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There will be no middle ground on this one. If you don't like slow burns, and psychological horror then move on. Other viewers will be in for a treat.

There are fair comparisons to "Maniac," but unlike the 1980 cult classic, I don't think you'll see the twist coming. Brendan Rock is phenomenal in the lead role of Patrick. The cat & mouse game of paranoia between him and Jordan Cowan keeps you guessing.

No spoilers here, but stick with the film to the end. It is absolutely a slow burn. But the third act grabs ahold, takes you on a psychotic ride, and makes you ask "What the Hell is happening?!"

Then it all comers together in a really clever ending. Everything was laid out for you the whole time. Just pay attention and enjoy.

This movie had the potential to be something amazing with the initial one hour that it takes to set everything up. However, in the end the creators went for a weak ending which didn't stack up to all the investment made by the viewers upfront. It almost seemed like theu ran out of ideas on how to end the movie and took the easy way out. The acting is on point and the tension is always there. The camera work and the lighting is also done super well. The ending for horrors or thrillers are hard to set up, but the disappointment becomes even more pronounced when the story holds a lot of promise upfront. This is such a case.

If twisty turny stories are your thing, then look no further.

Is it an arthouse movie? Is it a horror? A psychological drama? Is it all of the above?

Without giving too much away, I would say that some people will hate the very slow and deliberate script, direction and editing of the 'action'.

I loved the to and fro of the dialogue in the first hour which makes you think the story may go one way or another. Then, when the movie makes its decision it is still compelling, The end was a little contrived for my liking but still, those with a little patience will love the movie.

Has to be said the acting is first class.

Once again, a glorious reminder that in order to be impactful, horror movies don't need a big budget. "You'll Never Find Me" effortlessly proves this point, delivering a very tense and impactful experience that lingers long after the credits roll. "You'll Never Find Me" doesn't rely on cheap jump scares; instead, it builds a slow-burning tension that keeps you on the edge of your seat. This Australian horror gem is a testament to the fact that a well-crafted story, combined with thoughtful direction and a dedicated cast, can create an atmosphere of dread and suspense that rivals any blockbuster production. It's such a joy seeing a passion project work so well on all levels.

This year has seen the release of another slow-burn horror film that is underrated. This film is not only underrated but also quite entertaining but it's slightly close to a 7/10 unfortunately.

The cinematography is well-paced and smoothly delivered, ensuring a steady and unshaken viewing experience. This is undoubtedly one of the strangest horror films I've ever watched, but it's not bad. It could have been worse, but about 60 minutes in, the third act took an unexpected turn. I thought I was going to give up, but I persevered. 'You'll Never Find Me' almost feels like an experiment exploring the modern erosion of societal trust. Its themes and messages are as clear as day, even under the cover of night. Bell and Allen masterfully play with every situational expectation, from Patrick's reclusive behaviors to the innocent young woman who seems destined for a missing person's photo on a milk carton. There is enough bubbling tension and otherworldly suspense to keep us engaged, even if the concept tests our patience at times.

In Conclusion: 'You'll Never Find Me' finds horror in the mere existence of humanity. Despite this, it doesn't fail to be both relevant and horrifying. The third act, in particular, gave me a jolt, as if I'd been kicked in the boot, but it only added to the overall suspense and intrigue of the film."