Looper: Assassinos do Futuro

When one deals with time travel as the process has not been discovered everything written or filmed about is always speculative. For instance the Jean-Claude Van Damme film Time Cop shows something quite different when we meet our future and past selves as Joseph Gordon-Levitt and Bruce Willis do here in Looper.

Instead of the forces of law and latent fascism getting control of time travel in Time Cop, Looper has organized crime doing it and eliminating problems that Robert DeNiro in Casino remarked are usually swallowed up by the Nevada desert. Levitt is a Looper one who travels ahead to the future, specifically trained as an assassin and then goes back to his present origin and as targets come through a time portal, they get eliminated. Then at some point, the future selves are eliminated and the present selves just go on with normal lives as we define normal.

Bruce Willis is Levitt's future self only he doesn't like the idea of elimination. And the big boss Jeff Daniels doesn't like how Levitt screwed up the elimination of Willis. The chase is on.

Another question answered by Laurence Olivier in The Boys From Brazil said that we should not eliminate a cloned Hitler. Here a telekinesis gene has entered our gene pool and someone in the distant future has been harnessing its full potential to battle organized crime. That's an even bigger mission that the Levitt/Willis problem.

Looper is a nice and original take on time travel with an outstanding cast giving some standout performances. Note particularly Emily Blunt as the mother of young Pierce Gagnon who has powers and abilities far beyond those of other mortal beings. And young Gagnon is something to see as well.

Looper is definitely worth the price of admission.

Looper is an exciting and mentally stimulating science fiction movie that goes above and beyond in the realm of creativity. Original and thought provoking in its execution, this is a movie about time travel with a future that is gritty, plausible, and fantastic to absorb.

Taking its cues from hard hitting gangster movies, the story follows Joe, a young man living in 2044 America that is crippled with economic collapse. He works for the mafia as a "looper". This is a job that requires some explanation. You see, 30 years from 2044, time travel will be invented. It is highly illegal, but is used by the mob to dump bodies, because it is impossible to do so in the future-future. Loopers get set times and places where they wait for their victims to appear, bound, gagged, and with a mask over their head. Sometimes a looper ends up killing himself from the future. This begins happening quite often, and rumor has it that a man named the Rain Maker is ordering the killings of all loopers. Joe does not seem to think much of this until his future self arrives, without a mask on. His future self escapes, looking for the child who will one day become the Rain Maker. Young Joe finds a woman and her young, troubled boy who are one of the people on Old Joe's map. He decides to wait there to confront his older self, to try and make things right with the mob.

The movie twists and turns in unexpected ways that create a true feeling of suspense. Rian Johnson takes major influences from the likes of Martin Scorsese to craft a cold and calculating crime film. However, Johnson makes a movie that is so original and eclectic that it is obvious this is the work of a man who knows how to tell a story. There is plenty of action, but it never becomes more important than the story or the characters. Johnson also wrote the script, and he brings humanity to all of the players involved. The introduction of alternate timelines is only the beginning of the insane subplots that pop up, and all fit nicely together. The gritty and subdued style invokes a noir aspect that only serves to enhance the movie.

Joseph Gordon-Levitt plays young Joe. He is fantastic as the cool, calm, and collected gunman. His face is altered with makeup to make him look more like old Joe, played by Bruce Willis. Levitt even speaks like the action star. Willis is really great in a subdued and complicated performance, although it would have been nice for his character to have had a more expanded role; he seems to fall into the role of the antagonist too quickly. Emily Blunt plays the hardened and self reliant mother of the boy old Joe is hunting. Blunt's character is used well and she gives an excellent performance.

Looper is a bizarre movie, and that is a very good thing. Exciting, thoughtful, and at times disturbing, this film is mesmerizing to watch. It's not often that an action film is even half as good as this one, and rarely are movies so much fun to watch.

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i always approach a film especially when it is classified as scifi with liberal suspension of disbelief. because it is only through that that i was able to appreciate such scifi gems as Stargate and Fifth Element and many other that were otherwise written off by these so-called critics.

Looper is one of those films that should be appreciated by its message more than its genre. it uses the science fiction medium, complete with action stunts and wonders, as an apt and well-sculpted vehicle to a very beautiful message of self-sacrifice and positive reinforcement parenthood. the film goes to extra length to make the story plausible and solid and the actors, including the 'rainmaker' child, did a marvelous job of pulling it off.

i've always believed that the soul of any film, even as i appreciate great plot twists and great special fx and great acting and direction (yeah, i said great too many times!), is the message and/or portrait it intends to get across. Looper made a kill for it.

Time travel films open up all manner of questions because of the paradoxes every action and reaction produce. If X occurred, surely Y would happen, which means X wouldn't happen after all… And so it is with Looper.

