Cinco amigos viajam para uma cabana remota na floresta, onde a descoberta de um Livro dos Mortos os leva a involuntariamente invocar demônios.Cinco amigos viajam para uma cabana remota na floresta, onde a descoberta de um Livro dos Mortos os leva a involuntariamente invocar demônios.Cinco amigos viajam para uma cabana remota na floresta, onde a descoberta de um Livro dos Mortos os leva a involuntariamente invocar demônios.
- Prêmios
- 6 vitórias e 20 indicações no total
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- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
‘Snow White’ Stars Test Their Wits
Enredo
Você sabia?
- CuriosidadesAccording to reports in the press, the film used 70,000 gallons (equivalent to 264,978.82 liters) of fake blood. In an interview, Fede Alvarez said they used 50,000 gallons (189,270.59 liters) for the final scene alone. This is compared to the 200-300 gallons (757.08-1,135.62 liters) used in the original.
- Erros de gravaçãoAt the beginning of the film a woman is speaking a foreign language, according to the subtitles she is speaking Turkish, she is actually speaking in Welsh.
- Citações
Abomination Mia: I will feast on your soul!
Mia: [revs the chainsaw] Feast on this, motherfucker.
[Mia shoves the chainsaw into the Abomination's face]
Mia: Die.
[Mia defeats the Abomination by slice the head in half as the creature begins to sink into the ground]
Mia: Go back to Hell, bitch.
- Cenas durante ou pós-créditosIn reference to a term coined by Sam Raimi after The Three Stooges, the actors which appear in bit parts as "really good people" (Bill Vincent, Judah Tapert, Terri Donaldson, and Alan Breslau) are credited as "Fake Shemps".
- Versões alternativasWhile the theatrical release was uncut, the German DVD release was cut by ca. 1 minute to to keep its "Not under 18" rating from the FSK. The uncut version was released with a SPIO/JK approval (resulting in various sale restrictions).
- ConexõesFeatured in Face Off: Mummy Mayhem (2013)
- Trilhas sonorasBaby, Little Baby
Written by Fede Alvarez and Rodo Sayagues
Performed by Jane Levy and Shiloh Fernandez
Published by Fede Alvarez (ASCAP) and Rodo Saygues (ASCAP)
Avaliação em destaque
I approached the Fede Alvares remake of Evil Dead with both trepidation and curiosity. My concerns were simple - Who could possibly improve on a Sam Raimi film? How can you call it Evil Dead without Bruce Campbell?
My concerns began to evaporate when I noticed Raimi's involvement in the opening credits and were completely dispelled when I realized that the new film shared only the most fundamental plot structure with the original. Both films are about friends in a cabin in the woods fighting a mysterious, purely evil, and incomprehensible force triggered by a mysterious ancient book. Otherwise, the films are only vaguely connected.
So this answered my first question - about remaking a Raimi film. You don't, you simply do something new on the same foundation.
The new Evil Dead is much more of a straightforward horror film and the differences go way beyond the disturbing addition of a crack addict as a central character. Most of the central characters aren't even likable, let alone funny. So much for my question about replacing Bruce Campbell. Again - you don't.
In 1981, Sam Raimi, his brother, an aspiring actor (Campbell) and a group of non-actors and amateur film makers made a horror classic with almost no budget and a great deal of debt. It took more than a decade for them to recoup the costs of this near-instant cult classic though the film was viewed as a "break-through". More recently, as one of Hollywood's most respected directors and producers, Raimi gave young Uruguayan writer / director Fede Alvares a shot at creatively re- imagining the film that made Raimi a contender.
The acting is better than that of the original (which should be no surprise since there were really only two actors in the Raimi film), the effects are more sophisticated, but cleverly reminiscent of the Raimi tradition of clever simplicity, and the film, like the original delivers a few good scares despite its ridiculous premise.
Shot for about $17,000,000 (which is not much these days), the Alvares re-do netted a 300% profit before it left theaters. Profitability has very little to do with quality these days, but I say good for them!
The new Evil Dead is worthy and a credit to the original.
My concerns began to evaporate when I noticed Raimi's involvement in the opening credits and were completely dispelled when I realized that the new film shared only the most fundamental plot structure with the original. Both films are about friends in a cabin in the woods fighting a mysterious, purely evil, and incomprehensible force triggered by a mysterious ancient book. Otherwise, the films are only vaguely connected.
So this answered my first question - about remaking a Raimi film. You don't, you simply do something new on the same foundation.
The new Evil Dead is much more of a straightforward horror film and the differences go way beyond the disturbing addition of a crack addict as a central character. Most of the central characters aren't even likable, let alone funny. So much for my question about replacing Bruce Campbell. Again - you don't.
In 1981, Sam Raimi, his brother, an aspiring actor (Campbell) and a group of non-actors and amateur film makers made a horror classic with almost no budget and a great deal of debt. It took more than a decade for them to recoup the costs of this near-instant cult classic though the film was viewed as a "break-through". More recently, as one of Hollywood's most respected directors and producers, Raimi gave young Uruguayan writer / director Fede Alvares a shot at creatively re- imagining the film that made Raimi a contender.
The acting is better than that of the original (which should be no surprise since there were really only two actors in the Raimi film), the effects are more sophisticated, but cleverly reminiscent of the Raimi tradition of clever simplicity, and the film, like the original delivers a few good scares despite its ridiculous premise.
Shot for about $17,000,000 (which is not much these days), the Alvares re-do netted a 300% profit before it left theaters. Profitability has very little to do with quality these days, but I say good for them!
The new Evil Dead is worthy and a credit to the original.
- mstomaso
- 12 de fev. de 2014
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Posesión infernal
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 17.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 54.239.856
- Fim de semana de estreia nos EUA e Canadá
- US$ 25.775.847
- 7 de abr. de 2013
- Faturamento bruto mundial
- US$ 97.542.952
- Tempo de duração1 hora 31 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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