Notícias

Migration drama “As Far as I Can Walk,” directed by Stefan Arsenijevic, won the top prize at the 55th Karlovy Vary International Film Festival on Saturday, commended by the critics for its nuanced portrayal of the realities of refugees’ lives.

The joint Serbia/France/Luxembourg/Bulgaria/Lithuania production, starring Ibrahim Koma and Nancy Mensah-Offei and inspired by a Serbian medieval epic poem, also won the $25,000 Crystal Globe prize, best actor award for Koma, special jury mention for its lyrical cinematography by Jelena Stankovic, the Ecumenical Jury award and the Europa Cinemas Label jury prize.

“I want to make a hundred movies with you,” Koma told the Hotel Thermal gala audience, praising Arsenijevic as a director who can “see everything” in an actor.

The gala at the signature 1970s structure rounded out a fest edition somewhat subdued as Covid restrictions on travel limited the usual number of foreign guests and rain...

With Cannes right around the corner, two more prominent European film festivals announced their official lineups for 2021 this week. The 2021 Locarno Film Festival (the 74th edition of the event) is taking place August 4-14 and will feature the world premiere of Abel Ferrara’s “Zeroes and Ones,” plus the Melissa Leo-Frank Grillo starring thriller “Ida Red” from director John Swab. Perhaps the most prominent U.S. title in the Locarno lineup is “Respect,” the Jennifer Hudson-starring Aretha Franklin biopic that has already caught the eye of Oscar pundits here in the states. The film will screen out of competition, as will Ryan Reynolds’ long-delayed Disney-Fox tentpole “Free Guy.”

“A festival can be quite highbrow and also entertaining at the same time,” Nazzaro told Variety in a statement. “That is why for this year’s lineup we have selected several comedies and also some genre movies, as well as straightforward auteur films.

The 55th Karlovy Vary International Film Festival, which was canceled last year because of the Covid-19 pandemic, will return in late August with a lineup of 32 new feature films plus an extensive tribute to Martin Scorsese’s Film Foundation, Kviff organizers announced on Tuesday.

The two main sections of the festival, the Crystal Globe Competition and the East of the West Competition, will for the first time include documentary films, which in the past had been excluded from competition or kept in their own sections.

The Film Foundation tribute will include screenings of 10 films restored by the organization Scorsese founded in 1990. They will include Michael Curtiz’s 1950 Hemingway adaptation “The Breaking Point,” the 1934 Mexican horror classic “The Phantom of the Convent,” Timité Bassori’s Ivory Coast drama “The Woman With the Knife,” Robert Downey Sr.’s 1969 satire “Putney Swope,” George Cukor’s 1932 film “What Price Hollywood?” and John Cassavetes’ indie...

The seventh edition will nurture 48 projects by first and second-time directors hailing mainly from the Arab world.

The Doha Film Institute (Dfi) kicked off the online edition of its seventh annual talent and project development meeting Qumra on Friday.

Unfolding from March 12-17, the event will nurture 48 short and feature-length films at different stages of their creation from 41 countries, that have previously received the support of the Dfi grants programme.

They range from in-development projects such as Moroccan director Kamal Lazraq’s Casablanca-set kidnap caper Hounds to projects in post-production including Lebanese filmmaker Mounia Akl’s Costa Brava Lebanon,...

For the first time ever, two Hungarian films are competing for the Berlinale’s Golden Bear: “Forest – I See You Everywhere,” a standalone sequel to the 2003 Berlinale hit “Forest,” from veteran auteur Bence Fliegauf, and “Natural Light” from feature debutant Dénes Nagy. Csaba Káel, chairman of the National Film Institute of Hungary (Nfi), says, “I believe it demonstrates the vitality and strength of the Hungarian industry flourishing despite the unprecedented circumstances caused by the pandemic worldwide.”

The two films represent opposite poles of current Hungarian filmmaking. Brimming with discourse, the independently funded “Forest” tells multiple complex, engaging stories of contemporary life in Hungary. And as he did in his Berlinale-winner “Just the Wind” (2012), Fliegauf creates deep empathy for his characters who deliver standout performances.

On the other hand, “Natural Light,” with its minimal dialogue, harks back to an older tradition in Hungarian cinema where stunning cinematography leads the other formal elements.

Timothy Yeung’s Hong Kong-Canada co-production project “Yesterday Will Be Perfect” led the Busan International Film Festival’s Asian Project Market awards, winning the new Mas award of $20,000.

The winners included four Korean projects: Jang Woo-jin’s “The Final Print” won the Busan award that provides $15,000; the Lotte award that provides $8,800 to a Korean project went to Kim Ui-seok’s “The Martydom”; sponsored by Korea Creative Content Agency, the Kocca awards of $8,800 went to Shin Dong-seok’s “In the Water”; Jero Yun, director of Busan’s opening film “Beautiful Days,” won the Moneff award that provides $20,000 worth of post-production services, for his next project “Man of the Sea.”

The Bright East Films award of $15,000 went to Chinese director Liu Yanwenjun’s “Blossom.” Thai director Kongdej Jaturanrasmee’s “Where We Belong” won the Cj Entertainment award of $10,000 that comes with a first-look option for production, investment, sales and distribution.

Emma Kawawada...

The 17th edition of the International Film Festival of Kerala (Iffk) has announced its lineup. The festival will run from 7th to 14th December, 2012 in Thiruvananthapuram, Kerala.

Some of the highlights of the lineup are festival favourites of the year Amour, Chitrangada, Samhita, The Sapphires, Drapchi, Miss Lovely, Me and You, Celluloid Man, and Baandhon.

Fourteen films will screen in the Competition section while seven contemporary films will be screened in “Indian Cinema Now” section.

Complete list of films:

Competition Films

Fourteen feature films from Asia, Africa and Latin America will compete for the coveted “Suvarna Chakoram” (Golden Crow Pheasant) and other awards.

Always Brando by Ridha Behi (Tunisia)

Inheritors of the Earth by T V Chandran (India)

A Terminal Trust by by Masayuki Suo (Japan)

Shutter by Joy Mathew (India)

Today by Alain Gomis (Senegal-France)

The Repentant by Merzak Allouache (Algeria)

Sta. Niña by Manny Palo (Philippines)

Present Tense...