The Arbit Documentation of An Amphibian Hunt: Aavasavyuham

I can't recall a Malayalam movie that successfully used a mockumentary structure before. Even though it is also a sci-fi and a social satire, it is never chained to any of these genres. Usually, when Malayalam movies take such an experimental route for the industry, it is expected to be slow artsy movie, here this is as commercial as such a film can get. It is an entertainer from the very first minute. It shows the limitation of its budget in certain aspects of filmmaking which is the only reason I couldn't give it another half star. The same limitation in casting is the only reason I can think of why the makers decided to do an OTT release without so much of marketing. This would've been a great theater experience.

With the plethora of glitzy star-studded award shows prevalent in the Malayalam industry, one can forgive the Kerala State Awards jury for opting to reward smaller independent titles with the "Best Film" award in recent years, despite the presence of several hard-hitting mainstream projects. While 2020's "The Great Indian Kitchen" is the rare exception where an indie film got mainstream recognition and won the Best Film award as well, 2019's winner "Vasanthi" and now, 2021's awardee "Avasa Vyuham" are relatively unheralded, artsy ventures that deserve our attention, despite not getting theatre releases.

The Krishand R. K directorial follows a Rashomon-style narrative where we are taken through the life of a mysterious fisherman "Joy" through the perspective of the various people that knew him. Whether it be his original benefactor "Kochuraman" (MD Rajmohan), his ex-love interest "Lissy" (an excellent Nileen Sandra) or his arch-nemesis "Murali" (a hilarious Sreenath Babu), the accounts are put together with smart intercuts to paint a vivid portrayal of a man everyone agrees was quirky and weird, yet with a magnetic personality and a strange connection with the backwaters and its many creatures.

Rahul Rajagopal, most famous for his appearances in several "Karikku" videos, is captivating as the much-discussed "Joy", using his body language and expressive eyes to portray the complicated character with requisite gravitas and effectiveness. The intrepid filmmaker in Krishand throws convention to the wind, delving deep into multiple social, cultural and environmental issues and weaving them into the storyline at junctures you lease expect these themes to come in. The casting is spot on at every point, with Nikhil Prabhakar as "Plank", Ajayghosh as "Constable Valsan" and Zhins Shan as "Susheelan Vava" putting in impressive shifts alongside the primary characters mentioned earlier.

"Avasa Vyuham" is a strikingly original commentary on environmental conservation and the need for maintaining bio-diversity and an ecological balance, told with a unique narrative style that may not be immersive at all times, but is definitely contemplative and thought-provoking. Whether it deserved the Kerala State Award for Best Film ahead of 2021's mainstream masterpieces like "Joji", "Bhoothakaalam" and "Nayattu" however, is very arguable. Nevertheless, a recommended watch!

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With the plethora of glitzy star-studded award shows prevalent in the Malayalam industry, one can forgive the Kerala State Awards jury for opting to reward smaller independent titles with the "Best Film" award in recent years, despite the presence of several hard-hitting mainstream projects. While 2020's "The Great Indian Kitchen" is the rare exception where an indie film got mainstream recognition and won the Best Film award as well, 2019's winner "Vasanthi" and now, 2021's awardee "Avasa Vyuham" are relatively unheralded, artsy ventures that deserve our attention, despite not getting theatre releases.

The Krishand R. K directorial follows a Rashomon-style narrative where we are taken through the life of a mysterious fisherman "Joy" through the perspective of the various people that knew him. Whether it be his original benefactor "Kochuraman" (MD Rajmohan), his ex-love interest "Lissy" (an excellent Nileen Sandra) or his arch-nemesis "Murali" (a hilarious Sreenath Babu), the accounts are put together with smart intercuts to paint a vivid portrayal of a man everyone agrees was quirky and weird, yet with a magnetic personality and a strange connection with the backwaters and its many creatures.

Rahul Rajagopal, most famous for his appearances in several "Karikku" videos, is captivating as the much-discussed "Joy", using his body language and expressive eyes to portray the complicated character with requisite gravitas and effectiveness. The intrepid filmmaker in Krishand throws convention to the wind, delving deep into multiple social, cultural and environmental issues and weaving them into the storyline at junctures you lease expect these themes to come in. The casting is spot on at every point, with Nikhil Prabhakar as "Plank", Ajayghosh as "Constable Valsan" and Zhins Shan as "Susheelan Vava" putting in impressive shifts alongside the primary characters mentioned earlier.

"Avasa Vyuham" is a strikingly original commentary on environmental conservation and the need for maintaining bio-diversity and an ecological balance, told with a unique narrative style that may not be immersive at all times, but is definitely contemplative and thought-provoking. Whether it deserved the Kerala State Award for Best Film ahead of 2021's mainstream masterpieces like "Joji", "Bhoothakaalam" and "Nayattu" however, is very arguable. Nevertheless, a recommended watch!

Saw this at the IFFK screening where i went in with not knowing what to expect - and i got out of the theatre with a rare sense of joy.."what did i just witness!". An intricate storyline that has multiple visual styles. A realistic film studded with surrealist elements almost reminiscent of Donald Glover and Hiro Murai's acclaimed series Atlanta. A bold social commentary underlines the plot at every turn and it fails at none. Made in a semi-documentary style (similar to character interviews in the Office series) and thriller & comedic elements throughout the runtime made it an exciting watch. A bit sad that this isn't widely accessible outside the film festival circle and even then only screened at select few festivals- more people need to be able to watch this gem!

I sat down for Aavasavyuham with little to no idea on its plot, visual structure, or performers. But as the film progressed episodically, my interest levels peaked. Told in the style of a mockumentary (not seen before in Malayalam cinema), one finds it difficult to place Aavasyavyuham under a specific genre, simply because it dips its feet into so many, yet convincingly. It's a social satire, a science fiction, a crime drama with fantastical elements, and so much more - a true genre-bender. While the lessened budget proves to be its only undoing in certain scenes which could have left a greater impact, the makers still pull off something truly remarkable. I feel that's a major reason behind not releasing the film theatrically - its visuals, especially, would've been talked about a lot more. Rahul Rajagopal, whom I recall from Karikku is splendid in the lead role. Maybe, not everyone would enjoy the film's occasional dive into environmental conversation and preserving ecological balance, but I loved how director Krishand seamlessly incorporates this into the plot. Aavasavyuham is a must-watch!

Movies like this push film craft in different ways. What starts like a documentary moves in interesting ways bring out the characterisation and human emotions.

Unlike some of the pretentious leftist crap that get dished out every now and then in Malayalam & Tamil films, this one gives it real even to the activists who only mostly succeed in destroying anything good around.

If the amphibian went a about his life without mixing with the wretched activist communist, he might have got a good life eating what he wanted and also a girl who took to him. But, typically, if u get mixed up with such activists, your life will be ruined and society will continue with its ways.

Good film and good film making.