicitly made clear in the movie. This could lead to some viewers feeling like the story leaves too many details unexplained. I thought it was well-written and gave an interesting look into the experience of a young Mexican woman dealing with the limited options imposed on her by family and society. The few supernatural elements sprinkled in are a smaller part of the story, which is mostly a psychological drama. I ended up liking the main character, so that influenced my enjoyment of the film, but not every viewer is going to understand or support her choices.
Você sabia?
- CuriosidadesThe title is derived from the folklore of La Huesera, a mysterious female figure who roamed the desert gathering bones. Said to favour those of wolves, La Huesera would assemble an entire skeleton, before singing to it. Her song would eventually bring the deceased creature back to life, granting it freedom to roam the plains once more.
- Trilhas sonorasSabinas
Performed by Norma Reyna, Gina Morett and Rocío Belmont
Written by Gibrán Andrade (as Gibrán Androide) and Cabeza de Vaca
Courtesy of Gibrán Andrade (as Gibrán Androide) and Cabeza de Vaca
Principais escolhas
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- How long is Huesera: The Bone Woman?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 1.685.816
- Tempo de duração1 hora 37 minutos
- Cor
- Proporção
- 1.85 : 1
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