Alas, to avoid dishing out hugely unpopular plot spoilers I need to skirt around the concerns, so you'll just have to come round with cake and we can discuss it in private. But there are some pretty substantial issues with Looper that cause questions to be asked and lead to more than a couple of possible explanations as to what exactly is going on. Don't see it alone; you'll need a friend around to discuss it on the journey home.

Equally, don't be put off. You don't need to be Einstein to enjoy Looper, as some of the audience proved…

In 2072, time travel is both possible and illegal and murder is more easily solved because corpses are harder to lose. However mobs and Mafiosi types are prevalent and have ingeniously devised a solution: tie your victim up and send him back in time to a location where a looper will be waiting to blow his/her brains out. However, when a looper's contract is up, they find themselves blowing the brains out of their older self. Except when looper Joe (Joseph Gordon-Levitt) stares down the barrel at a version of himself that is thirty years older, Old Joe (Bruce Willis) outsmarts him and so begins a cat and mouse chase where there are multiples of each species and most of them aren't called Joe.

Confused? Good. Don't think any more or you'll confound yourself with your wondering and wandering along all the possible flows and tributaries that lead from them. Like, Is he actually... Dammit.

Along with the quirks, possibilities and matters left to interpretation, there are one or two clear boo-boos that cut against the rules writer/director Rian Johnson (Brick, The Brothers Bloom) has set himself. I'm sure you can work out from the subject matter that there are occasional murders so I'm giving nothing away by stating that a particular murder in 2027 cuts against the rules. It's not a major problem in terms of enjoyment but it does cast a shadow over everything if minor errors are not avoided.

There's only one way to watch Looper: suspend all disbelief, put your logic in stasis and get on with enjoying the romp. With that frame of mind employed, it's a superb film. No, it's not as intelligent a film as Inception, but it kicks the ass of Wanted and Gordon-Levitt is potentially a bigger star in the making than either Leonardo DiCaprio or James McAvoy.

I'm not sure that I buy Gordon-Levitt as a young Willis but the transition is simple and effectively executed and it needn't stand in the way of a couple of hours of great entertainment. He's matured as an actor and, though he's been stamping around Hollywood for a good couple of decades, it's the last five years or so that have really seen him ascend the ranks and there's no sign of his climb slowing with both Spielberg's Lincoln and Don Jon's Addiction (which he also wrote and directed) in the can and Premium Rush earning plaudits on both sides of the Atlantic.

As for Willis, it's good to see him earning his fee again in a film worthy of his presence rather than phoning it in for a fat wad in the truly awful The Expendables 2. Emily Blunt (Sara) and Jeff Daniels ably provide support, the former, sadly, barely stretched and the latter, as Abe, the loopers' boss, clearly enjoying himself. Equally, Paul Dano gives a wonderful, trademark sniveling wretch performance that is all too brief. But Looper belongs to Gordon-Levitt and One Tree Hill's Pierce Gagnon as the child, Cid, whose middle name is probably Damian. Unnerving is an understatement!

There is a very strong argument that the best person to direct a film is the writer because s/he knows it better than anyone. Clearly that wasn't the case with Maximum Overdrive (Stephen King being the fine writer who should never be allowed either in front of or behind a camera again) but with Looper it's a very strong case in point.

Johnson, though he bends his rules, has created a multi-layered, rapidly paced trip that is littered with bodies and to-die-for quips, to wit, "I cleaned you up. And put a gun in your hand." He juggles the time zones effortlessly and maintains the excitement while allowing sufficient moments for us to pause, cogitate and catch up before whipping us to the next sprint, jump or shoot-out. Though he has nothing (publicly) on the slate, there'll be plenty more from him in the next few years.

As is increasingly the case, my biggest complaint with last night's viewing has nothing to do with the film itself but with the screening, namely the blown speakers all along one side of the auditorium (big thumbs down to Cineworld) and the moron in front who played with his phone and gave muted shrieks of excitement every time there was a shot or splatter of blood, even taking the time to relive it with his friend. Who are these people? Why are they allowed to breathe? When will time travel come to my aid? Ah, but these are niggles and hopefully you won't be subjected to such when you watch Looper. And do see it. Maybe you'll absolutely hate the confusion it causes you, but if you don't mind giving a film some real thought and you enjoyed the possibilities of Inception, then Looper is for you.

Just don't think too hard. As Abe laments, "This time travel crap; just fries your brain like an egg…"

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Rian Johnson (The Brothers Bloom, Brick) is the writer and director of this sci-fi film. Like his other projects, this has original if slightly off-kilter thinking in its story. It is not a regular sci-fi movie. There are some crazy ideas going on here. Time travel is not enough. There is also telekinesis, post collapse apocalypse, mob killings, and pre-planned suicide for hire (yeah figure that one out). Does it all make logical sense? I can't tell. But it sure was fun trying to follow it. Joseph Gordon-Levitt is great as the young Bruce Willis. Emily Blunt is refreshingly new. Also staring is Paul Dano and Piper Perabo.