Angie X

Angie Wang is a warrior in life and made a daring artistic contribution sharing parts of her college year life trying to cope with family and money issues and achieve academic, romantic, economic and human success.

Angie X, played perfectly by Annie Q, is a romanticized version of an angry, conflicted but smart, sexy and resourceful youth that comes to a college where her first generation immigration and social class makes her adaptation more adventurous.

The casting choices, camera work, wardrobe and sets to match the 80s feel all seem right and we are able to do what director Wang, asked us the the start of her Montreal World Film Festival first screening: immerse ourselves in the movie and be transported.

After an hour and a half in the theatre, that felt much longer in terms of content, but also timeless and not wanting the movie to end and leave these likable characters and their quirky lives.

The only personal choices I felt could have been better are the over-expression of anger which I later learned are Angie's character traits and constant reaction based on her past and way to deal with pressure, as well as some occasional superfluous flashbacks that did not always work to enhance the scenes and character development. Everything else about this independent film written, directed and produced by Angie Wang with a great deal of passion and perseverance is pristine and palpable.

Angie is contrasted by her two best friends, a Chinese American boy classmate and an "All American" rich girl roommate and their respective families. They have different views and values but lots of love, attention and affection for Angie. She also has her own distant parents and brother, especially her father figure. We see her dysfunctional family through flashbacks and she also decides to be a big sister to an even more dysfunctional crack addict family.

Angie becomes a drug-dealer of a then legal party drug for rich kids "White" kids (MDNA/Ecstasy) - and becomes a master chemist like Walter White - which affects lives around here in different ways. In parallel, and paradoxically, she also tries to rescue a "Black" little sister affected by lower class street drugs, both legal (alcohol and cigarettes) and illegal (crack).

Angies tries to find respect and pleasure in school and social settings with her grades, her drugs and romantic interests. A particular sex scene is quite alluring and seems natural, beautiful, beneficial.

The ending which follows a particular dramatic denouement is sad and hopeful, open and soft-spoken. It lets the viewer know that life is not perfect, but life goes on. The best advice, story and point of view comes from her father Michael, played with gusto by Ron Yuan.

This film is a well worth addictive addition to the drug dealer movie for the low, middle and upper class, college student and parents alike.

Bravo Angie! Looking forward to a following project from this fine first time filmmaker.

USA - 2017 - 94 mins - MONTREAL WORLD FILM FESTIVAL - English

I have read some of the reviews that have trashed this movies, and I'm guessing they are written by men. While the movie is not perfect, the story is actually based on true events and to dismiss a persons very real-life trials, including traumatic events such as rape and absent parents, shows whoever wrote these reviews has no idea what the real world is about. As a movie, it could have been a little more consistent in the time lines and explaining how she got to the point of desparation, but overall, this story is worth listening too. Angie Wang did an excellent job of directing overall and making the viewer understand from where she comes. This is not a "drug movie," it is a movie about a poor minority who must do bad things to achieve what the more fortunate have. It shows that regardless of where you come, to wit, her roommate, a white, priveledged female, everyone has problems.

This movie confronts head-on a difficult problems within a tangled and male-dominated sub-genre. Meeting all of the criteria that the genre demands and more this movie confronts challenges, such as underrepresented minorities in cinematography. One major issue that I found with the movie, which is very loosely based around true-ish events was the movie covers in entirety the lifestyles of young party-goers and the consequence of their choices. Simply dismissing this film as an attempt to appeal to a younger audience is wrong in my opinion because as far as I can tell, no other film to date gives such a comprehensive view of the 1980's club culture aside from anti-drug PSAs, clearly what this movie is not, and historical films. This film plays like a biographical narrative while being a fun and light-drug movie that brings a strong theme of the destructive effects of criminality, warning the viewer away from the dangers associated. While the movie doesn't condescend to the viewer the story takes on too many subjects, drawing the viewer away from the entertaining aspect of watching these young people at their worst. I believe this movie is underrated. The actors play their parts with gusto, guiding you in the chaos that the subject entails. The movie moves quickly from topic to topic, but in a easy to follow format that many clubbing movies simply lack. The reviews for this movie are of course critical, and the poor rating shows that the movie was received under the same criticisms that movies in the genre, following scarface and other classic clubbing movies, are subjected. Many movies that are ascribed to the niche 'party movie' genre were underfunded and suffered from poor casting. A movie like this one would have received praises had it been release 20 years sooner, when the genre was thirsty for innovators.

One of the more narrow minded reviewers challenged others to make it through 10 minutes of this movie. well i watched the whole thing and was pleasantly surprised, maybe if they had the patience they would have realized this this movie was actually quite good. they told the story of Angie very well and made the viewer feel for her. the acting was mostly good and the story had its ups and downs to keep you glued.

6.5

Well scripted and well acted, MDMA is worth watching, and Angie Wang deserves kudos for writing, directing, and producing this autobiopic. Annie Q emoted more than most actors ever will and had great chemistry (pun intended) with Francesca Eastwood. (I'm glad I didn't know "Neen" was Clint-the-Gunslinger's kid until after the movie's end, or I would've pre-judged her). The story arc worked, and I enjoyed the inclusion of Adam Ant's music (though I could have stood for more 80s tunes throughout the film). Epilogues would have given the audience some needed satisfaction.