3 Musketeers

Imagine taking the dialog from the balloons in a comic book and simply using it as a screenplay. Would it work? See this movie for an answer. The story of the 3 musketeers has been shoehorned into a paint-by-numbers spy/secret agent/commando story by assigning the names and some plot points of the original to the rather un-original characters and story of this deadly opus. I admit I didn't make it through the whole thing so I'll tell you what I saw before giving up in disgust. A crack team of "musketeers" has penetrated some major military installation in (I guess) China and is trashing their warlike computer which has been cleverly designed to resemble some high voltage switchgear. The location has been cleverly disguised as a factory or oil refinery or something with a lot of pipes. In the process our heroes kill the half dozen useless guards, blow up an airliner, a helicopter and a few other things. The computer whiz hacks an anti-aircraft gun with his tablet computer, poking the poor thing savagely with his index finger. A dozen jabs or so and he has logged onto Chinese wi-fi, cracked the firewall of the internet enabled gun, aimed it, fired it and blown up the enemy fighters, all with less keystrokes (finger pokes?) than it took YOU to get the movie to play! We never find out exactly why they caused all this havoc. Somehow they get back to safety where they regroup and meet up with the girl "musketeer" who is meditating in a brief two-piece swim suit, perhaps hoping to remember where she left the rest of her costume. The single sentence, comic book balloon style speech continues throughout this mayhem, branding all involved as 2-D cardboard totally disposable and boring characters. Even the sexy girl is uninteresting and dull.

At first I thought this would be a spoof of this type of story and looked forward to some entertaining gags. But no, this thing is apparently meant to be "for real" and we must suffer through the antics of two brainless lugs and one bimbo as they karate-chop their way through life.

This clunker has the appearance of a costly production, what with many 'splodin' things, flyovers of a big city, cgi space satellites and such, but it's still small enough to require the crew to post bogus favorable reviews, hoping to bolster the pathetic rating and maybe con a few credulous viewers into buying or renting this wretched dog! It's a stinker of the bottom tier! Avoid!

I have never been so motivated to write a negative film review before. This movie has, as far as I can see, no redeeming features whatsoever.

The plot is mediocre and unoriginal. The script is clichéd, unrealistic and uninspiring. It seems to be a low budget movie, but has a story with action sequences that need far better special effects, or less ambition. The acting seems terrible, but with that script and the low production values, anyone would have looked bad and I can't fault the actors for anything other than bad judgment for accepting the job.

One thing that stood out above all else for me was the poor quality of some of the action sequences. The (mercifully) short sword fight between two of the leading ladies was probably the worst fight I have ever seen on screen. For a director who has made a career as a stuntman and a fight choreographer, this is really puzzling. What happened? In one of the final scenes two supposedly expert fencers have a fight where they hack at each other with foils as if they're holding machetes. For a film that takes it's name from such a classic story of sword fighting excellence, this failure is an insult, and unforgivable.

I was warned before watching this that it was bad, so I had exceedingly low expectations. Even so, they were not met.

This could have been an interesting movie if they kept to the original premise: transfer the Dumas story into modern times. Unfortunately this was not attempted, it is just a typical spy story along the lines of "find out about a conspiracy and stop it by some computer hacking and shoot-outs", just that some characters are named Athos, Porthos and Aramis. The original idea of "The Three Musketeers" - innocent country-side lad D'Artagnan comes to the big city Paris and learns a lot from three experienced fighters - is not used. The D'Artagnan we get here is a clever agent who knows everything better and just lets the other three do the dirty work, like hand-to-hand combat and computer hacking. So if the script doesn't show any serious effort to use the ideas of the original, the technical side is sloppy as well, with many handheld shots and editing that appears to randomly jump from actor to actress. I give this very generous 3 out of 10 for a few funny moments (intended or not).

I had read some reviews for this film, both on here and on another site, so I was prepared for the worst but let me tell you it was even worse than I'd anticipated, much worse in fact. Try to imagine the worst film you've ever seen, multiply by a hundred and you're getting close to the depths that this film sunk to. I just wish that 0/10 (or even a minus score) was an option.

This film by low-budget direct-to-DVD house The Asylum is a mixed bag of silly, comic book action, uneven visual effects and even more uneven acting. The end result is ultimately a fun, if not altogether satisfying, time waster.

It's not a straight mockbuster of any "Three Musketeers" movie in Asylum's usual "Transmorphers" kind of way. Except for the title and some character names from the Dumas novel, the movie better resembles a "Charlie's Angels" film, as its plot centers around a team of action heroes attempting to stop a conspiracy to incite World War III.

The team code-named "Musketeers" consists of, predictably, spies whose own code names are Athos, Porthos and Aramis. They're joined later by an exotic-looking female spy named D'Artagnan who claims to be a direct descendant of the real one. Their enemy: A guy code-named "The Cardinal" (natch) who for reasons unclear wants to start a global war by killing the president.

The actors in the Musketeer roles are not too bad and actually appear to be having some fun, which is rare for The Asylum. Arguably the two sorest points in most Asylum productions is that their preposterous, low-budget movies are presented dead seriously, and that their has-been actors like Greg Evigan seem mortified to be appearing in them.

Not so here, where martial artist XIN is so charismatic as Athos you'll hope to see him in a better kung fu movie, lovely Michele Boyd as Aramis is reminiscent of Meg Ryan circa "Innerspace," Keith Allan channels Jeff Goldblum as brainy Porthos who spouts '80s pop culture references like "The light is green, the trap is clean," and Heather Hemmens (of the CW's "Hellcats") actually makes you believe a Costa Rican hottie could be the direct descendant of a 17th Century French guard.

But again, as with most Asylum movies, other cast members are so bad you'll wonder who on the production team they must be related to/have paid off/had sexual relations with to land their roles. Alan Rachins is so flat-out awful as the Cardinal he comes off as someone's old college acting teacher given the part as a favor. He pulls down every scene he's in so badly the movie actually appears to freeze-frame every time he comes on screen. Where's Barry Bostwick when you need him? Digital effects by Tiny Juggernaut are typically bargain basement, but not so much that they ruin the show. This is, after all, comic book melodrama, so it's OK by me if the jet planes and rockets look a little cartoony.

It's mindless fun that's worth a look on Netflix or maybe picked up used for a couple of bucks. Paying any more for it would be a bigger crime than World War III.