'Rope', as many reviews here point out, is shot in a "real time" format. The movie lasts 80 minutes and takes place over a period of 80 minutes - with 10 8 minute takes spliced together smartly (such as switching when focused on a back) to give the appearance of one long take. Even current "real time" dramas such as "Nick of Time" or "24" use cuts - and perhaps justifiably.
"Rope" is about two college students - the slimy Brendon Shaw (John Dall) and his friend and sub-texted-gay-partner Phillip Morgan (Farley Granger) who murder an old college mate and then, minutes after, host a dinner party to prove their calm, intellectual superiority and their "right" to kill off the lower echelons of society - they believe they are exempt from common morality. Central to this is their smug desire to show off their theory to their old mentor, Rupert Cadell (James Stewart), who is attending the party, and to get him to agree with their theories.
As the movie is essentially confined to one room, and one take, there's a definite "play" feel to the movie. While this worked wonderful with "12 Angry Men", the script and character interaction isn't quite smart enough here to sustain it. There's a lot of pontificating by Shaw, and some fine retorts by Cadell but there's a sense of forcedness about it at the same time. Only 3 of the characters are drawn with enough conviction, and it is only Cadell who we can really admire (Granger's Morgan seems to be too much of a nervous twitching type to add much to the movie). The script does allow us to gape with incredulity at the Nietzsche-esque theories of the "superman" espoused by Shaw, and the gay subtext is amusingly, and cleverly, done but there's an inevitability about the whole story - we know what will happen, it does, and this creates an ultimate lack of tension (when compared to, for example, Hitchock's "Vertigo").
The direction is, as would be expected, smart and - naturally - innovative here. The camera drifts about from character to character, as Hitchock tries his "one cut" approach, and there's some nice background detail (such as Hitchcock's flashing neon signs) to show the passage of time/current theme. Overall "Rope" is well worth seeing - it's not quite a failed experiment, nor a successful one. It's a "curio" which is worth appreciating for realizing why it was never really emulated since.
"Rope" is about two college students - the slimy Brendon Shaw (John Dall) and his friend and sub-texted-gay-partner Phillip Morgan (Farley Granger) who murder an old college mate and then, minutes after, host a dinner party to prove their calm, intellectual superiority and their "right" to kill off the lower echelons of society - they believe they are exempt from common morality. Central to this is their smug desire to show off their theory to their old mentor, Rupert Cadell (James Stewart), who is attending the party, and to get him to agree with their theories.
As the movie is essentially confined to one room, and one take, there's a definite "play" feel to the movie. While this worked wonderful with "12 Angry Men", the script and character interaction isn't quite smart enough here to sustain it. There's a lot of pontificating by Shaw, and some fine retorts by Cadell but there's a sense of forcedness about it at the same time. Only 3 of the characters are drawn with enough conviction, and it is only Cadell who we can really admire (Granger's Morgan seems to be too much of a nervous twitching type to add much to the movie). The script does allow us to gape with incredulity at the Nietzsche-esque theories of the "superman" espoused by Shaw, and the gay subtext is amusingly, and cleverly, done but there's an inevitability about the whole story - we know what will happen, it does, and this creates an ultimate lack of tension (when compared to, for example, Hitchock's "Vertigo").
The direction is, as would be expected, smart and - naturally - innovative here. The camera drifts about from character to character, as Hitchock tries his "one cut" approach, and there's some nice background detail (such as Hitchcock's flashing neon signs) to show the passage of time/current theme. Overall "Rope" is well worth seeing - it's not quite a failed experiment, nor a successful one. It's a "curio" which is worth appreciating for realizing why it was never really emulated since.