Ode ao Meu Pai

I love watching Korean movies. There is always something new to be discovered and their narratives can be out of this world in terms of inventiveness, crazy story lines, hard-hitting action, high melodrama and kinetic energy. If you have seen enough of Korean cinema, you will probably know your love for the current Korean flick is only there during the duration. The moment it ends, all memories of the film start to dissipate into oblivion. These are usually the dime in a dozen type of film. Ode to My Father belongs in the category of the 'two'. This one got the emotional beats spot on with nary any overt manipulativeness (which is a wonder) and it is easily one of the best films I have seen this year.

Synopsis - Amid the chaos of refugees fleeing the Korean War in December 1950, a young boy, Duk- soo, sees his fate change in the blink of an eye when he loses track of his younger sister and he leaves his father behind to find her. Settling in Busan, Duk-soo devotes himself to his remaining family, working all manner of odd jobs to support them in place of his father. His dedication leads him first to the deadly coal mines of Germany, where he meets his first love, Youngja, and then to war-torn Vietnam in this generational epic about one man's personal sacrifices.

Review - This film is ambitious in wanting to depict 60 years of tumultuous history through the life of one man. IMHO the movie manages to do just that. I like the strong sense of place and time. The staging of the epic scenes is so outstanding, I was easily pulled into the story. Absolutely love that refugee fleeing scene of Hungnam in 1951 which later becomes part of North Korea. It was heartbreaking to see how a pair of sister and brother get separated in the chaos. I also love the brilliant use of flashbacks to move the plot. How the flashbacks are triggered is seamlessly and creatively done.

Jeong-min Hwang (of New World fame) who plays Duk-soo, gives his character a cheeriness balanced with a sense of dogged purpose. His positive energy is affable and infectious, and his stubborn bickering with his wife and good friend, the source of many jokes. Dal-su Oh, Korea's busiest supporting actor plays Duk-soo's best friend, Dal-gu through the years. Their relationship is painted with much comedic strokes and full-hearted poignancy without those usual skull-numbing stylistics.

The immediate film you will no doubt compare this Korean film with is Forrest Gump which isn't a bad thing. But the similarity is only with its use of historical events. With Forrest Gump, a man is sanctified to God-like status and he unknowingly changes history, but with this one it doesn't walk that path. This is a story of a man whose his father's parting words at Hungnam haunts him to his core and he would take the entire duration of his life to live up to his father's words. The movie maintains an even tone throughout and I feel it is the historical events that change him. This is a film possessing a remarkable balance of sentimentality and harshness, light and darkness.

Wowww! I don't know where to start. The movie was so much better than my expectation after reading the IMDb's movie critics' reviews. I feel compelled to disagree with some of the criticisms that this movie tried to be melodramatic, some scenes were unnecessarily too comical, and that it was improbable and unrealistic for a person to go through all such tumultuous events. I like to recommend those critics to read about the 20th century Korean history.

My mother now in her 80's experienced many of the same experiences and some additional events in her lifetime: the Japanese occupation (1910- 1945), her 11 -year old classmates being shipped off by Japanese as wartime prostitutes during WWII (1939-1945), Korean independence (1948), Korean War (1950-1953) during which time she was a refugee in Busan, etc.

Immediately after WWII, after Japan exhausted all of Korea's natural resources, goods and men to fuel their war engines, Korean War broke. Whatever remained standing or fertile were bombed or burned up. After the Korean War, Korea was literally in rubble and ashes. Many families were split up and scattered during the war. The Streets were covered with orphans. Holt Adoption Agency placed many Korean orphans in American homes. These are all accurate.

As an early teen (in early 1960's), I was hearing about many Koreans hiring themselves out to foreign countries to find work as miners, nurses, or soldiers. The movie was also accurate that Germany did not extend the visas of foreigner miners for they were hired to make up for their temporary labor shortage.

I do agree with the critics that some of the acting was a bit raw, but they were soon forgotten as the movie pulled me into the story. I appreciated the funny scenes in the movie, for without them, it would have been too depressing to watch. This is a wonderful, wonderful movie, you must see! It is playing in K-Town at CGV theater. Also good eats in the same shopping mall.

This film begins in the present time and is about a crotchety old man, Duk-Soo. Then, suddenly the film jumps back to 1950 when his family found themselves in the middle of a war zone. His father, mother and three siblings all scrambled to climb aboard a US ship for safety in the South. But as Duk-Soo (probably only about 8 years old at the time) climbed up the rope ladder with his sister on his back, the tiny girl fell off...and you assume she's drowned. The father climbs off the ship to look for her and before going, he tells Duk-Soo he's the man of the family until he returns. But it's total chaos there and the father never returns. As the years pass, Duk-Soo takes his responsibility to care for his family EXTREMELY seriously, working long, long hours and often working abroad in dangerous places...all to put his younger brother through college and to care for his mother and extremely ungrateful sister. Eventually, near the end of the film, after working a lifetime to support his family, there is a break when a Korean TV program works to reunite families torn apart by the war...even though decades have passed.

The film is an incredibly moving experience--especially the last hour or so. It's all about the burden that Duk-Soo carried and how responsible and decent he is...and how so often the family and extended family cannot understand his work ethic. It's a wonderful microcosm of the Korean experience of the last 65 years--as Duk- Soo's story is one which undoubtedly resonates with many elderly Koreans today. Exquisitely made and well worth seeing.

