Durante as férias, uma garota e seus pais são feitos reféns por estranhos armados que exigem que a família faça uma escolha para evitar o apocalipse.Durante as férias, uma garota e seus pais são feitos reféns por estranhos armados que exigem que a família faça uma escolha para evitar o apocalipse.Durante as férias, uma garota e seus pais são feitos reféns por estranhos armados que exigem que a família faça uma escolha para evitar o apocalipse.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 12 indicações no total
- Seismologist
- (as Bill Vargus)
Avaliações em destaque
This particular book adaptation is yet another hit, and will be sure to get people talking. The premise starts out rather straightforward and you quickly find out the stakes are high and massive. The story will grab hold of you and shake you to the core with twists that even though you know are coming will still be shocking even for M Night's catalogue.
The acting is absolutely next level with Dave Bautista and Jonathan Groff putting in their raw emotions and prowess into every scene. They will make you feel the story relentlessly . The writing here is also relative and gutsy. The camerawork is as crisp as ever with fantastic wilderness settings and supreme angle work. The cgi for certain scenes used looks authentic and never cheap. The true standout has to once again be the leaps that the plot takes going into to daring territory . It never holds back which is commendable in a time like this.
Overall I would easily say that this film will be looked at as one of his stronger ventures and is highly thought provoking to a point where you'll need a second viewing. It gives the classic Shyamalan wonder and curiosity that make him one of the most intriguing directors /story tellers of our time.
This one I stared watching streaming on Peacock. A family of three, two dads and a little girl, about to turn 8, are vacationing in a secluded cabin in the woods, somewhere in Pennsylvania. Very shortly after the movie begins four strangers show up, they want to talk, but break down the doors when the parents lock themselves in.
The most frustrating thing is how S-L-O-W-L-Y the four strangers tell them why there are there and what they need. It absolutely is audience abuse. They tell them all kinds of other things but "this is why we are here and what we need from you" comes out at such a prolonged rate that I found myself thinking, "He is only doing this to make the movie longer."
Well they eventually tell the family that their mission is probably the most important mission ever in the history of humanity. And what they tell the family needs to be done makes absolutely no sense at all.
My wife, wisely, chose to skip this one. I wish I had too, I might never watch a Night Shyamalan movie again. Doing so is just mostly a waste of time. This movie is NOT entertaining and it doesn't make sense.
M Night Shyalaman always manages to offer something a little bit different, sometimes it works, sometime it doesn't, Knock at The Cabin I'd place as one of the better ones, I enjoyed it.
I expected something along the same lines as Strangers, some sort of slasher movie, I wasn't expecting a horror thriller with biblical overtones.
I'll be honest, I didn't care a great deal for it when I first saw it at The Cinema, but second time round, I rather enjoyed it, possibly because.i knew what I was expecting.
It's a truly quirky film, pretty much as you'd expect, it's fairly well paced, has a degree of tension, it just manages to be so different.
I always like to think about how I'd feel in the position of a film's central character, and seeing if from Eric's point of view, you'd surely be thinking it was a set up, and that someone from the past had set up an elaborate hoax, the alternative is too terrible even to contemplate.
It's well acted all round, but I have to give credit to Dave Bautista, who puts in an absolutely terrific performance, he's captivating.
Those BBC news articles made me chuckle, most presenters now have regional accents across the channel, here they all had those wonderful accents from the 1950's, all terribly posh.
This film is definitely worth seeing, even if you were a bit undecided first time round.
The movie was on par with The Last Airbender in how it took the source material and made a Wikipedia summary adaptation with poor dialogue, acting and an ending that missed the point. The only redeeming quality was Dave Bautista's performance. He really did a good job with the role of a giant with a heart of gold, who is forced to do something horrible. You can really see the sadness in his eyes, and his conviction that what he saw was true.
M. Night needs to get help with his scripts. He just doesn't know what he's doing.
M. Night Shyamalan Puts on His "Boogie Shoes"
M. Night Shyamalan Puts on His "Boogie Shoes"
Você sabia?
- CuriosidadesIn a 2023 interview with Screen Rant, M. Night Shyamalan explained how he came to cast Dave Bautista: "I thought, 'This is an impossible role. A GIANT who can emote and do 30 pages of monologues. This doesn't exist, this person doesn't exist!' And then I was like, 'Wait a minute, what about that guy in Blade Runner 2049 (2017)?' I don't know much about wrestling, so it wasn't like I had that in my head, and probably if I did I might've been blinded to the fact that this person was an amazing actor... They said his name was Dave Bautista and so I reached out, and then Dave reached out, and then we met. And when I spoke to him, I found a human being who was ready to start over again, take away all the success that he had and unlearn it and then start over... He just wanted to be proud of himself and I was like, 'I'm down, brother. Let's do it the right way from beginning to end' and he's like, 'I don't know if I can do this' and I go, 'But I do'."
- Erros de gravaçãoDuring one of the news reports, the Scottish reporter uses the term 'parking lot'. This term is not used in Scotland--they use the term 'car park'.
- Citações
Leonard: The four of us are here to prevent the apocalypse. We - and when I say, "we", I mean everyone in this cabin, can stop it from happening, but only with your help. Ultimately, whether the world ends or not is completely up to you three.
Andrew: You are having a psychological break of some kind.
Leonard: Your family must choose to willingly sacrifice one of the three of you in order to prevent the apocalypse. After you make what I know is an impossible decision, you must then kill the one you choose. If you fail to choose, of if you fail to follow through with the sacrifice, the world will end. You three will live, but the rest of humanity, seven billion plus... will perish.
Eric: They're lunatics.
Leonard: And you will all live long enough to witness the horror of the end of everything. And you will be left to wander the devastated planet alone. Permanently and cosmically... alone.
Andrew: Leonard. We haven't done anything wrong.
Leonard: I agree with you. You haven't. You haven't done anything wrong to... to deserve this burden. You're just the family chosen to decide for us in this time.
- Cenas durante ou pós-créditosAt the very end of the credits, you hear the knocking on the cabin door.
- Trilhas sonorasDistance
Written by Emily King and Jeremy Most
Performed by Emily King
Courtesy of Making Music Records
Principais escolhas
- How long is Knock at the Cabin?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Llaman a la puerta
- Locações de filme
- Tabernacle, Nova Jersey, EUA(Farmland)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 35.397.980
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.127.170
- 5 de fev. de 2023
- Faturamento bruto mundial
- US$ 54.760.947
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1