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'A Nice Indian Boy (2024)' is a pretty standard romantic comedy, except it's about an Indian man who struggles to introduce his white boyfriend to his liberal but still uncertain family. As such, its status as 'standard rom-com' is actually really refreshing and important, as it scratches the same itch as traditionally straight and white rom-coms do but it does it for an audience who often have to leave that itch unscratched. There's a trend for movies based around, made by and aimed at minorities to be held to a higher standard than their (sadly) more common counterparts, a demand for excellence that acts as an unnecessary barrier to entry to the wider cinematic canon. It's refreshing when a movie can be functionally the same as its less diverse counterparts because it feels like it's pulling us closer to a kind of equality that allows audiences of all kinds to experience the same sorts of films. None of that is to imply that the picture is, by any means, bad or even especially mediocre. It may be pretty generic, but it's still a really solid version of itself. Although it has a couple of noticeable pacing issues and doesn't really convey a great deal of chemistry between its central couple (or, perhaps more accurately, doesn't convincingly transition them from strangers to soulmates, meaning they still feel as though they barely know each other even when they're making sweeping and sincere declarations of love later in the story), it's sweet and amusing and generally fairly charming. Its cast all do a great job with the material, slipping into their stereotypical yet relatively honest roles with ease. Even if the central conflict often feels either too mild or too artificial to truly bring you to the edge of your seat, the affair is consistently engaging and enjoyable. It features a handful of clear highlights, frequently makes you smile and is as likely to warm your heart as it is tickle your ribs. It's a nice, wholesome experience that's as predictable as it is effective. It doesn't quite grip me in the same way as the best of its peers, but it's certainly entertaining enough for what it is. It's a solid effort.

Rarely does a film come along that is as effortlessly charming, deeply heartfelt, and laugh-out-loud funny as A Nice Indian Boy. This beautifully crafted romantic dramedy takes a fresh, sincere, and utterly delightful look at love, family, and cultural expectations-all wrapped in a warm, feel-good package that will leave audiences smiling long after the credits roll.

Directed with an intimate yet playful touch, the film follows Naveen, a young Indian-American man whose picture-perfect romance with the charismatic and kindhearted Keshav is complicated by one thing-convincing his traditional parents that this is, indeed, their nice Indian boy. What unfolds is a story brimming with wit, warmth, and moments of pure emotional resonance as Naveen and Keshav navigate family, tradition, and the beautifully messy journey of love.

A joyful, poignant, and utterly captivating film, A Nice Indian Boy is a triumph-one that deserves to be celebrated and cherished.

Well, who knew that Dopinder was gay? Deadpool would've been so proud of him coming out. Just kidding. LOL.

This is a feel good Indian rom-com with a lot of family dramas. It's the classic parent-children conflict about accepting the person that their children has chosen to be with. Just add the word "gay" and the drama is doubled. But the parents weren't bad, I promise. There's no need to be alerted. This movie is well acted and directed. The Bollywood reference was a little old and outdated, but still relatable, even in this era. I would've rated it 7 stars, but somehow I wasn't feeling strong vibe from Naveen and Jay. And everybody knows the secret ingredient in rom-coms is chemistry. That's why I deducted 1 star from my initial rating. But the movie is a good, so don't hesitate to put it on your watch list.

I learned about this film from social media a few months ago after a film festival, so I decided to watch it on opening weekend. I expected a cute, but maybe not particularly interesting rom-com, with a dash of the immigrant family wackiness of so many comedic films. Paying for this movie ticket was the best investment in mental health of the past six months, and I'm delighted to say this movie is nearly perfect. The script is very good, based on a play that I later learned is loved by the U. S. South Asian community. The direction is simply stellar and allows the excellent writing and inspired performances to breathe and reach the audience. The delineation of the script into clear parts, each of which (in some sense) represent the typical act structures of films is clever, especially because in many ways the conflicts and resolutions happen in unexpected places within that structure. I loved the performances by the romantic couple, and the family, which is in many ways the "entity" one half of the romantic couple has to win over, and the entity the other half of the couple must be won by, if that makes any sense. For queer immigrants, or queer children of immigrants from cultures that cultural researchers call collectivist and family-centered, this film will speak loudly and make them feel seen and understood. There are some very special moments between each member of the family and the members of the romantic couple, and in some ways, the audience. In my screening, one particular speech by one family member had the whole room sniffling in suppressed tears. The best part is that all the touching parts of the film are elegant, not schmaltzy or cheesy, and they are well-balanced with hilarious moments and clever humor. The characters could have been caricatures and stereotypes, and the film revels in preventing that, creating fully realized people whose behavior and feelings are explained by motivations and experiences that are not immediately evident. Congratulations to the whole production team, cast, and everyone involved. Thank you for such a beautiful film!

This movie reminds me elements from a movie I watched looonnng ago, A Touch of Pink (2004, a British film) but with little differences or depth.

If "A Touch of Pink" (2004) was a cheeky wink at cultural assimilation, then "A Nice Indian Boy" (2025) is a heartfelt embrace of it-albeit with a few awkward dance moves.

"A Touch of Pink" (2004): This film was a trailblazer, offering a rare glimpse into the life of a gay South Asian man in the early 2000s. It blended humor with poignant moments, featuring a young man navigating his identity amidst cultural expectations. The film's charm lay in its ability to balance comedy with the complexities of family and self-acceptance.

"A Nice Indian Boy" (2025): Fast forward to 2025, and the landscape has evolved. Directed by Roshan Sethi, this film delves deeper into the intricacies of identity, love, and cultural heritage. It tells the story of Naveen, a gay Indian-American doctor, and his journey to introduce his white fiancé, Jay, to his traditional family. The film is lauded for its authentic portrayal of queer South Asian experiences and its exploration of family dynamics.

While "A Touch of Pink" was groundbreaking for its time, "A Nice Indian Boy" builds upon its foundation, offering a more nuanced and contemporary perspective. The latter's inclusion of Bollywood elements and its focus on familial relationships provide a richer narrative tapestry. However, some critics note that the chemistry between the leads and pacing issues slightly detract from its potential.

Both films are significant in their own right, reflecting the evolving journey of queer South Asian representation in cinema. "A Touch of Pink" paved the way, while "A Nice Indian Boy" continues the conversation, albeit with a few stumbles along the way.