Ode to My Father is a story for most Korean-Americans who came to the US as children with their parents. I always thought my Uncle Thomas was such a brave and entrepreneurial individual for going to Saigon during the war to sell pizza to the US soldiers but after watching the film, I realized these opportunities were presented to the masses after the Korean War. I never knew about the German coal mines recruiting laborers from Korea and that definitely gave me pause to reflect upon the scene where the Korean high schoolers were discriminating against the Pakistani couple at Starbucks. South Korea was once 3rd world too.

My dad always lamented on why the conflict between super powers was fought on Korean land instead of Japan. And why Korea was divided and not Japan. Germany was divided after WWI, why wasn't Japan? Japan shared all its medical learnings from the wartime POW science experiments and gave unconditional surrender to the US to do its will and was spared. He resigned that the 2 atomic bombs were punishment enough.

Ode to My Father is an attempt at epic film-making spanning 4 decades like Forrest Gump. The biggest issue I have with this film in attempting depiction of such a span of time is the lack of period transport for the film watcher. The film Taegukki was much better at cinematography showing life after the liberation from Japanese colonialism. You feel like you are there with the brothers. In Ode to My Father, the breathtaking scene of the refugees amassed at the port was eye-opening to say the least but the rest of the film showed contemporary thoughts and actions from its main characters rather than the unworldly views possessed by most Koreans living at the time.

Duk-soo and Dal-gu's friendship is exemplary of the many friendships forged during that time. My father is still good friends with his buddies from middle school and high school. They never share stories or reminisce about the past because it is just too painful. But if my father saw this film, he would definitely be in tears at his ripe old age of 82.

Today Father's Day 2015, I brought my wife and kids to watch "Ode to My Father," a big Korean hit movie dubbed into Tagalog for local audiences.

"Ode to My Father" has a reputation that precedes it. It is a big-budget film that cost a whopping ₩14 billion. It debuted in Korean movie houses in mid-December 2014, and remained at Number 1 for five consecutive weeks. By its 8th week of release, it became the second highest-grossing film of all time in the history of South Korean cinema with 14.2 M admissions and a $105M gross. This was second only to "The Admiral: Roaring Currents" released July 2014, which had over 17M admissions and a $132M gross.

I know my wife will like a film like this. However, my kids, especially the boys, did not really want to go see what seems to be a heavy drama film. Good that they relented to have their old man choose the film to watch on his special day. During the film, I was happy to observe that they were quite attentive during the film, and did not fall asleep as they were saying they would. In fact, they ended up really liking the film, being dubbed in Filipino notwithstanding.

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"Ode to My Father" is the story of one Yeon Deok-soo, whom we first meet as an elderly man staunchly keeping his old imported goods store open in the Gukje Market of Busan, despite all odds. He is currently living with his wife of fifty years, Young-ja. Through flashbacks, we are told about the harrowing experiences this man went through in his life.

As a boy, he lost his father and younger sister during the evacuation of their hometown Hungnam during the Korean War in 1951. Settling down in Busan at an aunt's house, Deok-soo took it upon himself to be the man of the house, helping his mother earn money and raise his two younger siblings. Extreme financial necessities brought him abroad as a miner in Germany in the 1960s and as a non-military personnel in Vietnam in the 1970s. During the 1980s, Deok-soo tried his luck in locating his lost father and sister through TV shows who helped reunite family members estranged during the Korean War.

The movie had a "Forrest Gump" feel as we follow the life of this man through his extraordinary experiences over the decades. You can definitely see where the big budget went in the amazing production design depicting the different periods in different countries where the hero spent his life. Those scenes depicting the Hungnam Evacuation of 1951 were especially spectacular in scope and rich in details. Those scenes in the dangerous mine shafts of Germany and the war-torn villages of Vietnam were likewise made us feel the difficulty and tension of such dire situations. The drama of those footages of families reconnecting on TV felt very real and compelling.

I do not watch too many Korean films, so I am not familiar with any of the main actors. Hwang Jeong-min played Yoon Deok-soo from youth up to elderly age. He does so with much conviction and heart, so that we completely absorbed into his life journey.

Oh Dal-su plays his very close friend Dal-gu. Oh's character is given the role of the comic relief of the film. His antics can be cringe- worthy as his hairstyles were over the years, true. But without him, this film may have been too downbeat and depressing. There were a few brief scenes of a sexual nature that may be awkward when you watch with kids.

Kim Yunjin plays Deok-soo's wife Youngja from her young days as a nurse working overseas in Germany to her old age. She plays supportive very well, but she was also given the opportunities to show that she can also speak her mind.

Jang Young-nam plays Deok-soo's long-suffering Mother. Ra Mi-ran plays his enterprising Aunt Kkotbun. These two ladies play their characters with dignity and poise.

With "Tidal Wave" (2009) and "Ode" under his belt, director Yoon Je- kyoon became the first direct with two films passing the 10 million ticket sales mark in South Korea. In "Ode", he plays his rich winning hand of a story with dramatic flair. The way the story was being told, tears can really flow out with not much effort. The older you are, the more you can identify with the family issues being told in the film and really get emotionally connected.

Even if we are not Koreans, and we are not very familiar with these events in their history, we can still connect with Deok-soo's travails. We even hear the characters speaking in Filipino, yet that fact does not negatively affect our appreciation of the film as much as I feared. But yes, to be completely honest, the quality of Tagalog dubbing can be distracting at times. I would have rather watched this film with its original Korean dialogue track intact, with English (or Tagalog) subtitles.

Overall, I enjoyed the multi-decade span of this story and how meticulously the story had been told and excellently presented on screen. How I wish I had my parents with me when we watched this film. Having gone through the war years themselves, I feel they would appreciate the family story, identify with the adversities and get emotionally affected even more than I was. 8/10.