Blu é um exótico pássaro de estimação que acredita que ele é o último de sua espécie. Mas quando sua dona fica sabendo sobre Jade, uma fêmea da espécie de Blu no Rio de Janeiro, eles iniciam... Ler tudoBlu é um exótico pássaro de estimação que acredita que ele é o último de sua espécie. Mas quando sua dona fica sabendo sobre Jade, uma fêmea da espécie de Blu no Rio de Janeiro, eles iniciam a aventura de suas vidas.Blu é um exótico pássaro de estimação que acredita que ele é o último de sua espécie. Mas quando sua dona fica sabendo sobre Jade, uma fêmea da espécie de Blu no Rio de Janeiro, eles iniciam a aventura de suas vidas.
- Indicado a 1 Oscar
- 3 vitórias e 31 indicações no total
- Blu
- (narração)
- Jewel
- (narração)
- Rafael
- (narração)
- Mother Bird
- (narração)
- Truck Driver
- (narração)
- Young Linda
- (narração)
- Linda
- (narração)
- Bookstore Customer
- (narração)
- …
- Chloe (The Goose)
- (narração)
- Alice (The Other Goose)
- (narração)
- Tulio
- (narração)
- …
- Dr. Barbosa
- (narração)
- Nico
- (narração)
- Aviary Intern
- (narração)
- …
- Sylvio
- (narração)
- (as Bernardo de Paula)
- …
- Second Waiter
- (narração)
- Police Officer
- (narração)
I usually don't like movies like RIO, mainly because they always end up being rehashes of previous movies; unless your talking Pixar, there's very little to no new things in animated movies nowadays other than their exquisite looks. So when I saw a special advanced screening of RIO a few days ago, my expectations were low, enough for me to expect that the film will fail. But hey, what a surprise! It's pretty good actually. So RIO ain't a new masterpiece-it's not at all much different with any Dreamworks or Blue Sky Animation effort that comes out every given year- but it was fun. The kids at the screening had a ball with it, but I can also hear older teenagers and adult audiences chuckling along with them. And I'm up there with them.
The story isn't something you haven't heard before. Blu (voiced by Jesse Eisenberg) is a rare Blue Macaw raised in Minnesota by the bookish Linda (voiced by Leslie Mann). But being the last male of his species, Blu is requested to leave his Minnesota homeland and shipped to his real birthplace, in Rio de Janeiro, where a female of the same species is being kept in captivity. Blu doesn't warm up easily to the impetuous Jewel (voiced by Anne Hathaway), and certainly a rare bird such as her being kept in captivity like that doesn't help. It also doesn't help that Jewel wants to escape and Blu, being a total "housebird" and all, can't fly.
But what it lacks in a fresh new idea it more than makes up for in lively execution. This movie is just amazing to look at, boasting one of the most gorgeous looks of any animated movie since some of the Pixar films and the occasionally bizarre but lavish-looking BEE MOVIE. It may even be more beautiful since this is exactly what it wants to be and not much else. Director Carlos Saldanha, who helmed two ICE AGE sequels, and the rest of the crew have done just that. The eye-popping visuals are the moneymaker and one of the few films to come out once and a while that is worth paying extra money to see on 3D. Once again, the 3D ain't something groundbreaking, but it's exactly what comes to mind when thinking of 3D; the visuals are pristine and dynamic, with flying scenes that are just breathtaking to watch. I could almost feel the wind as a glider glides past the Christ the Redeemer statue. Rio itself looks gorgeous, from the "Carnival" parades to the look of it during the nighttime scenes are just beautiful. If nothing else, it's a virtual tour of a beautiful portrait painted by Saldanha and his animators. The voice cast ain't bad either. Eisenberg is hilarious, and granted he'll be doing these kind of work sometime soon. The real standout is Jemaine Clement (from FLIGHT OF THE CONCHORDS), who lends an irresistible bad guy charm as a cockatoo named Nigel. Hathaway, George Lopez, will.I.am and Jamie Foxx all fulfill their roles perfectly.
RIO ain't much new, but at least I enjoyed it for what it is. And I wouldn't mind going back to it during its official release and wallow in the dazzling scenery again. Here's a movie meant to be done (and seen) on 3D.
- Theothervip
- 7 de abr. de 2011
- Link permanente
Enredo
Você sabia?
- CuriosidadesDirector Carlos Saldanha, who lives in Rio, first came up with the concept in 1995. Originally, it was about a penguin washing up on the beach in the Brazilian city. When he learned about the production of Happy Feet: O Pinguim (2006) and Tá Dando Onda (2007), he changed his screenplay radically.
- Erros de gravaçãoLinda serves Blu a cup of hot chocolate at the beginning of the film. Chocolate is toxic to Macaws.
- Citações
Blu: [as they're walking in the jungle] Oh! Oh! What was that?
Jewel: A stick.
Blu: Ah! And that?
Jewel: It's just a rock.
Blu: Oh, right. Yeah.
[Blu stops and shudders as he feels something on his back]
Blu: Is that a spider on my back?
Jewel: Will you quit it? It's just a leaf! Turn around!
[Blu turns and we see a huge spider on his back]
Jewel: Oh, um...
[Jewel quickly hits the spider off of Blu's back]
Jewel: Leaf. Told ya.
- Cenas durante ou pós-créditosAt the end of the credits, two blue feathers are formed by the abstract shapes.
- Versões alternativasAlso released in a 3D version.
- Trilhas sonorasReal In Rio
Music by Sergio Mendes, Carlinhos Brown, Mikael Mutti and John Powell
Lyrics by Siedah Garrett
Performed by The Rio Singers
Produced by Sergio Mendes, John Powell, Carlinhos Brown and Mikael Mutti
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- A Arara Azul
- Locações de filme
- Brasil(Part of the action of film)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 90.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 143.619.809
- Fim de semana de estreia nos EUA e Canadá
- US$ 39.225.962
- 17 de abr. de 2011
- Faturamento bruto mundial
- US$ 483.866.772
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
- 2.39 : 1