AVALIAÇÃO DA IMDb
7,6/10
14 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA documentary on the electric guitar from the point of view of three significant rock musicians: The Edge, Jimmy Page, and Jack White.A documentary on the electric guitar from the point of view of three significant rock musicians: The Edge, Jimmy Page, and Jack White.A documentary on the electric guitar from the point of view of three significant rock musicians: The Edge, Jimmy Page, and Jack White.
- Prêmios
- 7 indicações no total
Adam Clayton
- Self
- (cenas de arquivo)
- (não creditado)
Michael McKean
- David St. Hubbins
- (cenas de arquivo)
- (não creditado)
Larry Mullen Jr.
- Self
- (cenas de arquivo)
- (não creditado)
Robert Plant
- Self
- (cenas de arquivo)
- (não creditado)
Avaliação em destaque
I suppose I'm a little biased when it comes to talking about documentaries about music, more so when it comes to documentaries about rock. I am just a complete sucker for them. I love rock + I love cinema = I love "rockumentaries" – even when is not a masterpiece. So it was pretty obvious that I was going to love It Might Get Loud (Davis Guggenheim, 2008). And I did. I did even though the way the film is put together –divided in chapters – doesn't really work for me and despite the fact that I think it doesn't go deep in the subjects that matter the most nor shows the relationship built between the three characters right until the end and very briefly.
Anyway, I did love it and here is why: The official synopsis is "A documentary on the electric guitar from the point of view of three significant rock musicians: the Edge, Jimmy Page and Jack White". I know, I KNOW. The choice of the characters is controversial. Besides Jimmy Page, who is unanimity, The Edge and Jack White are not the guitarist that come to mind when most people think about the greatest of their kind - which you sort of expect and want when you think about a documentary about the electric guitar. But I liked the choices, they are bold and you have to bear in mind that Jimmy Page is the executive producer, so they were pretty much his choices. Then, like the synopsis points out, this is more about different perspectives and it is not about great guitarist, but about the guitar. So, the Edge and Jack White end up being perfect. Their approach to the guitar couldn't be more different.
Jack White is more of a purist. He likes the basic sounds of the guitars, he doesn't mess with it that much. He doesn't even really care if the guitar is broken or out of tune. Right at the other corner, creating an opposition, there is The Edge. He loooves the special effects, distortions, pedals and everything else that technology can do to the sound of a guitar. Finally, in the middle, balancing things out, you find one of the Gods: Jimmy Page (who I don't think needs any sort of introduction even to people who don't like rock). And it all works. It works not only because the script is neatly put together, weighing and balancing the differences, but because somewhere around the beginning of the film something becomes very clear: despite being about the guitar and despite being very different men from different times of the rock history, they share their love for music and their desire to change the world through it. So, the film becomes much more about music and passion and there is no way you can be immune and dislike it.
Anyway, I did love it and here is why: The official synopsis is "A documentary on the electric guitar from the point of view of three significant rock musicians: the Edge, Jimmy Page and Jack White". I know, I KNOW. The choice of the characters is controversial. Besides Jimmy Page, who is unanimity, The Edge and Jack White are not the guitarist that come to mind when most people think about the greatest of their kind - which you sort of expect and want when you think about a documentary about the electric guitar. But I liked the choices, they are bold and you have to bear in mind that Jimmy Page is the executive producer, so they were pretty much his choices. Then, like the synopsis points out, this is more about different perspectives and it is not about great guitarist, but about the guitar. So, the Edge and Jack White end up being perfect. Their approach to the guitar couldn't be more different.
Jack White is more of a purist. He likes the basic sounds of the guitars, he doesn't mess with it that much. He doesn't even really care if the guitar is broken or out of tune. Right at the other corner, creating an opposition, there is The Edge. He loooves the special effects, distortions, pedals and everything else that technology can do to the sound of a guitar. Finally, in the middle, balancing things out, you find one of the Gods: Jimmy Page (who I don't think needs any sort of introduction even to people who don't like rock). And it all works. It works not only because the script is neatly put together, weighing and balancing the differences, but because somewhere around the beginning of the film something becomes very clear: despite being about the guitar and despite being very different men from different times of the rock history, they share their love for music and their desire to change the world through it. So, the film becomes much more about music and passion and there is no way you can be immune and dislike it.
- elisachristophe
- 5 de out. de 2009
- Link permanente
Enredo
Você sabia?
- CuriosidadesAll 3 participants have featured in music from a James Bond opening credits. Jimmy Page reveals that he played on "007 Contra Goldfinger (1964)" whilst The Edge and Jack White contributed title tracks to "007 Contra GoldenEye (1995)" and "007 - Quantum of Solace (2008)" respectively.
- Erros de gravaçãoThe section where Jimmy Page is talking about his first electric guitar is prefaced with a title card labeled "Jimmy's Strat" and showing a Fender Stratocaster. However, the pictures accompanying his story show a young Jimmy Page with a guitar that is distinctly not a Stratocaster, but a Selmer Futurama.
- Citações
Jack White: Never wanted to play guitar. Ever. Everyone plays guitar. What's the point.
- Cenas durante ou pós-créditos"St. Vincent De Paul", a Detroit thrift store mentioned in the movie, is credited as "St. Vincent De Paul - Detriot", with "Detroit" misspelled.
- ConexõesFeatured in The Rotten Tomatoes Show: Taking of Pelham 123/Imagine That/Moon (2009)
- Trilhas sonorasCokey Bottle Blues
Written and Performed by Jack White
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- It Might Get Loud
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.610.163
- Fim de semana de estreia nos EUA e Canadá
- US$ 92.679
- 16 de ago. de 2009
- Faturamento bruto mundial
- US$ 1.896.244
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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