drystyx
Entrou em jan. de 2006
Bem-vindo(a) ao novo perfil
Ainda estamos trabalhando na atualização de alguns recursos do perfil. Para ver selos, classificações detalhadas e pesquisas para este perfil, acesse versão anterior.
Avaliações3,2 mil
Classificação de drystyx
Avaliações927
Classificação de drystyx
This is a very forgettable movie about who knows what.
Flashbacks and time lapses have been overused since Tarantino became big, and he wasn't exactly great at it.
Here, we have two young women who board the same bus and accidentally get each other's bags.
Neither woman is likable. Both are brats in their own way, although one is the traditional rich kid and the other is just as bratty.
For instance, the girl who is supposed to be the caring one is a brat who judges some older woman on a bus and jumps all over her for absolutely no reason at all.
Well, one of them killed a guy in self defense, and in order to save herself, she had to cut the guy's head off, because he was crazed in an intent to kill her, so there's no problem with that.
It's the other motivation that are pure Hollywood, believe it or not. The directing and writing are pathetic. The dialog is fake and sounds like it was written by AI or something. People just don't speak like that.
It's too bad that it's a muddled mess. It probably could have been a good movie, but the characters that we're supposed to care for are too much the same self-righteous personae who only care about the "in crowd", bringing to mind the song in "Hair" where an actual needy woman deals with people like this.
Flashbacks and time lapses have been overused since Tarantino became big, and he wasn't exactly great at it.
Here, we have two young women who board the same bus and accidentally get each other's bags.
Neither woman is likable. Both are brats in their own way, although one is the traditional rich kid and the other is just as bratty.
For instance, the girl who is supposed to be the caring one is a brat who judges some older woman on a bus and jumps all over her for absolutely no reason at all.
Well, one of them killed a guy in self defense, and in order to save herself, she had to cut the guy's head off, because he was crazed in an intent to kill her, so there's no problem with that.
It's the other motivation that are pure Hollywood, believe it or not. The directing and writing are pathetic. The dialog is fake and sounds like it was written by AI or something. People just don't speak like that.
It's too bad that it's a muddled mess. It probably could have been a good movie, but the characters that we're supposed to care for are too much the same self-righteous personae who only care about the "in crowd", bringing to mind the song in "Hair" where an actual needy woman deals with people like this.
Christopher Smith is the one responsible for this movie, which like Severance, is just more of his Hitler worship, made for the Nazi youth of tomorrow.
It's just more killing of women with dark hair, Christopher Smith's tribute to the many reels of Nazis marching dark haired gypsy women to execution.
There's really no need to look for the trees in this forest of Nazi glorification from Smith. But the most feeble minded viewers do just that in an effort to rationalize their willingness to be sheep.
The writing and directing is garbage. There is no story. There is no "deep meaning". There's just Christopher Smith filming scenes that he can film, because he's allowed to do it, because he's totally out of control as much as the sheep who like this movie, and because he knows he is accepted by the other Nazis in Hollywood.
A woman boards a yacht, it is overturned, and of course Christopher Smith makes sure that the hot brunette is killed off right away. He keeps adding more such images. He's totally out of control.
We're supposed to buy into some deep message, but there is no message. People want to believe there is something supernatural when it's just a director saying "oh, let me film this" for no reason other than to satisfy his desire to be a hack doing the same old thing over and over.
It's just more killing of women with dark hair, Christopher Smith's tribute to the many reels of Nazis marching dark haired gypsy women to execution.
There's really no need to look for the trees in this forest of Nazi glorification from Smith. But the most feeble minded viewers do just that in an effort to rationalize their willingness to be sheep.
The writing and directing is garbage. There is no story. There is no "deep meaning". There's just Christopher Smith filming scenes that he can film, because he's allowed to do it, because he's totally out of control as much as the sheep who like this movie, and because he knows he is accepted by the other Nazis in Hollywood.
A woman boards a yacht, it is overturned, and of course Christopher Smith makes sure that the hot brunette is killed off right away. He keeps adding more such images. He's totally out of control.
We're supposed to buy into some deep message, but there is no message. People want to believe there is something supernatural when it's just a director saying "oh, let me film this" for no reason other than to satisfy his desire to be a hack doing the same old thing over and over.
The worst movies are the ones that waste the most resources. When special detail is given to artless and value-less movie, that's as bad as it gets.
Everything in this movie is predictably Hollywood Nazi worship.
Special pains are given to dye blonde actress Arquette's hair black, so we know she will be killed in the movie. That's the traditional Hollywood Nazi formula that Hitler worshipers like Lynch shove down our throats.
So why do these Hitler worship movies continue? Some, like this one, try to disguise themselves as something else, but Lynch fails to anyone with an IQ over 33. The Beavis and Butthead crowd lap it up and are easily brainwashed.
The reason we keep getting this shoved down our throats is because there are control freaks in every group who insist that these movies be seen by a group. It never fails.
There's no natural explanation for that.
So, we get a really poorly written script here. Everything comes out of nowhere, and it's all ho hum. Oh, Lynch throws naked women at us, bit there just isn't any way to avoid the blatant Hitler worship.
Nothing fits into place. The end is just as contrived as everything else in the movie.
There is zero magic, zero inspiration, zero strategy, zero credibility in story, zero credibility in characters, zero talent, just zero across the board. There should be a 0/10 rating available.
Lynch passed away, and whether he's in Hell or not, he is certainly with his idol Adolf and still on his knees for his idol Adolf. As will be the Nazis who push unnatural hatefulness and depression like this on the people that they want to control.
No offense.
Everything in this movie is predictably Hollywood Nazi worship.
Special pains are given to dye blonde actress Arquette's hair black, so we know she will be killed in the movie. That's the traditional Hollywood Nazi formula that Hitler worshipers like Lynch shove down our throats.
So why do these Hitler worship movies continue? Some, like this one, try to disguise themselves as something else, but Lynch fails to anyone with an IQ over 33. The Beavis and Butthead crowd lap it up and are easily brainwashed.
The reason we keep getting this shoved down our throats is because there are control freaks in every group who insist that these movies be seen by a group. It never fails.
There's no natural explanation for that.
So, we get a really poorly written script here. Everything comes out of nowhere, and it's all ho hum. Oh, Lynch throws naked women at us, bit there just isn't any way to avoid the blatant Hitler worship.
Nothing fits into place. The end is just as contrived as everything else in the movie.
There is zero magic, zero inspiration, zero strategy, zero credibility in story, zero credibility in characters, zero talent, just zero across the board. There should be a 0/10 rating available.
Lynch passed away, and whether he's in Hell or not, he is certainly with his idol Adolf and still on his knees for his idol Adolf. As will be the Nazis who push unnatural hatefulness and depression like this on the people that they want to control.
No offense.