O Corvo

The plot has several good moments and logically explained events, but, in general, is rather uneven, with some protracted scenes not providing additional value to the movie. Luckily, there is more crimes and less mystery, no voices in the forest or inside heads or so (personally, I do not find it thrilling to follow someone's going or being mad). As for the cast, John Cusack + British actors give pleasant performances; well, males mostly, I did not like female characters too much. Anyhow, the movie does not become boring and the ending has several layers as well, although you could guess the fate of Edgar Allan Poe.

Additional points as I did not guess who the guilty one was.

I really wanted to like this film, I really did. Something was off, though. Was it the script? Perhaps, although I can't find a clear fault in it. Some of the sophistication of the crimes and of the investigative methods were clearly out of the era, but overall it was OK. The production values were good, the direction was good, the acting was good. The atmosphere was dark and claustrophobic as in Poe's writing. Yet, I didn't quite find the enjoyment I was looking for.

The only thing I can think off was John Cusack. He and Alice Eve had no chemistry (and how can you not have it with Alice Eve?!) and the thing I had most trouble believing were not the way the criminal always barely escapes, not the story or the era or the feel of the movie, but that Cusack's character had any feelings at all. He seemed apathetic and occasionally angry. That was it. And that made the film, a good film overall, not be better than average.

This is a clever, well-made movie, but I think there are a couple of things that stop it from being better than it is.

The story is not dissimilar to David Fincher's "Seven", in that case it was killings inspired by the seven deadly sins while in "The Raven", a serial killer creates gory scenarios based on the stories of Edgar Allen Poe.

Inspector Emmett Fields, played by Luke Evans, while investigating a bizarre double murder, realises that it has a connection to a story by Edgar Allen Poe. He engages the author to help him find the killer. Poe, played by John Cusack, is hesitant at first, but soon throws himself into the hunt, forming an alliance with Fields.

The killer's true intentions become a little clearer when Poe's Fiancée, Emily, played by Alice Eve, is kidnapped. Kept in a coffin, she is tormented by her captor. Eventually, Poe works out who the killer is, and strikes a deadly deal in exchange for Emily's life.

I think John Cusack struggles to find the right balance for Poe. Admittedly, he is more settled in the role by the end of the movie, but he knocks it off balance with some early drunk scenes with lots of yelling; actors portraying people who are drunk are almost as annoying as people who are drunk. His performance is uneven, especially in his affection for Emily - he seems oddly unconvincing in some scenes although he says he would sacrifice his life for her. Luke Evans, with a far more understated performance, steals the show as Inspector Fields.

Visually brilliant, the film features ever more elaborate techniques to dispose of the killer's victims, The ingenuity and the amount of work involved would have required a crew the size of the one that built the Panama Canal, however, with a movie such as this, suspension of disbelief definitely helps with the enjoyment level.

For a while, I thought the identity of murderer was going to be either a disappointment or far too obvious, simply because not too many characters are introduced into the story; an unwritten rule of crime movies is that no one is introduced into a plot without reason. My fears were groundless; the ending works brilliantly, and is far more satisfying than is often the case.

Although "The Raven" has similarities to "Seven", it doesn't have the darkness or the hide-behind-your-finger's tension of that masterpiece of horror. With that said however, as serial killer movies go, "The Raven" is definitely a 'cut' above the average.

A killer is on the loose, a young detective joins forces with Edgar Allan Poe to stop his writings becoming reality. The stakes become high when Poe's partner is kidnapped and her life hangs in the balance.

Set in Baltimore, an underrated thriller mystery that needn't be compared to other period pieces including the likes of Sherlock Holmes (2009). This has its own legs and is more of a murder thriller than adventure. James McTeigue captures the ominous 1849 setting with dark and foggy cobbled streets reminiscent in tone of a Hammer films and Jack the Ripper tale - In Hell (2001). The setting and locations create a eerie backdrop, complimentary of Danny Ruhlmann's cinematography. There's no doubt, Ben Livingston and Hannah Shakespeare's screenplay unfolds like a period piece CBS CSI special but it's a well filmed, entertaining and intriguing, strengthened by McTeigue's direction and Lucas Vidal's score.

Brendan Gleeson's acting abilities are very much underused as Captain Hamilton has he has very little screen time. Luke Evans' Detective Fields commands an on screen presence equal to that of the late Heath ledger. John Cusack gives his usual solid show, albeit he is more animated than usual as Edgar Allan Poe. Alice Eve is excellent, giving a convincing harrowing performance as the kidnapped and trapped Emily Hamilton.

Anyone familiar with the genre may see the killers identity well in advance. Nevertheless, The Raven is a creepy, solid old-school thriller with a fitting portrayal by Cusack.

On October 3, 1849 Edgar Allan Poe was found wandering the streets of Baltimore, delirious, calling out the name Reynolds. There have been lots of theories as to what Poe died of, from tuberculosis, rabies or to a drunken bender. "The Raven" puts forth a more romantic theory and a detective story for the man who invented the modern detective novel.

"The Raven" as a movie demonstrates that you can make a movie that bridges the biographical facts of Poe's life and its own artistic vision and still make an interesting movie. The movie is driven by the premise, a serial killer starts a series of killings in Baltimore that emulate some of the more gruesome murders in Poe's stories. When the first murder is done inside a locked room, police detective Fields (Luke Evans) recognizes it as the setting of an Edgar Allan Poe story. Fields brings in Poe (John Cusack) at first as suspect, but when another murder occurs Poe quickly becomes the first criminal profiler and consultant. Poe helps Fields both in what kind of mind the killer may have and of course in the details from his stories. The killer kidnaps Poe's girlfriend Emily (Alice Eve) with the killer promising clues as to Emily's whereabouts with each new murder he commits.

The filmmakers, director James McTeigue and writers Ben Livingstone and Hannah Shakespeare don't try to recast Poe's character as a superhero or give the movie Poe attributes that the real Poe didn't or couldn't possess. As mentioned before, the filmmakers stick fairly accurately to the known elements of Poe's last few days, although there are some artistic liberties taken, and they still present an entertaining movie with a few twists and turns as to who the murderer is.

Cusack is spot on as Poe from his look, thin with a black mustache and goatee, to (more importantly) Poe's character. Poe was a writer who had the ultimate confidence in his own abilities as a writer and was dismissive of his contemporaries, especially if they were more successful. Cusack is supported by a cast that hits every note right.

If you think a movie about Edgar Allan Poe won't have enough action for you, this is a movie for you. If you're more literary minded and think this movie will have too many inaccuracies or violate Poe's character or will throw in too much action, you won't be disappointed.