Depois de ser obrigado a trabalhar para um chefe do crime, um jovem condutor se ve envolvido num assalto destinado a fracassar.Depois de ser obrigado a trabalhar para um chefe do crime, um jovem condutor se ve envolvido num assalto destinado a fracassar.Depois de ser obrigado a trabalhar para um chefe do crime, um jovem condutor se ve envolvido num assalto destinado a fracassar.
- Direção
- Roteirista
- Artistas
- Indicado a 3 Oscars
- 43 vitórias e 66 indicações no total
Avaliações em destaque
I read an early tweet that described Baby Driver as 'a mix-tape with a film attached to it' and that proved to be an accurate comment. The tweeter may have thought this was a good thing, but I certainly don't.
Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.
Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.
If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.
Yes, there are some good tracks and the action sequences are elaborate and frenetic (a little too frenetic, actually), but the characters are dull, unlikeable and bear very little relation to the real world. I simply did not believe in them, especially Darling, the sassy, kick ass stock character that only a fool would consider to be a strong female character.
Then there's Baby, whose laconic, boyish demeanour makes him a rather uninspiring protagonist. His romance with Debbie, a cute little waitress, is yawn-inducingly clichéd, too.
If you want a stylish heist film that isn't so bloody try-hard, then watch Drive. It's an exercise of style over substance much like this film, but it has suspense, atmosphere and characters that could actually exist rather than blaring music, mind-numbing action and flat, hateful comic book characters.
A very well choreographed film. Right from the driving sequences, the dance & music moves, the complete score of the film to even the sign language conversations between Baby and Joseph.
Absolutely loved the editing - sleek and clean. I can imagine the efforts needed to shoot the complete the film by calculating the amount of individual shots taken in the film.
3/4th of the film is quite interesting, felt quite a drag towards the end. The love relation between Baby & Deborah is quite interesting.
Overall a good one time watch.
Strong cast of actors.
Absolutely loved the editing - sleek and clean. I can imagine the efforts needed to shoot the complete the film by calculating the amount of individual shots taken in the film.
3/4th of the film is quite interesting, felt quite a drag towards the end. The love relation between Baby & Deborah is quite interesting.
Overall a good one time watch.
Strong cast of actors.
Baby Driver is one hell of a film,I was lucky enough to go to preview of this film and it was worth it.This film uses music the way no other film has ever, It's stylish and has a cast that bring it to life especially Ansel Elgort,Jamie Foxx,Jon Hamm and Kevin Spacey bring a performance that almost tops all their others.The film has exciting car chases and intense moments that leave you on the edge of your seat just acing to know what happens,the final act is probably where Baby Driver shines in all it's glory.Period. Overall this film is a film for everyone,it has music that makes you want to get up and dance right there in the theater.I give Baby Driver a 10/10,go and see it now.
I somehow felt love and hate sort of feeling for Baby Driver. The movie started off on nice note but then somehow slows down and eventually picks up too much pace in second half. It's pretty hard to keep the interest alive all the time. I really loved the song selection and even noticed me nodding to few beats as well. The car action sequence were well shot too. But then the second half of the movie was so fast that it feels like they just wanted to end this but still wanted to keep it alive. Don't think if there was any need of few gruesome sequences.
The story had so much potential and having some good cast along, it could have gone to great heights. But it disappoints in this area and turns out to be just another mindless action drama for light viewing.
The story had so much potential and having some good cast along, it could have gone to great heights. But it disappoints in this area and turns out to be just another mindless action drama for light viewing.
There is never a dull moment in this action crime film about a getaway driver who has his own unlimited getaway soundtrack but who also wants to break free from the crime boss who owns his life.
There is enough style and visceral strut in this film that it neutralizes the one or two credibility gaps in the plot. Ansel Elgort is great as the title character, but Jamie Foxx steals the film with a lively performance as the loose cannon in the crew. Performances all around are solid and the dialogue is so rife with dueling wits, it's like watching a recurring display of verbal fireworks. These firecracker scenes of competitive criminals showing off their bravado are just as exciting as the chase scenes through downtown Atlanta.
The film also banks heavily on a heady, omnipresent soundtrack that keeps the tempo perpetually hyperactive. A word of caution: The action can be tough going at times; the film revels in its permanent state of anarchy before ultimately developing a mean streak. But for all the blistering gunfire and screeching tires, this is not a one-note film. It has its moments of quietly boiling tension and eerie backstory flashbacks. It's a film that wears its attitude on its sleeve and doesn't shrivel into conventionality. Not an absolute bull's eye, but recommended to everyone who wants a good rush.
There is enough style and visceral strut in this film that it neutralizes the one or two credibility gaps in the plot. Ansel Elgort is great as the title character, but Jamie Foxx steals the film with a lively performance as the loose cannon in the crew. Performances all around are solid and the dialogue is so rife with dueling wits, it's like watching a recurring display of verbal fireworks. These firecracker scenes of competitive criminals showing off their bravado are just as exciting as the chase scenes through downtown Atlanta.
The film also banks heavily on a heady, omnipresent soundtrack that keeps the tempo perpetually hyperactive. A word of caution: The action can be tough going at times; the film revels in its permanent state of anarchy before ultimately developing a mean streak. But for all the blistering gunfire and screeching tires, this is not a one-note film. It has its moments of quietly boiling tension and eerie backstory flashbacks. It's a film that wears its attitude on its sleeve and doesn't shrivel into conventionality. Not an absolute bull's eye, but recommended to everyone who wants a good rush.
Você sabia?
- CuriosidadesDirector Edgar Wright once parked his car in a parking garage, only to realise that, by complete coincidence, the car next to him had a stylised "BABY ON BOARD" sign, with Baby's (Ansel Elgort) face taken from the film's poster. Wright left a note on the car's windshield that read, "From the director of Baby Driver, I approve!!!", complete with his signature.
- Erros de gravaçãoDarling is shot in the right arm. Minutes later when she's eating in the diner, her right arm has no blood on it, and her jacket has no hole in it where she was just shot.
- Cenas durante ou pós-créditosThe "ding" in the opening Sony logo turns into the sound of Baby's tinnitus.
- ConexõesFeatured in Chris Stuckmann Movie Reviews: Baby Driver (2017)
Principais escolhas
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- How long is Baby Driver?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Baby, el aprendiz del crimen
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 34.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 107.825.862
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.553.320
- 2 de jul. de 2017
- Faturamento bruto mundial
- US$ 226.945.087
- Tempo de duração1 hora 53 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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