King: Uma História de Vingança

Chadwick Boseman carries it no doubt, but I did feel entertained throughout by 'Message from the King'.

It's a simple film. It doesn't do anything revolutionary or anything, yet still managed to keep me watching with interest for practically all of the 102 minute run time. I like how it starts most, with the connections feeling believable. It loses some of that as it goes on, though it didn't affect my enjoyment all that much.

Boseman really is the only true star of this though, as he gives a very good performance in the lead role as Jacob. Luke Evans (Paul) is pleasant too, while Teresa Palmer (Kelly) has a few moments. Alfred Molina (Mike) also appears, as do Messrs Draco Malfoy and Brad Bellick...

The ending isn't the greatest, though it is still serviceable. That coupled with the nice look of the film and a certain Mr. Boseman mean I'll remember this in a positive manner.

"It's Bianca. She's got a brother. He's in town, says he has what we've been looking for. He's out of control, Mike. You told me Bianca was not a problem anymore. Bianca isn't a problem anymore. I'm afraid that's his problem."

Those who imagine the Los Angeles metropolis to be idealistically beautiful, they should adjust that view after watching "Message from the King". The less beautiful part of Los Angeles is used here. An impoverished neighborhood where the vast majority of residents live in poverty and where crime and drugs are an obvious part of society. Ash gray ghettos full of human suffering. And that's being emphasized by drizzly weather. The crowded mortuary is a reflection of these fading slums. A collection of nobodies who died because of an overdose, madness (drowned in a bathtub as an imaginary fish) and gang violence.

This is what Jacob King (Chadwick Boseman) faces when he arrives in L.A. The reason why he's staying in the city of angels is the sudden disappearance of his younger sister Bianca (Sibongile Mlambo). Soon he discovers the sore situation his sister got herself into and what it did to her : she earned a spot in the mortuary with a name tag on her big toe. The search for the murderers of his younger sister brings him in touch with all kind of figures. Trish (Natalie Martinez) the loyal neighbor points him in the right direction after which he meets a violent gang of Balkan criminals run by a certain Zico (Lucan Melkonian). Then there's the rich dentist Wentworth (Luke Evans) and the wealthy movie producer Preston (Alfred Molina). And let me tell you. Some of them are getting to know the bicycle chain he just bought, in a less pleasant way.

For Jacob, these L.A. neighborhoods probably still look like charming neighborhoods compared to where he comes from. His sister Bianca, his deceased brother Isaac and Jacob himself, lived the largest part of their life in South Africa in the Cape Flat townships, a sandy area south of Cape Town and better known as "Apartheid's dumping ground". A dilapidated community where gangs rule. Both in the slums and in prison. Such as "The Number Gangs". Isaac was a member of this notorious gang, until his death. Reason enough for Bianca to turn her back on her home country and to seek salvation in the United States.

You could say this movie is a cheaper version of "The Equalizer" with Boseman having an equal personality as Denzel Washington. A cold-blooded but alert person who has control over his violent eruptions and who accurately follows the traces to solve the criminal puzzle in the end. However, the ultimate motive remains quite mysterious. Perhaps the only minus I could find in this hard-core, ultra-dark movie. In fact, it's an ordinary revenge film that differs slightly from others because of its quirky atmosphere and tone. And afterwards I discovered the film was directed by a fellow countryman : Fabrice du Welz. Maybe that's why this movie displays a kind of willfulness.

Even though this action-flick is soaked by cliché elements (corrupt policemen, a cunning politician and a prostitute (Teresa "Lights Out" Palmer) who plays the Good Samaritan), you can speak of a stylish end product. No explicit violence scenes (the result is usually more explicit than the action itself) and a few star-like interpretations like that of Teresa Palmer. But especially Chadwick Boseman impressed. A man with few words, but hard negotiating techniques. From the very first instance, I was fascinated by him. In my opinion, this is yet again a rough diamond that simmers on Netflix undiscovered. Don't let anybody stop you from watching this when you bump into it somewhere, because this will surely surprise you.

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I watch this last night to remember a fine actor Chadwick Boseman. He didn't disappoint. It was a fine performance by a great actor and it's sad that he is no longer with us. The movie itself was slow. I felt the pacing could've been faster and the fight scenes could be done better but otherwise it was entertaining. A good Netflix film given a lot them are absolute garbage.

This film was made around the period when Chadwick's illness was discovered. He made the majority of his films since then, between surgeries and chemos. As another reviewer noticed he's an actor comparable to Denzel Washington. Maybe yes, unfortunately he hasn't had the time to prove that. My first thought was the same when I first saw him, btw. This film, Marshall, 21 Bridges, and of course Black Panther: mnany different roles and all superb acting. His passing is an irreplaceable loss for his family, for the black community and for every moviegoer and filmlover. Rest In Peace, Chadwick. Your memory never will be forgotten. You remain the King and a Hero in many ways.

This movie shows you what cinema should look like. This old craft of making movies with tempo, cinematography, editing and score is deprived of all imprints of judgement, opinion or the director's indulging in his pretentious personality as many directors strive to do these days; it seems that the director has nothing to prove but only the commitment to telling a beautiful masterful story filmed with excellence and craftsmanship. The goal here is to learn what real cinema is. Everything serves the story, everything is well balanced. It's an exercise in genre and a director's pure intentions to making only cinema. You don't get pitiful emotion or euphoric fake bliss you only marvel in excellence. No shot is overrated, no emotion is fake. This is a work of a master. And these days masters are found in Europe. It brought me back to my film school days when I was in awe with the great directors of past and how they can create a work of art without the excesses of today's cinematic work that is riddled with uselessness and has no soul or beauty. Mind you, this is not a masterpiece, far from it; rather this is a lesson of what true cinema is... Watch it and be in awe...